Tag: "total line reporting"

Thursday, February 21, 2019

| February 21, 2019

40th Anniversary of Founding of Guardian Angels Coincides with Release of SLIWONICS. Tonight, Cumulus Media’s WABC, New York and early afternoon personality Curtis Sliwa are celebrating the 40th anniversary of Sliwa’s founding of the Guardian Angels at the company’s Hackensack Meridian Health Stage 17 at WABC Radio.  At the same time, Sliwa’s book titled, SLIWONICS, is being released.  Sliwa says the book “explains the many terms that I have used in 27 years of doing talk radio that are malaprops, spoonerisms, and fractured phrases.” He says that this evening he will read from the book “in a ‘Masterpiece Theatre’ way.”

Mayfield Promoted at Ramsey Media. Media executive Brian Mayfield is promoted to the role of executive vice president of Ramsey Media – the company founded by nationally syndicated talk radio star Dave Ramsey.  The company says that this move expands his role to include the Ramsey Solutions Operating Board and Executive Committee speaking into global initiatives company-wide.  Mayfield continues to lead Ramsey Media managing distribution and monetization of The Ramsey Network that features “The Dave Ramsey Show,” “The Rachel Cruze Show,” “The Chris Hogan Show,” “The Ken Coleman Show,” “Business Boutique,” and “The Anthony O’Neal Show.”  Mayfield joined Ramsey Solutions in 2009 and has led the Ramsey Media team since 2012.

Armstrong & Getty Interview Outspoken News Pro Lara Logan. On the heels of her much-publicized interview with former Navy Seal and podcaster Mike Ritland, former CBS News reporter Lara Logan appeared on the KSTE, Sacramento-based Armstrong & Getty program to talk about political bias, objective journalism, and more.  She’s been embraced by conservatives since this story first broke for calling out news organizations for their lack of objectivity.  However, she told Armstrong & Getty, “I just want to say one thing.  If I say one thing loudly and clearly, louder than anything I ever said, I want to say if there is any person out there or any group that is trying to paint me as some kind of ‘right-winger’ or some kind of conservative, I reject that with every fiber of my being and my soul.  I reject that with everything in me.  I am not a politician and I am not going to be labeled by any of them.  I do my job the same way no matter who’s in power.  No matter who’s in power I do my job the same on ‘60 Minutes’ as I did on a newspaper in South Africa or when I was filling in for radio stations.”  Hear the interview here.

Westwood One News Scores Deal for 45 Cox Media Group Music Stations. A new agreement to provide breaking news coverage on 45 Cox Media Group music stations in Atlanta, Houston, Tampa, Miami, Orlando, San Antonio, and other markets – in addition to the signing of news/talk WWBA-AM, Tampa – puts Westwood One News at the 900-affiliate mark.  The company also reports the re-signing of affiliates, including: WINS-AM, New York and KYW-AM, Philadelphia.  Cumulus Media EVP, marketing and president of Westwood One Suzanne Grimes says, “Westwood One News has expanded rapidly due to our trustworthy global news reporting, which stations can locally brand and seamlessly embed into their programming. Reaching 900 stations over four years is an amazing milestone and a testament to Bart Tessler, Jim Jones, the Westwood One News team, and our affiliate sales team.”

Francesa-Kay Battle in New York Illustrates Challenges Faced in Selling Talk. The Andrew Marchand column in the New York Post addressing the sports talk radio battle between WFAN’s Mike Francesa and WEPN’s Michael Kay highlights some of the challenges facing talk broadcasters – sports, news/talk, or otherwise – when it comes to selling based on ratings.  Marchand reports that Kay beat Francesa in Nielsen’s January PPM (Men 25-54) with a 5.8 share over Francesa’s 5.0 share.  The piece goes on to address the difference in ratings when a station uses Total Line Reporting.  Further, Marchand notes that if total audience is the ultimate measuring stick, then Kay’s YES Network television audience needs to be included, too.

TALKERS News Notes. The mayor of Atlanta made news there by responding to a social media post by former WSB-AM/WSBB-FM talk host and current commentator Neal Boortz.  WXIA-TV, Atlanta reports that Mayor Keisha Lance Bottoms took issue with Boortz’s tweet that compares the Democratic Party’s treatment of blacks today to that of plantation owners during slavery.  You can see the story here.  Though Boortz retired from his regular talk show in 2013, he still does a daily commentary for WSB…..Chicago media writer Robert Feder reports that longtime Chicago journalist and former WCPT-AM, Chicago talk host Ben Joravsky is back in the audio game with a new, daily talk show being streamed live by the Chicago Reader and the Sun-Times…..Podcast producer Cadence13 is named to Fast Company’s annual list of the World’s 50 Most Innovative Companies for 2019. The list honors the businesses making “the most profound impact on both industry and culture, showcasing a variety of ways to thrive in today’s volatile world.”  Cadence 13 partners Spencer Brown and Chris Corcoran say, “We are thrilled to be recognized by Fast Company as one of the most innovative media companies of 2019.  This wouldn’t be possible without the trust and dedication of our incredible partners, the hard work, passion and execution of our entire team, and the creative and innovative environment we promote here at C13.”

Trump-Russia Investigation, Border Wall Emergency Declaration Challenge, Jussie Smollett Case, 2020 Presidential Hopefuls, Putin Threatens U.S., Catholic Church Sexual Abuse Scandal, Venezuela Unrest, and NBA/NCAA Action Among Top News/Talk Stories Yesterday (2/20).  The expectation that the Robert Mueller-led investigation into possible connections between Trump campaign operatives and Russian agents will wrap soon; the U.S.-Mexico border wall project, President Trump’s emergency declaration, and the 16 states suing over the emergency declaration; actor Jussie Smollett is charged with filing a false police report after charging he was assaulted in Chicago; the Democrats declaring their 2020 presidential candidacy; Russian president Vladimir Putin threatens the U.S. with military retribution if the U.S. installs missiles in Europe; the Vatican’s plans to take up issues surrounding the cascade of sexual abuse charges against its clergy; the political unrest in Venezuela as conditions under Nicolas Maduro deteriorate; and NBA and NCAA basketball action were some of the most-talked-about stories on news/talk radio yesterday, according to ongoing research from TALKERS magazine.

Music Radio News and Career Moves. Next month’s iHeartRadio Music Awards will include three new awards to be given to artists during the two-hour, live television and radio event. The 2019 iHeartRadio Music Awards will honor Alicia Keys with the iHeartRadio Innovator Award; Garth Brooks with the Artist of the Decade Award; and Halsey with the iHeartRadio Fangirls Award presented by L’Oréal Paris.  The sixth annual iHeartRadio Music Awards airs live on Thursday, March 14 from 8:00 pm to 10:00 pm on FOX TV and across iHeartMedia radio stations as well as the iHeartRadio platform from Microsoft Theater in Los Angeles…..Westwood One is launching a new, weekend radio show starring Elaina Smith called “With Elaina,” targeted to country music outlets.  WWO says the show is “designed for pop culture junkies, entertainment fans, and country music lovers” and “showcases Elaina doing what she does best – talking about life, love, movies, music, celebrity news, and of course, country music.” Smith says, “Launch day can’t come soon enough.  I’ve been waiting to do a show like this for years.  We’re going to have a blast bringing my pop culture background and millennial vibe to country music fans in a whole new way.”

January 2019 PPM Data – Round Two. January 2019 ratings information has been released for Washington (D.C.), Boston, Miami, Seattle, Detroit, Phoenix, Minneapolis, San Diego, Tampa, Denver, Baltimore, and St. Louis. Nielsen Audio’s January 2019 survey period covered January 3 – 30. See all the 6+ numbers from subscribing stations here. Meanwhile, managing editor Mike Kinosian (Kinosian@TALKERS.com) provides his “Takeaways” from all 12 of these PPM-markets.

