Tag: "Hollywood"
Wednesday, August 12, 2015
National Radio Hall of Fame Voting Starts Today. After a five-year hiatus, listeners again have the opportunity to participate in selecting National Radio Hall of Fame inductees. For the next two weeks (through Wednesday, 8/26), voters can text 36500 with their one vote for the four nominees (each) in the “Music Format On-Air Personality” and “Spoken Word On-Air Personality” categories. National Radio Hall of Fame chair Kraig Kitchin declares, “These eight personalities are beloved by their listeners. Giving the audience an opportunity to participate in the process of acknowledging their favorite hosts for their contributions over the years just makes sense.” Nominees and text info for the “Music Format On-Air Personality” are Delilah (text “DELILAH” to 36500); Elvis Duran (text “ELVIS” to 36500); Steve Harvey (text “STEVE” to 36500); and Ryan Seacrest (text “RYAN” to 36500). Nominees and text info for the “Spoken Word On-Air Personality” are Sean Hannity (text “HANNITY” to 36500); Clark Howard (text “CLARK” to 36500); Jim Rome (text “ROME” to 36500); and Dr. Laura Schlessinger (text “DR. LAURA” to 36500). Listener-chosen winners will be announced at the end of this month (8/31), and we cannot forget that all-important fine print that “message and data rates may apply.” In addition to the two listener-voting categories, four categories are being voted on by a panel of 400 industry professionals. The induction ceremony takes place November 5 at the Museum of Broadcast and Communications in downtown Chicago.
IAB Gears Up For Debut Podcast Upfront Showcase. The one-day marketplace for advertisers and media buyers to preview podcast programming will be held next month (9/10) in New York City. Scheduled to present at Interactive Advertising Bureau‘s inaugural podcast upfront showcase include representatives from AdLarge Media, Midroll, NPR, Panoply, Podtrac, and WNYC. Industry Initiatives, IAB vice president Carl Kalapesi explains, “More and more advertisers are incorporating audio programming into their digital marketing strategies. The individual and intimate listening experience enjoyed by podcast listeners provides a unique vehicle for brands to connect with consumers. IAB is excited to bring so many digital audio leaders together to discuss their upcoming programming and the wide array of advertising opportunities available through podcasts.” Invited executives will get to preview content developments from each presenting company in 20-minute segments.
Cassell (Posthumously) Wins SCBA Radio Personality of the Year Award. The “State Television And Radio” (STAR) awards of the South Carolina Broadcasting Association honor “exceptional accomplishments of the state’s stations and their broadcast professionals.” Entercom-owned talk WYRD-FM, Greenville-Spartanburg host Russ Cassell (left), who passed away last year, won the “Radio Personality of the Year” award. Entercom market vice president and general
manager Steve Sinicropi declares, “The broadcasting legacy of Russ Cassell lives on; our entire team is grateful for the SCBA recognizing Russ with this important award.” The cluster’s production director Stan Fisher received STAR recognition for best production-multi spot campaign on rock WTPT “93.3 The Planet” for local attorney Rob Ianuario. In the station’s first year in the format, WYRD-AM “ESPN Upstate” sports broadcaster Greg McKinney was recognized with a “Sportscaster of the Year award of merit at the event, which was held in Columbia, South Carolina over the weekend.
McCollim Heads to Colorado Springs as iHeartMedia’s Senior VP/Programming. Transferring from Spokane where he programmed iHeartMedia talker KQNT and KKZX “The Classic Rock Station,” Jason McCollim is appointed senior vice president of programming for the company’s Colorado Springs and Pueblo stations. Senior vice president of programming/regional markets Tony Coles states, “McCollim is one of our rising stars. He has done an incredible job for us
in Spokane. His leadership skills and passion for programming will allow him to ramp up quickly and build immediate relationships with the programming and sales teams.” Colorado-Pueblo market president Darci Ewell comments, “Jason’s proven track record in Spokane and his versatile experience will make him an incredible asset to the Colorado Springs-Pueblo cluster. Jason brings a high level of energy and creativity that will greatly benefit our team.” McCollim remarks, “I am very excited about working with the fantastic iHeartMedia team in both Colorado Springs and Pueblo; thanks to Tony Coles and Darci Ewell for the opportunity to work in one of the most beautiful parts of our country.” McCollim spent more than 14 years at KQNT and KKZX; he is vice president of the Inland Empire Bloodhounds Search & Rescue. The Colorado Springs stations he will oversee are rhythmic CHR KIBT “The Beat”; hot AC KVUU “My-99.9”; adult contemporary KKLI “Sunny 106.3”; country KCCY “Y-96.9; and classic rock KDZA “Z-107.9.” The three Pueblo facilities are classic hits KPHT; KCCY “Fox Sports 1350″; and talk KCSJ.
