Tag: "The War of the Worlds"
By Tim Weldon
University of St. Francis
Professor of Philosophy
JOLIET, Ill. — “The fun of the shudder,” novelist Edith Wharton called it. For listeners of the radio horror dramas of yesteryear, no further explanation of the quote is necessary. From the 1930s through the 1950s, Sunday to Monday and twilight to midnight, audiences circled the golden orb of the wireless for the thrill of the chill.
Company to play major role at forthcoming Talkers New York 2014
By Mike Kinosian
Managing Editor/West Coast Bureau Chief
LOS ANGELES —Radio’s collective resume is remarkably rich with astounding seminal moments and some breathtaking benchmark events; however, open for conjecture, of course, is the one singularly most important to the medium.
Few can dispute that a 62-minute October 30, 1938 segment would be at – or near – the top of a multitude of related “Top 10” lists.
That was when, without commercial interruption, the CBS Radio Network aired “The Mercury Theater on the Air” adaptation of H.G. Wells’ 1898 novel “The War of the Worlds.” Directed, narrated, and starring Orson Welles, the program suggested that a Martian invasion was in progress.
As much as any other solitary program, this particular stunning piece of radio history was responsible for linking the medium to the term “theater of the mind.”
LOS ANGELES — Summon up the term “theater-of-the-mind” and hardcore historians of the medium will instantly link it to what many consider one of radio’s authentic seminal points. In fact, roughly three months from now, that benchmark event will celebrate its 75th anniversary.
Rewind the clock to Halloween 1938, when a then-23-year-old Orson Welles and The Mercury Theater terrified America with “The War of the Worlds.”
Albeit that some classified the adaptation of an alien invasion as a tremendous hoax or fraud, it was inarguably compelling radio.
In its own way, such theater – or mystery – of the mind surfaces nightly on Premiere Radio’s four-hour (1:00am – 5:00am, Eastern Time) “Coast To Coast AM,” overseen with graceful aplomb by the tremendously eloquent George Noory.