Washington, DC

Spoken-Word Formats – Without a loss from June 2018 through November 2018 for an overall +1.6 (3.5 – 3.7 – 4.5 – 4.5 – 5.0 – 5.1, 6+), WMAL was then a combined -.8 in December and “Holiday” 2018 (5.1 – 4.6 – 4.3, 6+). Not only does the Cumulus Media news/talker bounce back with a January 2019 +1.4 (4.3 – 5.7, sixth to fifth, 6+), WMAL establishes a new record for its best 6+-stat (5.7) in the PPM-era.

Flat at #14, Entercom sports talk WJFK-FM “106.7 The Fan” returns half (one-tenth) of the two-tenths it picked up in “Holiday” 2018 (3.2 – 3.1, -.1, 6+). The +.2 in “Holiday” 2018 followed four straight down or flat trends that accounted for a collective loss of seven-tenths (3.7 – 3.6 – 3.6 – 3.3 – 3.0, 6+). Stuck on .9 (6+) in November and December, Radio One’s similarly-formatted WTEM “980 The Team” is a combined -.3 in “Holiday” 2018 and January 2019 (.9 – .8 – .6, #21 to #23, 6+).

After eroding by one full-share in “Holiday” 2018, Hubbard all-news WTOP roars back with a +2.0 (8.4 – 10.4, 6+) and returns to #1 with its best 6+-performance since March 2018 (10.4, as well). Having set the pace for 11 straight ratings periods, WTOP segued to the runner-up slot in December.

It took just one ratings period for American University-owned news/talk WAMU to completely obliterate “Holiday” 2018’s massive -2.2, as “The Mind Is Our Medium” hangs out a January 2019 +2.5 (7.3 – 9.8, fourth to second, 6+). There have been a plethora of major (6+) “Holiday” 2018 – January 2019 increases but this (WAMU’s +2.5) is the largest one we’ve seen in the 24 PPM-markets we’ve analyzed thus far. Immediately prior to “Holiday” 2018, WAMU was an overall +1.9 via five straight increases (7.6 – 8.0 – 8.2 – 8.3 – 9.0 – 9.5, 6+). While this (9.8) is the best 6+-stat for WAMU since May 2017’s 10.7, its 7.3 in “Holiday” 2018 is its softest 6+-stat since 6.9 in “Holiday” 2015. “The Mind Is Our Medium” finished at #2 ten 10 times in calendar year 2018.

Down or flat five straight times for a loss of two-tenths (.5 – .4 – .4 – .4 – .3 – .3, 6+), Entercom business news outlet WDCH doubles (+.3) its 6+-stat to .6 (#24 to #23, 6+).

Washington, DC Music Formats – Not only is Entercom hot AC-turned-classic hits-oldies WIAD an overall +1.5 via four straight up or flat trends (2.3 – 2.4 – 2.9 – 2.9 – 3.8, 6+), “94.7 The Drive – DC’s Greatest Hits” rockets into the top ten (#16 to #9). With a September through “Holiday” 2018 topline of 1.0 – 1.1 – 1.0 – 1.3 – 1.0 (6+), co-owned Spanish tropical WLZL “El Zol 107.9” posts a one-half share gain to 1.5 (#20 to #19, 6+), its strongest 6+-stat in just over one year (1.5, as well in “Holiday” 2017). Owing to four straight upticks (6.4 – 6.7 – 6.8 – 7.4 – 7.5, 6+), Radio One-owned urban AC WMMJ “Majic” is an overall +1.1 and continues at #3. At the same time, its format foe – Howard University’s WHUR – tacks on two-tenths to “Holiday” 2018’s +.9 (6.2 – 6.4, 6+), advancing from fifth to fourth. A collective -1.4 via three straight decreases (4.9 – 4.5 – 4.0 – 3.8 – 3.5, 6+), Atlantic Gateway Communications contemporary Christian WGTS “91.9 Christian Music Radio” picks up one-tenth to 3.6 (6+) and returns to the top ten (#12 to #10). Manning Broadcasting hot AC and classic hits-oldies cluster-mates WAFY “Key 103” and WWEG “106.9 The Eagle”  surface at .8 (#21, 6+) and .6 (#23, 6+), respectively. A combined +5.6 in December and “Holiday” 2018 (4.8 – 7.3 – 10.4, 6+), iHeartMedia adult contemporary WASH “97.1 Washington’s Variety of the ‘80s ‘90s and Today” sputters by -6.1 in January 2019 to 4.3 (6+), tumbling from first to sixth. Prior to being -1.0 in November, WASH was +2.1 in September and October (3.7 – 4.4 – 5.8, 6+). Forfeiting nearly all of the seven-tenths it accrued in “Holiday” 2018 (4.0 – 3.4, -.6, 6+), Greater Washington Educational Telecommunications’ WETA “Classical 90.9” exits the top ten (#7 to #12). When WETA dropped three-tenths in December, it halted at five its consecutive string of up or flat trends that accounted for a collective +1.4 (2.2 – 2.3 – 2.9 – 3.5 – 3.6 – 3.6, 6+).

Boston

Spoken-Word Formats – Having faltered by -1.1 in December and “Holiday” 2018 (3.2 – 2.6 – 2.1, 6+), iHeartMedia news/talk WRKO “AM 680 – The Voice of Boston” notches a +.1 to 2.2 (6+) and carries on at #17.  November 2018’s 3.2 is the best 6+-stat for WRKO in more than four years (3.3, November 2014).

There are more wild fluctuations for this market’s two mammoth sports talkers as Entercom’s WEEI-FM answers “Holiday” 2018’s loss of seven-tenths with a +1.7 (3.7 – 3.0 – 4.7, 6+) to return to the top ten (#11 to #8), while Beasley Media Group-owned WBZ-FM “98.5 The Sports Hub” piles on a +1.6 to its one-half share increase in “Holiday” 2018 (5.1 – 5.6 – 7.2, third to second, 6+). Off by -1.0 in December, WBZ-FM is the key station of the Super Bowl champion New England Patriots, as well as the Boston Celtics and Boston Bruins. The flagship of the 2018 World Series champion Boston Red Sox, WEEI-FM cratered two full-shares in December.

While it is unchanged at #6, iHeartMedia-owned news-talk hybrid WBZ-AM “News Radio 1030” posts a +1.2 to 5.5 (6+), thus applying the brakes to four straight decreases that resulted in a collective -1.1 (5.4 – 5.3 – 5.0 – 4.9 – 4.3, 6+).

In one fell swoop, Boston University news/talker WBUR makes its overall -1.5 through five consecutive down or flat ratings periods (5.7 – 5.5 – 5.5 – 5.5 – 5.1 – 4.2, 6+) vanish with a +1.5 (5.7, seventh to fifth, 6+). Even though WGBH Educational Foundation news/talk WGBH gains two-tenths (2.4 – 2.6, 6+), it backslides from #14 to #15.