Rdio Debuts Live Broadcast Radio. The global music streaming service begins with nearly 500 U.S. stations. Listeners can mark songs they like as a favorite, share the song, start a custom station based on the song or view more music by the artist. Paying subscribers to Rdio’s $3.99 and $9.99 plans can download songs for unlimited listening, add it to a custom playlist, listen to related songs from that artist or recently played songs on that station as often as they want. Rdio chief executive officer Anthony Bay comments, “We are committed to providing Rdio customers around the world with easy access to the audio content they want to hear through innovative features that enhance listening. Broadcast radio brands and talent continue to be the dominant tastemakers in music, so integrating live broadcast radio into Rdio’s critically acclaimed customer experience is an exciting development that we are thrilled to introduce.” Through a September 2013 partnership with Cumulus Media, Rdio has access to Cumulus’ programming and is promoted on Cumulus stations. Cumulus Media chief executive officer Lew Dickey states, “Bringing our national platform of stations to Rdio allows us to instantly create broader access for our listeners and new opportunities for advertisers to reach their target audiences. The combination of our premier broadcast assets with Rdio’s acclaimed user experience and music discovery features creates a full-service listening experience that is unparalleled.” In addition to music, live broadcast programming includes sports content from local stations as well as through Cumulus Media’s Westwood One. Featured stations include Cumulus Media-owned country WNSH, New York; rock KLOS, Los Angeles; triple-A KFOG, San Francisco; urban-rhythmic oldies WRWM, Indianapolis; and country WSM-FM, Nashville. Additional stations will launch later this year.
WOWO Producing 90-Year Retrospective. The Fort Wayne (Indiana) talk outlet is observing its 90th anniversary and – appropriately enough – is putting together a 90-minute documentary. Station executives are in the process of gathering interviews from former employees for the special, which will cover WOWO’s impact and reach. In addition to audio samples of historic and comical moments, Bob Sievers, Jack Underwood, Jay Gould, and Bob Chase are among those who will be featured. Program director Ryan Wrecker (Wrecker@WOWO.com) is seeking station memorabilia that can be displayed during the ongoing celebration, as well as memories past staffers or listeners would like to share. Those contributing will receive a preview edition of the special, which is scheduled to air on Federated Media-owned WOWO (Thursday) November 19.
KNX Schedules Second Annual Blood Drive. In light of the fact that blood donations typically dip during summer months, KNX, Los Angeles is joining the American Red Cross for the CBS Radio all-news outlet’s second annual blood drive. The five-day event at participating Red Cross blood centers starts two weeks from Saturday (8/29) and concludes the following Wednesday (9/2). CBS Radio vice president/Los Angeles market manager Dan Kearney
comments, “KNX is proud to team up with the Red Cross once again as we expand our blood drive effort. We know summer is a challenging time for people to think about donating blood, and we hope to raise awareness so our listeners will lend their support and help the Red Cross maintain a safe and stable blood supply.” American Red Cross Southern California blood services external communications manager Tony Briggs notes that although many donors stepped up to give following a pressing call issued earlier this month, “The American Red Cross continues to have an urgent need for blood donors of all blood types to give before Labor Day.” Last year’s inaugural two-day KNX blood drive produced 834 pints of blood, which helped 2,502 patients. Greater Los Angeles/Southern California donation locations include Arcadia, Glendale, Santa Monica, Claremont, Downey, Fountain Valley, Fullerton, Granada Hills, Los Angeles, Laguna Hills, Long Beach, Pasadena, Pomona, Rancho Cucamonga, Santa Ana, Santa Clarita, Thousand Oaks, Torrance, West Covina, Woodland Hills, and Yorba Linda. As an incentive (and while supplies last), blood drive sponsor – The Southern California Gas Company – will give blood donors a KNX emergency preparedness guide; two tickets to Hollywood’s Laugh Factory; a ticket to Madame Tussauds Hollywood; and a sample of Hawaiian Host chocolates.
Maranville Departs USA Radio Networks. One-year USA Radio Networks chief content officer-director of channel development Tim Maranville exits. He expresses thanks to “everyone at USA for all the hard work, especially show hosts Steve Deace, Kevin Jackson, Steve Noble, Jim Sharpe, Joe Messina, Chris and Emilee, Angie Austin, and Tony Perkins. The future is bright and I hope to have one, maybe two, announcements about my next contribution to the planet by mid-September.” Maranville joined USA after a nearly six-year run as vice president of programming at Westwood One. He previously was vice president and director of operations of the Denver Radio Company; vice president and director of operations of Sun City Communications; director of operations at KFRC, San Francisco; and director of operations of Phoenix stations KMLE, KOOL, and KZON. In addition, he owns/operates Mutations Media and he co-owns The Show Must Go On, an independent syndication consulting and affiliation company.
Donald Trump Continued to be the Second Most Talked About Person on News/Talk Radio Yesterday — a VERY close second to Barack Obama (8/11). Top topics include the Presidential Race, the Iran Nukes Deal, Immigration Reform and the Chinese Economy. According to TALKERS research, fallout from last week’s audience record-breaking GOP debate on Fox News Channel continues to dominate conversation on news/talk radio across America and people (and the media) remain fixated on Donald Trump. Other hot topics include the presidential election in general, Hillary Clinton’s email controversy and the global economic impact of China’s devaluation of its currency.
Sunday, June 7, 2015
“Back to the Future” Moments for PodcastOne’s Agovino. As part of his “weird-new” role as PodcastOne executive vice chair, Mike Agovino is discovering more “differences” in the podcast marketplace than “commonalities” to challenges encountered the last ten years by digital music and broadcast streaming entities. “It is much less about the science of advertising and it is much more about the art of advertising,” he remarks to Mark Ramsey Media president Mark Ramsey in a 30-minute, one-on-one interview during this past week’s hivio 2015 conference. Having spent ten years inside Triton Digital as its chief operating officer, Agovino recounts that the company had “an ad platform, a content delivery network, and it built apps for people. With hundreds of brand names across the canvass, there is a very scientific approach to connecting the right ad to the right person at the right time to create some kind of results,” he declares. “It is so much ‘science’ that, if you live in it long enough, you lose your feel for the ‘art.'” Approximately 27 years ago, self-described Howard Stern “freak” Agovino was living in New York and faithfully listened to the fabled morning man every day. When it was time for the former president of Katz Radio and ex-chief operating officer of Clear Channel Radio Sales to lease a new car, he drove 15 miles out of his way to the Long Island dealership for which Stern regularly voiced a paid endorsement. “That was me saying ‘thank-you’ to Howard,” Agovino emphasizes. “It was not me necessarily wanting” to give that particular establishment the business but “it was me giving appreciation to Howard for all the laughs.” Stern’s “influence” over Agovino to sign the car lease was considerable and as he hastens to add, that meant he had to drive that extra 30-mile (roundtrip) distance “for
every service visit” for a three-year period. “It is love for a show,” Agovino insists. “That was not part of my last ten years but it is very much part of what we do at PodcastOne, so it is “back to the future.’ It is digital media, but it is one-to-one and back to the art form of what made me fall in love with radio advertising.” When Agovino gets together with his former Katz co-workers, he points out there is considerable laughter. “We enjoy what we went through back then and we talk about how much fun the business was. More times than not, when you get in a discussion with someone you have known for 25 – 30 years in the audio business, the closer you get to the present moment in the discussion, the less fun you will be having. That sucks for all of us and it is unfortunate.” He has, however, rediscovered the ‘art’ piece of the business and Agovino did not realize how much he missed it. What he has found to become important on the podcast side is that, “It is almost less about targeting a listener and more about making sure you have a great match of product to host. When you try to apply the science of audio impressions to what is happening right now in podcasting, none of the numbers work. They do not make any sense because … there are no rules. We might say to someone who is the right match with the right host we won’t let anyone else in because the credibility of this voice speaking about your brand will last as long as we can continue to make the acquisition of customers in that model an efficient thing for you.” PodcastOne is looking at having its hosts talk about an advertiser a minimum of two minutes throughout the course of an hour without, as Agovino explains, “doing it more than ten seconds at any point – and there is no copy. It has to start from a place of authenticity. The host has to ‘buy-into’ the product or you move onto the next host because it is not going to work for the long haul.” One of the “most traumatic” days in Agovino’s radio sales career occurred when his rep firm lost WMAL, Washington, D.C. but picked up cross-town WTOP the same day. For years, he had been proudly touting WMAL as “the voice of news” in the nation’s capital. “If you approach this with deep sincerity,” he remarks, “it is difficult” to suddenly knock on doors, talking up what had been the competition. “Traditional” ratings metrics, Agovino opines, will not matter that much in this space, although he concedes, “They will happen” and they are “easy enough to produce.” Much more important will be “attribution metrics and convergent metrics. There are many ways to analyze how a particular show produces results within a specific category.” The most recent stats Agovino has seen indicate there are 21.3 million hours of podcasting listening a day. “It is hard to know how big the universe is and how big a piece of that universe you have,” he mentions. A different economic model exists in podcasting since, as Agovino explains, “For the most part, the hosts are taking risks with you and they
are not getting guaranteed seven-figure annual checks: We are in this together.” He suggests, “If you have a talent who has influence and impact on a ‘tribe,’ figure out a way to [do a podcast], but you cannot do what you did with streaming. You cannot move it over to digital and expect it to work. This is an infinite dial with niches and sub-niches. Expansion of shows will be tremendous. Things that we are doing and bringing up are ‘kid-in-a-candy store’ stuff for me.”