Boston Music Formats – Off one-tenth in back-to-back reports (6.9 – 6.8 – 6.7, 6+), iHeartMedia mainstream CHR WXKS-FM “Kiss 108 – Boston’s #1 Hit Music Station” responds with a gain of six-tenths to 7.3 (6+), marching from second to first. This (7.3) is the highest 6+-showing since August 2018’s 7.8 for “Kiss,” which was #1 from January 2018 through November 2018. With a November – December – “Holiday” 2018 topline of 5.6 – 5.7 – 5.6 (6+), Beasley Media Group classic hits-oldies WROR “105.7 – 80s & More” records a +.6 as well (6.2, steady at #3, 6+). Logging improvements of one-half share (each) are Entercom hot AC WWBX “Mix 104.1 – Boston’s Best Variety” (3.4 – 3.9, unchanged at #9, 6+) and co-owned WAAF “107.3 – The Only Station That Really Rocks” (1.2 – 1.7, #22 to #20, 6+). Within 2.2 – 2.9 range (6+) the past 19 sweeps, iHeartMedia rhythmic CHR WJMN “Jam’n 94.5” busts out a +.4 to 3.1 (#13 to #12, 6+). Owing to three straight increases (5.3 – 5.6 – 8.9 – 14.5, 6+), Entercom adult contemporary WMJX netted a +9.2 and spent December 2018 and “Holiday” 2018 at #1. In January 2019, however, “Magic 106.7 – Today’s Hits & Yesterday’s Favorites” sputters by -8.4 to 6.1 (6+) and slips to fourth. “Holiday” 2018’s 14.5 is its strongest 6+-showing since 14.8 in “Holiday” 2015. The market’s (6+) adult contemporary share takes a further hit as iHeartMedia’s WSRS “96-1 SRS – Worcester’s At-Work Station,” which more than doubled (+.9) its 6+-share since surfacing in August 2018 (.6 – .6 – .6 – .6 – 1.1 – 1.5, 6+), surrenders one full-share to .5 (#20 to #27, 6+). Despite adding one-tenth to 3.6 (6+), thus ending seven successive down or flat reports that accounted for a combined loss of -1.2 (4.7 – 4.5 – 4.3 – 4.2 – 3.8 – 3.8 – 3.7 – 3.5, 6+), Beasley Media Group’s WKLB “Country 102.5” backslides from eighth to tenth. Its format rival – iHeartMedia’s WBWL “101.7 The Bull – Boston’s #1 For New Hit Country” – is without an increase for the third straight time for a -.3 (2.1 – 1.8 – 1.8 – 1.8, #18 to #19, 6+).

Miami

English-Language, Spoken-Word Formats – A combined -.3 in December and “Holiday” 2018 (2.5 – 2.4 – 2.2, 6+), iHeartMedia news/talk WIOD “News Radio 620 – Miami’s News, Traffic, & Weather Station” recaptures two-tenths to 2.4 (6+) and carries on at #18. Its December loss of one-tenth halted three consecutive gains that yielded six-tenths (1.9 – 2.0 – 2.2 – 2.5, 6+).

Over the course of the last nine sweeps (May 2018 – “Holiday” 2018), Entercom’s WQAM has logged a .9 (6+) six times and a .8 (6+) the other three. In January 2019, however, “Sports Radio 560” is down three-tenths to .6 (#25 to #26, 6+). It is tied with co-owned WAXY “Sports Talk 790 The Ticket,” which is without an increase for the third straight time (.9 – .6 – .6 – .6, #30 to #26, 6+).

After surrendering six-tenths in “Holiday” 2018, Dade County School Board news/talk WLRN answers with a +.7 (2.2 – 1.6 – 2.3, 6+) and returns to the top twenty (#21 to #20, 6+).

Miami Music Formats – As the result of a +.7, Cox Media Group urban contemporary WEDR reaches a 5.2 (seventh to sixth, 6+) and ends three straight flat or down trends (4.7 – 4.7 – 4.7 – 4.5, 6+). Moreover, this (5.2) is the first time since February 2017 that “99 Jamz” isn’t within 4.0 – 4.9 range (6+). Flipping “Holiday” 2018’s seven-tenths’ loss into a January 2019 gain of six-tenths (3.9 – 4.5, 6+), Spanish Broadcasting System Spanish tropical WXDJ “106.7 El Zol” climbs from ninth to eighth; 3.9 in “Holiday” 2018 is its lowest 6+ showing since May 2018’s 3.7. Flat at #15, iHeartMedia-owned CHR WHYI “Y-100 Miami’s #1 Hit Music Station” is without an increase for the fourth straight sweep for a collective -.5 (3.4 – 3.3 – 2.9 – 2.9 – 2.9, 6+). On the other hand, Cox Media Group’s similarly-formatted WFLC “Hits 97.3” is up one-tenth to 3.1 (#13 to #12, 6+), thus snapping three successive down or flat trends that produced an overall loss of three-tenths (3.3 – 3.2 – 3.0 – 3.0, 6+). Without an increase the last three reports for a three-tenths’ deficit (2.9 – 2.7 – 2.7 – 2.6, 6+), Entercom’s WKIS “Kiss Country 99.9” posts a one-half share increase to 3.1 (#17 to #12, 6+). For the ninth straight ratings period, an adult contemporary occupies Miami’s lead position (6+). This time, it’s Cox Media Group-owned WFEZ “Easy 93.1” (7.1 – 7.4, +.3, second to first, 6+), which dislodges/trades places with Entercom’s similarly-formatted WLYF “101.5 Lite FM” (6.4, -.9, first to second, 6+). Entering the “Holiday” 2018 sweep, “Easy 93.1” finished on top seven straight times. It bounced back from November’s loss of seven-tenths with a December increase of three-tenths. Meanwhile, “Lite FM” had been an overall +1.9 through three positive spikes in succession (5.4 – 5.7 – 6.2 – 7.3, 6+) and notched its best 6+-stat (7.3) since January 2018’s 7.4. WLYF erased half of October’s -.6 with a November improvement of three-tenths. A collective +1.0 via five straight up or flat trends (3.9 – 4.6 – 4.6 – 4.7 – 4.8 – 4.9, 6+) iHeartMedia Spanish contemporary WZTU “Tu 94.9 FM Donde Viven Tus Hits” returns two-tenths to 4.7 (sixth to seventh, 6+). Off six-tenths (3.6 – 3.0, 6+), Spanish Broadcasting System Spanish contemporary WRMA “Ritmo 95.7” fades from the top ten (#10 to #14). With similar call letters of aforementioned WRMA, Moody Bible Institute’s religious teaching WRMB all but disappears (1.5 – .2, -1.3, #32, 6+).

Seattle

Spoken-Word Formats – An overall -1.7 through three straight negative trends (6.6 – 6.0 – 5.7 – 4.9, 6+), Bonneville news/talk KIRO-FM responds with a January 2019 +.7 to 5.6 (fifth to third, 6+). Its November loss of six-tenths curtailed three straight gains which yielded a +1.5 (5.1 – 5.9 – 6.1 – 6.6, 6+). Co-owned KTTH breaks a negative streak as well: “Conservative Talk Radio” dials up a +.4 to 1.9 (flat at #22, 6+), ending a December and “Holiday” 2018 mini-slide that nonetheless resulted in slicing in half (-1.5) its 6+-share (3.0 – 2.1 – 1.5, 6+). Just before December’s decrease, KTTH put together three increases in a row for a collective +.9 (2.1 – 2.3 – 2.9 – 3.0, 6+). Continuing this theme, Sinclair Broadcast Group-owned KVI “Talk Radio 570,” which was a collective -.4 in December and “Holiday” 2018 (1.3 – 1.2 – .9, 6+), is up one-half share to 1.4 (#25 to #24, 6+). Through six straight May through November reports without a loss, KVI was up three-tenths (1.0 – 1.1 – 1.1 – 1.1 – 1.1 – 1.3 – 1.3, 6+).

Not so lucky as its Seattle news/talk counterparts, Bonneville sports talk KIRO-AM is an overall -1.1 in three straight setbacks (4.1 – 3.9 – 3.8 – 3.0, 6+) and drifts out of the top ten (#10 to #14). “ESPN 710,” the flagship of the Seahawks and Mariners, was up by a combined seven-tenths in October and November. By logging a +.6 to 1.6 (6+), iHeartMedia-owned KJR-AM climbs from #24 to #23. “Seattle’s Sports Radio 950” was down a collective four-tenths in December and “Holiday” 2018 (1.4 – 1.3 – 1.0, 6+), following four consecutive up or flat sweeps that nearly tripled (+.9) its 6+ AQH share (.5 – .7 – .9 – 1.4 – 1.4, 6+).

Trending 2.7 – 2.4 – 2.4 (November – December – “Holiday” 2018, 6+), Sinclair Broadcast Group all-news KOMO improves by one-half share to 2.9 (#17 to #16, 6+). Off by three-tenths in December, KOMO was -.2 in June (2.6 – 2.4, 6+); +.2 in both August and September (2.3 – 2.5 – 2.7, 6+); -.2 in October (2.7 – 2.5, 6+); and +.2 in November (2.5 – 2.7, 6+).

On top in September 2018, Northwest Public Radio news/talk KUOW registers a robust +1.5 (5.9 – 7.4, 6+) and returns to #1, after spending December and “Holiday” 2018 in the runner-up slot.

Seattle Music Formats – Adding a +1.3 to its “Holiday” 2018 increase of four-tenths (5.3 – 5.7 – 7.0, 6+), Hubbard CHR KQMV “Movin’ 92.5 – Seattle’s #1 Hit Music Station” inches up from third to second with its highest 6+-stat (7.0) since July 2018’s 7.8. Down four-tenths in December and then by another six-tenths in “Holiday” 2018 (4.3 – 3.9 – 3.3, 6+), Entercom’s KKWF not only erases that entire full-share deficit with a +1.0 to 4.3 (6+), “100.7 The Wolf – #1 For New Country” zooms into the top ten (#15 to #8). In eight consecutive down or flat reports, hot AC sibling KHTP was a collective -1.4 (3.4 – 2.8 – 2.8 – 2.8 – 2.3 – 2.3 – 2.3 – 2.3 – 2.0, 6+), but “Hot 103.7” erases nearly half that shortfall with a +.6 to 2.6 (#20 to #18, 6+). There’s a bit of a similarity with iHeartMedia-owned KZOK “102.5 Seattle’s Classic Rock Station,” which is up a combined seven-tenths in “Holiday” 2018 and January 2019 (3.7 – 3.9 – 4.4, ninth to seventh, 6+), immediately after being a collective -1.6 in four consecutive sweeps without an increase (5.3 – 5.1 – 4.9 – 4.9 – 3.7, 6+). December 2018’s 3.7 is the lowest 6+-showing for KZOK since its 3.6 in December 2017. Notching a January 2019 uptick of one-half share as well is Entercom’s KNDD “107.7 The End – Alternative Seattle,” which is a collective +1.1 via five straight positive or flat trends (3.6 – 3.8 – 3.9 – 4.2 – 4.2 – 4.7, seventh to sixth, 6+). Without an improvement the past eight reports for a collective -2.2 (6.2 – 5.4 – 5.4 – 5.3 – 5.1 – 4.6 – 4.6 – 4.2 – 4.0, 6+), co-owned KISW “99.9 Seattle Rock Music” is up three-tenths to 4.3 (6+) and remains at #8. Having more than tripled (+7.8) its 6+-share as the result of three straight gains (3.4 – 4.1 – 8.8 – 11.2, 6+), Hubbard adult contemporary KRWM “Warm 106.9” surrenders a -6.4 to 4.8 (6+) and drops from first to fourth. Its November improvement of seven-tenths suspended four successive decreases that produced an overall -1.6 (5.0 – 4.3 – 4.1 – 4.0 – 3.4, 6+). On the heels of recording a “Holiday” 2018 +1.3, Sinclair Broadcast Group hot AC KPLZ “Star 101.5 Today’s Best Mix” returns it entirely (5.1 – 3.8, -1.3, 6+) and skids from fourth to tenth. “Holiday” 2018’s 5.1 is its highest 6+-stat since 5.7 in “Holiday” 2017. A collective +.8 through three straight up or flat trends (2.9 – 3.0 – 3.0 – 3.7, 6+), Crista Media contemporary Christian KCMS-FM “Spirit 105.3” sees it all disappear with a January 2019 loss of nine-tenths (2.8, #11 to #17, 6+).

Detroit

Spoken-Word Formats – Following its combined December and “Holiday” 2018 -1.7 (4.7 – 4.1 – 3.0, 6+), Cumulus Media’s WJR responds with a +.7 to 3.7 (#13 to #12, 6+). Entering the December 2018 sweep, “News Talk 760” was +1.1 through four straight gains (3.6 – 3.8 – 4.1 – 4.5 – 4.7, 6+).

The rollercoaster ride continues for Entercom sports talk WXYT-FM “97.1 The Ticket” which was +1.8 via three increases in a row (4.6 – 5.5 – 5.8 – 6.4, 6+); -1.3 (“Holiday” 2018); and now +.6 in January 2019 (4.6 – 5.2, 6+). Notwithstanding the increase, the flagship of the Pistons, Red Wings, Tigers backslides from fifth to eighth.    

Transforming “Holiday” 2018’s seven-tenths’ loss into a lofty +1.4 (6.1 – 7.5, 6+), co-owned WWJ “News Radio 950” leaps from the runner-up slot to #1. Its November one-half share decrease halted three consecutive gains that yielded an overall +1.6 (5.5 – 6.3 – 6.5 – 7.1, 6+).

Down one-tenth in back-to-back survey periods (1.8 – 1.7 – 1.6, 6+), Michigan Public Media news/talk WUOM makes up for it with a +.3 in January 2019 to 1.9 (#20 to #19, 6+). By gaining one-tenth in September, WUOM curtailed eight straight survey periods without an increase for a collective -.3 (1.9 – 1.9 – 1.9 – 1.8 – 1.8 – 1.8 – 1.7 – 1.7 – 1.6, 6+). Four straight gains by WDET resulted in an overall +.9 (.6 – .7 – .8 – .9 – 1.1 – 1.5, 6+), but the Wayne State University news/talk facility is now without an increase for the third straight time for a collective loss of three-tenths (1.5 – 1.3 – 1.2 – 1.2, flat at #22, 6+).

Detroit Music Formats – In addition to registering a +1.6 to 5.3 (6+), which pulls the plug on three successive declines that resulted in a cumulative -1.9 (5.6 – 4.9 – 4.7 – 3.7, 6+), Entercom-owned WYCD “99.5 – Detroit Country Music” returns to the top ten (#11 to #6). Ironically, WYCD isn’t the only Detroit out making a “Holiday” 2018 – January 2019 leap of +1.6, as Beasley Media Group’s WRIF “Everything That Rocks” does so as well (4.4 – 6.0, seventh to fourth, 6+). Its October 2018 – “Holiday” 2018 topline was 4.8 – 4.8 – 4.4 – 4.4 (6+). With a gain of nine-tenths to 6.9 (steady at #3, 6+), co-owned WCSX “94.7 – Detroit’s Classic Rock” wipes away precisely half of its December and “Holiday” 2018 -1.8 (7.8 – 6.6 – 6.0, 6+). A November improvement of one-half share suspended three straight declines that led to a -1.0 (8.3 – 7.9 – 7.4 – 7.3, 6+). WCSX spent four straight months at #1 before being dislodged in September. Progressing by nine-tenths as well is iHeartMedia CHR WKQI “Channel 95-5 Detroit’s #1 Hit Music Station” (4.4 – 5.3, seventh to sixth, 6+). Down or flat the past five sweeps for a -1.4 (5.2 – 4.8 – 4.4 – 3.9 – 3.8 – 3.8, 6+), Cumulus Media hot AC WDVD “96.3 Today’s Best Music and More” notches a +.7 to 4.5 (6+) and continues at #10. Also logging a +.7 is Detroit Classical & Jazz Educational Radio’s WRCJ “90.9 Classical Days/Jazzy Nights” (1.8 – 2.5, #18 to #17, 6+), which reaches a two-share (6+) for the first time since July 2018’s 2.0. Owing to four straight increases, iHeartMedia adult contemporary WNIC more than tripled (+12.2) its 6+-share since September (5.7 – 6.2 – 6.6 – 12.2 – 17.9, 6+) and spent December 2018 and “Holiday” 2018 at #1. In January 2019, however, “The Best Variety of the ‘80s, ‘90s, & Today” plummets by -10.8 to 7.1 (6+) and segues to #2. “Holiday” 2018’s 17.9 is easily the largest 6+ AQH share by any Detroit station in the PPM-era. Off two-tenths to 4.2 (6+), Beasley Media Group’s WMGC “105.1 The Bounce – Detroit’s Throwback Hip-Hip and R&B” ends three straight gains that netted a +1.1 (3.3 – 3.4 – 3.7 – 4.4, 6+) and exits the top ten (#7 to #11).