Public Relations Maven Defines “GMOOT.” After working as public relations director at the Columbia Business School, Richard Laermer founded RLM PR in 1991. He was among the participants at Los Angeles’ hivio 2015 seminar who maintains the audio world is in a state of flux. “Many brands underestimate their audience,” Laermer notes to Mark Ramsey Media president Mark Ramsey in a one-on-one interview. “There is no sense of teasing-out the information about that brand, starting with something small; building upon it; and getting people excited about it.” Referring to Google as the “ultimate PR player, author-media trainer-blogger Laermer states, “They have built upon one message, which is the democratization of everything – even their missteps have always been messaged as the democratization of ‘X,’ ‘Y,’ or ‘Z.’ I respect that a great deal.” One major problem with brands is that everything is short-lived. “In the PR and advertising world, we refer to it as ‘GMOOT,'” Laermer points out of the “Get Me One Of Those” acronym. People who stand behind things “get ahead much faster,” he states. “That seems like common sense but as Aristotle said, ‘There is nothing common about common sense.’ Every single person we interact with – regardless of age – is looking for something to talk about and something to report. If we are consistent, we have the ability to give them that.” It is Laermer’s contention that “public figures” such as on-air personalities and podcasters need to convey what they stand for, “what they believe in, and what they are certain about” because,
“These are things that people actually care about. People do want to know what a ‘personality’ thinks about ‘the issues.’ In the land of the tease, you want to be certain that people will come back for more.” Advising that, “It cannot be about the technology,” Laermer states, “It has to be about who are you and what you are putting out there.” Featuring 11 Ramsey-conducted interviews and five presentations, the two-day hivio 2015 conference was held Thursday (6/4) and Friday (6/5) at Hollywood comedy club The Improv.
Saturday, June 6, 2015
“Secret Weapon” Reveals Radio’s Greatest Ally. As vice president of talent development, iHeartMedia‘s Dennis Clark is often referred to inside the company as its “secret weapon.” Interviewed in Los Angeles by Ramsey Media president Mark Ramsey during hivio 2015, Clark emphasizes that talent is the “difference maker of what radio is today” and what the medium could be in the future. “At iHeartMedia, we realize that our point difference is the talent we have on our radio stations,” he acknowledges. It is up to an individual talent though to have personal drive and that starts, Clark suggests, when they raise his or her hand. “They might become super-irritating or annoying, but we really love it,” he comments because it shows that a person “has the energy and the spirit.” At that point, the person has most likely researched the station for which they want to work, or what their “act” could be. “It has to be a great show inside what the station is,” Clark states. “The person has to really know [that particular] station’s brand, its overall, 24-hour mission, and where [he or she] fits into that package.” That philosophy of Clark’s, which he readily admits is not easy-to-teach, applies to all day-parts, not simply morning drive. In order to get his point across to talent, Clark uses examples of other people “who have built a brand.” For example, Bobby Bones – who formerly did mornings on iHeartMedia Austin CHR KHFI “Kiss-FM” – approached (iHeartMedia’s Premiere Radio Networks) with the idea of syndicating his 6:00 am – 11:00 am morning drive program to country stations. “We listened to his show as-is and felt it could fit,” Clark recounts. “The opportunity came for him in Nashville” on iHeartMedia’s country WSIX-FM “The Big 98” and “he went all-in. His CHR experience has been very helpful for him. He understood – and was a great student of – branding. It is very important that talent [get] that.” While iHeartMedia has quite a number of talented on-air personalities at its hundreds and hundreds of stations, no one has a higher profile than “American Idol” host and television production mogul Ryan Seacrest. Not only does the man spearheading morning drive with Ellen K on CHR KIIS “Kiss-FM” accept direction, he welcomes it. That, Clark stresses, is a characteristic of a great talent. “It goes to show his drive. Really great personalities have many ideas, but they also know when something is not working. Each show is unique and the ideas have to come from them. Ryan seizes the opportunity to have the conversation at the right time.” Years ago on Seacrest’s show, there was a producer whose nieces