Phoenix

Spoken-Word Formats – An overall -1.5 in December and “Holiday” 2018 (4.3 – 3.5 – 2.8, 6+), after being a collective +1.2 via four increases in a row (3.1 – 3.2 – 3.3 – 3.6 – 3.8 – 4.3, 6+), KTAR-FM picks up six-tenths to 3.4 (6+) and is back in the top ten (#12 to #10). In November, the Bonneville news/talk outlet reached the four-share level (6+) for the first time since January’s 4.0. Off three-tenths in back-to-back survey periods (2.9 – 2.6 – 2.3, 6+), iHeartMedia’s KFYI regains one-half share (2.8, #18 to #17, 6+). After dropping four-tenths in September, “News Talk 550” duplicated October’s gain of two-tenths in November (2.5 – 2.7 – 2.9, 6+).

As a result of four straight setbacks, Bonneville sports talk KMVP-FM was a combined -1.2 (3.1 – 3.0 – 2.1 – 2.0 – 1.9, 6+), but “98.7 Arizona Sports” logs a +.2 to 2.2 (6+) and cracks the top twenty (#21 to #20). September 2018 marked the first time the flagship of the Phoenix Suns, Arizona Coyotes, and Arizona Diamondbacks reached the three-share level (6+) since October 2017’s 3.0.

After being without an increase the past three sweeps for an overall loss of six-tenths (3.1 – 2.8 – 2.8 – 2.5, 6+), Maricopa County Community College news/talk KJZZ erases that deficit with a gain of seven-tenths (3.2, #15 to #13, 6+).

Phoenix Music Formats – Ups/downs continue for iHeartMedia adult hits KYOT “95.5 The Mountain – We Play Everything,” which was a collective +.4 via three straight up or flat trends (5.9 – 6.2 – 6.3 – 6.3, 6+); -1.2 in “Holiday” 2018; and now +.9 in January 2019 (5.1 – 6.0, fourth to third, 6+). Dialing up a gain of nine-tenths as well is Entravision’s KVVA “92.7 La Suavecita” (2.5 – 3.4, 6+), which vaults into the top ten (#15 to #10). Down or flat the past three ratings periods for an overall -1.2 (5.6 – 5.1 – 4.7 – 4.4, 6+), Hubbard-owned KUPD “Arizona’s Real Rock” notches a +.7 to 5.1 (seventh to fifth, 6+). Unchanged at #19, The Yucaipa Companies’ hot AC KMVA “Hot,” which had been without an increase the past six sweeps for a collective -1.3 since July (3.5 – 3.1 – 3.1 – 2.5 – 2.5 – 2.5 – 2.2, 6+), ends that streak by picking up two-tenths to 2.4 (6+). While it is #1 for the fifth straight time, iHeartMedia adult contemporary KESZ surrenders more than half of its 6+ AQH share (15.0 – 7.0, -8.0, 6+). The decrease suspends four upticks in a row that yielded a collective +8.9 (6.1 – 6.6 – 6.9 – 9.7 – 15.0, 6+), with 15.0 its highest 6+-showing since 16.4 in “Holiday” 2017. After spending ten straight sweeps at #1, KESZ shifted to the runner-up slot in September. At #30, Univision Radio Spanish contemporary KQMR “Latino Mix 100.3” sees its 6+-stat slashed in half (1.2 – .6, -.6, 6+).

Minneapolis

Spoken-Word Formats – Applying the brakes to six straight down or flat moves that accounted for an overall -1.2 (4.4 – 4.4 – 4.4 – 4.4 – 4.1 – 3.8 – 3.2, 6+), Entercom-owned WCCO “News Radio 830” dials up a +.7 to 3.9 (#13 to #12, 6+). The Timberwolves and Twins flagship has been +.8 (April 2018); -.8 (May); -.8  (June); +.5 (July); -.6 (“Holiday” 2018); and now +.7 (January 2019). Tied at #14 are iHeartMedia’s KTLK “Twin Cities News Talk AM 1130” (3.3, +.3, #15 to #14, 6+) and Hubbard news/talk KTMY “My Talk 107.1” (2.2 – 3.3, +1.1, #18 to #14, 6+). KTLK, which gained seven-tenths in October, had been -1.1 in three successive ratings periods without an increase (4.1 – 4.1 – 3.7 – 3.0, 6+). Meanwhile, “My Talk 107.1” was off a cumulative seven-tenths in December and “Holiday” 2018 (2.9 – 2.4 – 2.2, 6+), after being up a collective four-tenths in October and November (2.5 – 2.8 – 2.9, 6+).

Following four consecutive increases that netted a +3.0 (3.7 – 3.8 – 4.9 – 6.5 – 6.7, 6+), iHeartMedia-owned KFXN “Sports Radio 100.3 K-Fan” is -1.8 in three decreases in succession (6.7 – 5.7 – 5.6 – 4.9,  6+). The flagship of the Minnesota Vikings and Minnesota Wild drops from sixth to eighth. Flat at #25, Hubbard sports talk KSTP-AM “ESPN 1500” regains the one-tenth it dropped in “Holiday” 2018 (.7 – .6 – .7, 6+).

In three straight setbacks KNOW lost a total of seven-tenths (4.7 – 4.5 – 4.2 – 4.0, 6+), but the Minnesota Public Radio news/talker rebounds with a +1.0 to 5.0 (ninth to sixth, 6+). Immediately prior to this streak, KNOW logged three straight increases for a collective +1.0 (3.7 – 4.4 – 4.5 – 4.7, 6+).

Minneapolis Music Formats – This particular sweep proves especially productive for the Twin Cities’ hot ACs as Hubbard’s KSTP-FM “KS-95” hauls out a +1.9 (5.3 – 7.2, 6+), while iHeartMedia-owned KTCZ “Cities 97.1” flashes a +1.2 (3.3 – 4.5, #12 to #11, 6+). Moreover, “KS-95,” which spiraled by -1.0 in back-to-back sweeps (7.3 – 6.3 – 5.3, 6+), leaps from seventh to first. It held the lead position seven straight times before being ousted in August; KSTP-FM returned to #1 in October and November. In “Holiday” 2018, “Cities 97.1” eroded by nine-tenths to 3.3, its lowest 6+-performance since April 2018 (3.3, as well). A combined -1.6 in December and “Holiday” 2018 (5.6 – 4.6 – 4.0, 6+), co-owned KEEY “K-102 Minnesota’s Country Station” bounces back with a +1.0 to 5.0 (ninth to sixth, 6+). Fully erasing its combined December and “Holiday” 2018 -.8 (2.2 – 1.7 – 1.4, 6+) with a gain of that same magnitude (2.2, +.8, 6+), Minneapolis Public Schools’ KBEM “Jazz 88” climbs from #20 to #19. There are more ups/downs for Cumulus Media rocker KXXR “93-X,” which was an overall +.8 in four straight sweeps without a loss (5.6 – 5.6 – 5.6 – 5.7 – 6.4, 6+); -.5 in “Holiday” 2018; and now +.6 in January 2019 (5.9 – 6.5, unchanged at #2, 6+). This marks the sixth time in a row that Minnesota Public Radio classical outlet KSJN is without a decrease for a collective +1.1 (2.0 – 2.1 – 2.2 – 2.3 – 2.9 – 3.1 – 3.1, #14 to #16, 6+). With a .5 (6+), Borgen Broadcasting classic hits-oldies WDGY “The Original Rock N Roll Station” pops on at #27. A combined +6.0 in December and “Holiday” 2018 (6.6 – 8.7 – 12.6, 6+), following a collective -1.4 in October and November (8.0 – 6.7 – 6.6, 6+), iHeartMedia classic hits-oldies KQQL has its 6+-stat carved in half (12.6 – 6.3, -6.3, 6+), as “Kool 108 Minnesota’s Greatest Hits” falls from first to third. “Holiday” 2018’s 12.6 is the strongest 6+-stat for any Minneapolis station since “Kool” logged a 14.2 in “Holiday” 2017. Up or flat the past three sweeps for a +1.2 (4.6 – 5.0 – 5.8 – 5.8, 6+), Entercom adult hits KZJK “104.1 Jack FM – Playing What We Want” falters by -1.0 to 4.8 and tumbles from fourth to ninth. It’s been a rollercoaster ride recently for University of Northwestern St. Paul contemporary Christian KTIS-FM “Always Uplifting” KTIS-FM, which was a collective -.8 via three straight sweeps without an increase (5.1 – 4.9 – 4.9 – 4.3, 6+); +.9 (“Holiday” 2018); and now -.6 in January 2019 (5.2 – 4.6, eighth to tenth, 6+). Having more than doubled (+1.0) its 6+-share in four successive up or flat trends (.8 – .8 – 1.0 – 1.0 – 1.8, 6+), Cumulus Media adult contemporary WGVX “Love 105 FM” returns half that increase with a -.5 to 1.3 (#19 to #20, 6+).