and nephews were big fans of “Hanna Montana,” the 2006-2011 Disney Channel television program starring Molly Cyrus. Seacrest played a few of her records, even though the label – Hollywood Records – was not actively promoting them. “At the time, it was a fad and it became a phenomenon,” Clark explains. It might be said that one particular social media platform is also “a fad that has become a phenomenon” and Clark declares, “Twitter has been the best thing for radio. It is now; it is in the moment; and it is interactive.” Among the beliefs at iHeartMedia is that the more ears that hear their company’s shows the better – regardless of method of distribution. “This is a cume business,” Clark puts forth. “The more you invite – the more people will come. The more that they hang into a show, [the greater the chance that] they could become raving fans and disciples of the brand you are developing.” The two-day hivio 2015 conference was held Thursday (6/4) and Friday (6/5) at Hollywood’s Improv.
Are Television Ratings No Longer Relevant? A production of Chicago public radio station WBEZ, “Serial” was a hot topic of conversation during the two-day (Thursday, 6/4 and Friday, 6/5) hivio 2015 seminar in Los Angeles. Among those invoking the Peabody Award-winning podcast was TV Guide Magazine Los Angeles bureau chief Michael Schneider, who possesses more than 20 years covering the television business. Regarding “Serial,” he points out to Mark Ramsey Media president Mark Ramsey that, “It is a game-changer and has television people talking, and you don’t hear television people talk too much about audio. You can see the impact of ‘Serial’ on television, which is ironic because ‘Serial’ reminded television people of ‘Dateline NBC‘ and ’48 Hours.'” the most Perhaps the most important issue in television these days is ownership. In announcing their fall lineups, TV network executives indicated they are picking up more of their own in-house productions. “That’s the way [the networks] still make money,” Schneider explains. “They are not making it on advertising anymore because ratings are going down.” NBC and Fox are in the distribution space; however, as the former 12-year television editor of the trade publication Variety points out, people no longer consume programs on those networks live. “They are watching their shows time-shifted, on Hulu.com, or someplace else.” It is Schneider’s contention that television ratings no longer matter. “Look at Netflix – look at Amazon,” he stresses. “We constantly bug Netflix to have them tell us who is watching, but they will not do it. I have no idea who is watching ‘Orange is the New Black.’ All they say is that it is their top-rated show, but that does not help me at all.” Given they do not sell advertising, there is no need to disclose that information – and they are not doing so. Several of Schneider’s friends work at Netflix. Their feedback is that Netflix has figured out just what the audience wants and the company has it down to a science. A strong partisan of CBS Radio Los Angeles alternative outlet KROQ morning drivers Kevin & Bean, Schneider downloads their four-hour show each day. “They do a fantastic job and I love them,” he proclaims of the recent Radio Hall of Fame inductees. “When you take out the music and commercials, they do about two hours of content every day. I have a ridiculous one-hour [one-way] commute.” By the time Schneider leaves for work and then returns home, he has listened to all two hours of the “Kevin & Bean” content. “In the ‘old days,’ I would have heard bits and snippets of their show going in, but nothing on the way home,” he states. “Now, I get a concentrated two-hour dose of that show every day. I am more in-tune to what they are doing.” As a result, he has become even
more of an “avid fan” of their daily broadcasts since he feels a greater investment in the program. On the flipside, he no longer listens to the terrestrial station (KROQ). Particularly this time of year, which is Emmy campaign season, Schneider is moderating panel discussions with major television stars and producers. Relevance to a radio audience is that Schneider is a podcaster for Los Angeles public outlet KCRW (Santa Monica Community College). He brings along a digital recorder to his panel sessions and is able to have a “bonus edition” to his “The Spin-Off” podcast. “Suddenly, I am doing four podcasts a month,” Schneider explains. “All I have to do is ask my pals at KCRW to edit it down a little bit. We are in the early experimental stages of podcasts where we can get away with doing something like that. People are hungry for content so they dig it. The more I give, the more I hear from people.”