San Diego

Spoken-Word Formats – By logging a one-half share increase to 4.4 (ninth to eighth, 6+), iHeartMedia news/talk KOGO suspends three straight sweeps without an increase that accounted for a collective loss of eight-tenths (4.7 – 4.7 – 4.0 – 3.9, 6+). Recent “News Radio 600” fluctuations include +.8 (January 2018); -.7 (February); +.8 (March); +.6 (May); -.6 (August); -.7 (December); and +.5 (January 2019). October 2017’s 7.2 is KOGO’s highest 6+-share in its PPM-history. Over and above picking up three-tenths (1.6 – 1.9, 6+), Tegna news/talk KFMB-AM “AM 760” enters the top twenty (#21 to #20). While down a combined half-share in four straight sweeps without an increase (1.7 – 1.3 – 1.2 – 1.2 – 1.2, 6+), iHeartMedia Los Angeles’ similarly-formatted KFI “AM 640” moves from #23 to #22.

A positive spike of six-tenths to 1.5 (#25 to #21, 6+) by Interamericana de Radio’s XPRS-AM “The Mighty 1090” applies the brakes to three consecutive down or flat reports that resulted in a loss of three-tenths (1.2 – 1.2 – .9 – .9, 6+). This (1.5) is its best 6+-performance since February 2018’s 1.6. Entercom-owned/San Diego Padres flagship KWFN “97.3 The Fan” records its third straight up or flat move for a +.4 (.7 – .8 – .8 – 1.1, #24, 6+), while iHeartMedia’s KLSD “Fox Sports 1360 San Diego’s Sports Station,” which had been down or flat the past three reports for a -.4 (.9 – .6 – .6 – .5, 6+), gains three-tenths to .8 (#26, 6+).

A mammoth +2.1 by KPBS (5.1 – 7.2, 6+) wipes away an overall -1.7 in December and “Holiday” 2018 (6.8 – 6.2 – 5.1, 6+) and propels the San Diego State University-owned news/talker from second to first. KPBS was #1 in October, November, and December before shifting to #2 in “Holiday” 2018.

San Diego Music Formats – Adding a +1.1 to “Holiday” 2018’s +.1 (4.2 – 4.3 – 5.4, 6+), Entercom-owned KSON “103.7 San Diego’s #1 New Country” leaps from eighth to third. Somewhat similarly, iHeartMedia’s KGB “San Diego’s Classic Rock” tacks on seven-tenths to “Holiday” 2018’s +.1 (3.7 – 3.8 – 4.5, 6+) and progresses from tenth to sixth. This marks the fourth straight up or flat trend for Univision Radio regional Mexican KLNV “Que Buena 106.5,” which is +1.3 in that timeframe (4.2 – 4.5 – 5.0 – 5.0 – 5.5, third to second, 6+). Down or flat six consecutive reports for a collective -1.3 (5.9 – 5.5 – 5.5 – 5.5 – 4.9 – 4.8 – 4.6, 6+), Local Media of San Diego-operated XHRM “Magic 92.5 The Beat of San Diego” picks up two-tenths to 4.8 (sixth to fifth, 6+). As a result of six straight sweeps without a loss, Entercom adult contemporary KYXY nearly tripled (+5.4) its 6+-stat (3.0 – 3.0 – 3.2 – 3.2 – 3.3 – 5.8 – 8.4, 6+) and posted its highest 6+-performance (8.4, “Holiday” 2018) in exactly one year (9.5, “Holiday” 2017). A January 2019 -4.5 to 3.9 (6+), however, sinks KYXY from #1 to #11. Following a “Holiday” 2018 loss of two-tenths (5.2 – 5.0, 6+), iHeartMedia hot AC KMYI “Star 94.1” drops another six-tenths to 4.4 (third to eighth, 6+). While flat at #6, co-owned CHR KHTS “Channel 93.3 – San Diego’s #1 Hit Music Station” is a collective -2.1 in three straight declines (6.6 – 6.0 – 4.6 – 4.5, 6+). In seven consecutive sweeps without a loss, KHTS (#1 in September) was a collective +2.8 (3.5 – 4.2 – 4.2 – 4.5 – 4.7 – 4.8 – 6.3 – 6.3, 6+), but it lost two-tenths in October. In four negative moves in a row, Educational Media Foundation contemporary Christian KLVJ was a collective -1.6 (3.7 – 3.0 – 2.5 – 2.4 – 2.1, #17 to #19, 6+), but San Diego’s version of “Positive & Encouraging K-Love” disappears from print in January 2019. KLVJ posted a +1.1 in September when it reached the three-share threshold (3.7, 6+) for the first time since March (3.1). Immediately after the 6+ AQH share of classic hits-oldies XPRS-FM had been carved precisely in half (2.4 – 1.2, 6+), “105.7 Max FM” sputters by another one-half share to .7 (#23 to #27, 6+).

Tampa

Spoken-Word Formats – A combined -.7 in December and “Holiday” 2018 (3.8 – 3.4 – 3.1, 6+), iHeartMedia-owned news/talk WFLA “970 Tampa Bay’s News Radio” rebounds with a one-half share gain to 3.6 (#14 to #12, 6+). The flagship of the NHL’s Tampa Lightning was a combined -.9 in September and October (4.2 – 3.9 – 3.3, 6+), following August’s +.6. Up three-tenths to 2.9 (#16 to #15, 6+), Cox Media Group news/talk WHPT “102.5 The Bone – Real, Raw, Radio” halts three straight down or flat sweeps that accounted for a -1.0 (3.6 – 3.6 – 3.4 – 2.6, 6+). “The Bone” erased September’s -.2 with an October gain of three-tenths.

Up one-tenth in back-to-back reports (2.1 – 2.2 – 2.3, 6+), iHeartMedia-owned WDAE “620 Tampa Bay’s Sports Radio” advances from #19 to #18. WDAE was a combined +.6 in September and October (2.1 – 2.5 – 2.7, 6+), but that disappeared in November and December (2.7 – 2.3 – 2.1, 6+).

After surrendering one-half share in “Holiday” 2018, University of South Florida news/talk WUSF recaptures three-tenths (1.7 – 2.0, #20 to #19, 6+).

Tampa Music Formats – An overall +1.5 in six successive sweeps without a loss (2.9 – 3.2 – 3.5 – 4.1 – 4.3 – 4.3 – 4.4, 6+), iHeartMedia-owned hot AC WMTX “Mix 100.7” progresses from eighth to seventh. Three setbacks in a row by Beasley Media Group country WQYK resulted in a -1.8 (6.7 – 5.8 – 5.5 – 4.9, 6+), but “99.5 QYK” makes up one-third of that decrease with a +.6 to 5.5 (fourth to third, 6+). Albeit that the first-place finisher holds an exactly two-to-one lead over the runner-up, the market has (Cox Media Group-owned) adult contemporary outlets at #1 and #2. Through four straight upticks, WWRM is +1.0 (4.9 – 5.1 – 5.3 – 5.4 – 5.9, 6+) as “Magic 94.9 – Tampa Bay’s Best Music” bumps up from third to second with its strongest 6+-stat since July 2018’s 6.4. Despite eroding by -1.9 (13.7 – 11.8, 6+), its Cox Media Group adult contemporary sibling, WDUV “Lite Favorites,” is #1 for the 78th successive ratings period. Its January 2019 decrease interrupts three straight gains that netted a +4.8 (8.9 – 9.7 – 10.8 – 13.7, 6+). “Holiday” 2018’s 13.7 is the highest 6+-stat for any Tampa station since WDUV’s 14.9 in “Holiday” 2015. Having precisely doubled (+2.3) its 6+-stat via four straight up or flat monthlies (2.3 – 2.3 – 2.5 – 3.7 – 4.6, 6+), Beasley Media Group’s WPBB craters by -2.9 to 1.7 freefalling from #6 to #20. During the December 2018 sweep, WPBB used the “B-98.7” handle, but the day after Christmas (12/26), it changed format and imaging to “98.7 The Shark – The Next Generation Of Classic Rock.” Back in the iHeartMedia cluster, urban-rhythmic oldies WMTX-HD2, which quadrupled (+.9) its 6+-stat through six straight up or flat moves (.3 – .5 – .6 – .6 – .7 – .9 – 1.2, 6+), falters by eight-tenths to .4 (#21 to #2.6, 6+), while sibling WXTB “98 Rock” sputters by six-tenths (4.1 – 3.5, 6+) and departs the top ten (#9 to #13). One streak continues for Cox Media Group-owned WXGL and another ends as “107.3 The Eagle – Tampa Bay’s Classic Hits” is -1.5 in four successive declines (6.9 – 6.6 – 6.0 – 5.7 – 5.4, 6+), but after six straight times at #2, it slips to #4.

Denver

Spoken-Word Formats – In three negative moves in succession (6.2 – 5.1 – 4.5 – 4.3, 6+), iHeartMedia news/talk KOA “Colorado’s News, Traffic, & Weather Station” was an overall -1.9 but the flagship of the Denver Broncos and Colorado Rockies hangs out a +.5 to 4.8 (seventh to sixth, 6+). KOA was +1.1 (October); -1.1 (November); and -.6 in December. In a somewhat similar scenario, co-owned news/talk KHOW “Talk Radio 630,” which was off a collective seven-tenths in three successive reports without an increase (1.8 – 1.5 – 1.5 – 1.1, 6+), improves by three-tenths to 1.4 (#23 to #22, 6+).

A combined -1.2 in December and “Holiday” 2018 (4.4 – 3.6 – 3.2, 6+), Bonneville-owned KKFN erases 75% of the shortfall with a +.9 to 4.1 (#13 to #10, 6+). Directly before that, “Sports Radio 104.3 The Fan” posted four increases in a row for an overall +1.9 (2.5 – 2.9 – 3.8 – 4.0 – 4.4, 6+). KSE Radio Ventures’ KKSE-FM “Attitude Sports Radio 92.5,” the flagship of the Denver Nuggets and Colorado Avalanche, adds one-tenth in back-to-back sweeps (.3 – .4 – .5, #29 to #27, 6+). Up until September (2018), KKSE-FM was country KWOF “The Wolf.”

Not only does KCFR wipe away “Holiday” 2018’s one-half share loss with a January 2019 increase of seven-tenths (6.9 – 6.4 – 7.1, 6+), the Colorado Public Radio news/talk station progresses from second to first. KCFR was on top in September, October, and November before segueing to #2 in December. A one-tenth November decline ended three consecutive gains that netted +1.5 (5.2 – 6.3 – 6.4 – 6.7, 6+). Although falling from #21 to #22, Community Radio for Northern Colorado news/talk KUNC is in a repetitive 1.2 – 1.4 – 1.2 – 1.4 (6+) sequence.

Denver Music Formats – Off one-half share through three decreases in a row (5.0 – 4.9 – 4.8 – 4.5, 6+), KSE Radio Ventures’ classic hits-oldies KXKL “Kool 105 – Denver’s Greatest Hits” logs a +1.2 to 5.7 (fifth to third, 6+). Racking up a January 2019 increase of +1.2 as well is Entravision’s KJMN (4.7, #12 to #8, 6+); “La Suavecita 92.7” had been trending 3.7 – 3.6 – 3.5 (6+). Locked on 5.0 (6+) in December and “Holiday” 2018 (after a 5.5, 6+, in November), iHeartMedia triple A KBCO “97.3 World Class Rock” records a +1.0 to 6.0 (6+) and advances from third to second. Along the same line, Entercom’s classic rock KQMT “99.5 The Mountain,” which was frozen on 4.5 (6+) in December and “Holiday” 2018 (after a 4.9, 6+, in November), improves by nine-tenths to 5.4 (fifth to fourth, 6+). Despite gaining three-tenths to 4.6 (6+), thus halting five consecutive decreases that resulted in a -1.9 (6.2 – 6.0 – 5.8 – 5.0 – 4.5 – 4.3, 6+), Bonneville’s country KYGO backslides from seventh to ninth. In three straight sweeps without a loss, adult contemporary cluster-mate KOSI “101.1 Real-Music-Variety” was an overall +7.9 (4.9 – 4.9 – 7.6 – 12.8, 6+) and was #1 in December and “Holiday” 2018. In January 2019 though, KOSI forfeits -7.5 to 5.3 (6+) and slips to fifth. Immediately prior to December, KOSI was a collective -1.1 in four successive sweeps without an increase (6.0 – 5.8 – 5.0 – 4.9 – 4.9, 6+). The last time any Denver station reached the 12-share level (6+) was four years ago (KOSI, 12.4, “Holiday” 2014). In a reverse of the previously-cited KBCO and KQMT situations, KSE Radio Ventures hot AC KIMN “Mix 100 Today’s Best Mix,” which notched a 3.8 (6+) in December and “Holiday” 2018 (after a 3.4, 6+, in November), regresses by one-half share to 3.3 (#11 to #13, 6+).

Baltimore

Spoken-Word Formats – At the same time that independent news/talk WCBM “680 Stimulating Talk – Breaking News” adds nine-tenths (3.4, #12 to #11, 6+), Hearst Television news/talk WBAL “News Radio – Expect More” gains seven-tenths (2.7, #14 to #13, 6+). WCBM had been off by one-half share in December and “Holiday” 2018 (3.5 – 3.0 – 2.5, 6+), while WBAL lost a collective six-tenths in three slips in a row (2.6 – 2.5 – 2.2 – 2.0, 6+). WCBM was -.5 in September and +1.0 in October. Prior to the December sweep, WBAL had a (6+) fluctuation of one-tenth four times in a row: 2.5 – 2.4; 2.4 – 2.5; 2.5 – 2.6; and 2.6 – 2.5. Ever since resurfacing in the Baltimore report in May, Cumulus Media Washington, DC news/talk WMAL has a topline of  .7 – .6 – .5 – .4 – .5 – .5 – .4 – .3 – .3 – .4 (#29 to #28, 6+).

A combined +.8 in December and “Holiday” 2018 (4.1 – 4.6 – 4.9, 6+), Entercom sports talk WJZ-FM “105.7 The Fan” – which was -1.0 in November – drops one-half share (4.4, fourth to eighth, 6+). Baltimore’s “Fan” was +.6 (January); -.6 (February); +1.0 (April); a combined -1.0 (May and June); -1.0 (November); +.5 (December); and -.5 (January 2019).

Rebounding from an overall -1.0 in December and “Holiday” 2018 (3.3 – 3.0 – 2.3, 6+) with a +.8 to 3.1 (6+), Your Public Radio news/talk WYPR “88.1 Your NPR News Station” climbs from #13 to #12. November’s +.3 was erased with a December -.3. After faltering by four-tenths, American University-owned news/talk WAMU answers with a gain of six-tenths (1.3 – 1.9, #17 to #15, 6+).

By picking up four-tenths (.7 – 1.1, 6+), Entercom business news WDCH cracks the top ten (#23 to #19) with its best 6+-stat since December 2017 (1.1, as well).

Baltimore Music Formats – Powered by a +1.3 to 6.0 (6+), iHeartMedia-owned WPOC “93.1 Today’s Best Country,” which had a November through “Holiday” 2018 topline of 5.8 – 5.1 – 4.7 (6+), progresses from sixth to fourth. This (6.0) is its highest 6+-stat since August 2018’s 6.2. Following 11 straight survey periods at #1, Radio One urban AC WWIN-FM shifted to second in December. It remained there in “Holiday” 2018 when it lost seven-tenths, but “Magic 95.9” dials up a +1.1 (7.9 – 9.0, 6+) and is back on top, with its strongest 6+-showing (9.0) since July 2018’s 9.5. Improving by +1.1 as well is Hearst Television-owned WIYY “98 Rock” (5.1, tenth to sixth, 6+), which had been trending 5.0 – 4.3 – 4.0 (November – December – “Holiday” 2018, 6+). Three consecutive declines by Radio One urban contemporary WERQ resulted in a -1.2 (7.9 – 7.7 – 7.0 – 6.7, 6+) but “92 Q Jams” responds with a +1.0 to 7.7 (third to second, 6+). An overall -1.2 in three straight setbacks (6.1 – 5.8 – 5.4 – 4.9, 6+), Shamrock Communications’ classic rock WZBA “100.7 The Bay” answers with a +.7 to 5.6 (fourth-place tie to fifth, 6+). Up seven-tenths as well is Baltimore City Community College-owned WBJC “Maryland’s Classical Music Station” (1.9 – 2.6, #15 to #14, 6+). Locked on 4.2 (6+) in December and “Holiday” 2018 (after a 5.2, 6+, in November), Entercom hot AC WWMX “106.5 Baltimore’s Best Mix” posts a gain of six-tenths to 4.8 (eighth to seventh, 6+). Having more than tripled (+10.2) its 6+-stat as the result of five straight upticks (5.0 – 5.3 – 5.8 – 7.1 – 10.1 – 15.2, 6+), Entercom adult contemporary WLIF “Today’s 101.9” spirals by -8.7 to 6.5 (first to third, 6+). “Holiday” 2018’s 15.2 is the highest 6+-share by any outlet in the market since WLIF posted a 16.3 in “Holiday” 2017. Also in the adult contemporary arena, iHeartMedia Washington, DC’s WASH “97.1 Washington’s Variety of the ‘80s ‘90s and Today” has its 6+ AQH share cut by two-thirds (1.2, -2.4, #11 to #18, 6+). In six positive or flat Baltimore reports in succession, WASH nearly quadrupled (+2.6) its 6+-stat (1.0 – 1.1 – 1.1 – 1.2 – 1.2 – 2.1 – 3.6, 6+). This is the sixth time in a row that Peter and John Radio Fellowship contemporary Christian WRBS-FM is unlisted; “95.1 Shine FM – Baltimore’s Positive Hits Station” was #13 in August 2018 (2.6, 6+).

St. Louis

Spoken-Word Formats – An overall -3.0 through three straight decreases (8.4 – 7.5 – 6.9 – 5.4, 6+), Entercom news/talk KMOX picks up two-tenths to 5.6 (6+), but “The Voice of St. Louis” backslides from sixth to seventh. On top in September and October, the St. Louis Cardinals’ flagship entered the November sweep a collective +1.0 via three increases in succession (7.4 – 7.6 – 8.3 – 8.4, 6+). Co-owned KFTK “FM News Talk 97.1,” a collective -1.1 in December and “Holiday” 2018 (2.8 – 2.5 – 1.7, 6+), records a half-share increase to 2.2 (6+) but remains at #18. When KFTK gained two-tenths in October, it curtailed three straight sweeps without an increase that resulted in an overall loss of seven-tenths (3.3 – 3.1 – 2.6 – 2.6, 6+).

Flat at #10, Hubbard sports talk WXOS “101 Sports” is a combined +.5 in “Holiday” 2018 and January 2019 (3.6 – 3.8 – 4.1, 6+). Four straight June 2018 through October 2018 up or flat moves netted WXOS a +1.3 (2.7 – 3.0 – 3.7 – 4.0 – 4.0, 6+).

Without an increase in each of the last five sweeps for an overall loss of three-tenths (3.5 – 3.5 – 3.5 – 3.5 – 3.2 – 3.2, 6+), University of Missouri news/talk KWMU erupts with a +.9 to 4.1 (#13 to #10, 6+), its highest 6+-share since October 2017 (4.1, as well). Before faltering by three-tenths in December, KWMU had been without a loss for six consecutive ratings periods for a net gain of six-tenths (2.9 – 3.2 – 3.4 – 3.5 – 3.5 – 3.5 – 3.5, 6+).

St. Louis Music Formats – The three most recent fluctuations for Hubbard-owned KSHE “95 Real Rock Radio” are +.5 (December); -.7 (Holiday” 2018); and now a whopping +2.0 in January 2019 (6.1 – 8.1, fourth to second, 6+). The last time KSHE reached the eight-share level (6+) was in November 2016 (8.6). Adding a lofty +1.6 to “Holiday” 2018’s +.1 (6.2 – 6.3 – 7.9, 6+), iHeartMedia classic hits-oldies KLOU “103.3 St. Louis’ Greatest Hits” carries on in third-place. Bouncing back from “Holiday” 2018’s loss of eight-tenths with an improvement nearly twice that magnitude (4.9 – 6.4, +1.5, 6+), Hubbard’s KPNT “105.7 The Point – Everything Alternative” advances from seventh to fifth. With a November – December – “Holiday” 2018 topline of 3.0 – 2.6 – 2.5 (6+), Entercom CHR KNOU “Now 96.3 All The Hits” breaks out a +.9 to 3.4 (#16 to #14, 6+), matching the 3.4 it posted in June 2018. In addition to being up a combined six-tenths in “Holiday” 2018 and January 2019 (8.0 – 8.1 – 8.6, 6+), Gateway Creative Broadcasting contemporary Christian KLJY progresses from second to first. Reappearing in print in April 2018, “99.1 Joy FM” has reached #1 in August, November, and January 2019 and this (8.6) is its highest 6+-share in the April 2018 through January 2019 timeframe. A collective -1.2 via five consecutive survey periods without an increase (4.3 – 4.0 – 4.0 – 4.0 – 3.4 – 3.1, 6+), iHeartMedia mainstream CHR KSLZ “Z-107.7 – St. Louis’ #1 Hit Music Station” gains four-tenths to 3.5 (#15 to #13, 6+). Owing to three straight up or flat tends (5.2 – 5.2 – 9.8 – 15.6, 6+), Entercom adult contemporary KEZK tripled (+10.4) its 6+ numbers and spent December and “Holiday” 2018 at #1. In January 2019 though, “The Best Mix of the ‘80s & Today” falters by -9.1 to 6.5 (6+), giving way to KLJY and falling from first to fourth. “Holiday” 2018’s 15.6 is the loftiest 6+-share by any St. Louis station in the PPM-era. This is the fourth straight down or flat trend by Radio One urban AC WFUN “95.5 R&B For The Lou” for a collective -1.8 (4.9 – 4.1 – 4.1 – 3.7 – 3.1, #11 to #16, 6+).

Thursday, June 20, 2013

| June 20, 2013

theblaze logoGlenn Beck’s Mercury Radio Arts Purchases Irving, Texas Studios Serving as Headquarters for TV and Radio Productions.  Since 2012, Glenn Beck’s Mercury Radio Arts – the parent company of TheBlaze – has been renting The Studios at Las Colinas in Irving, Texas.  Now, the company announces it is purchasing the former television and movie studio to serve as the network’s flagship television and radio facility.  Mercury Radio Arts says the 72,000 square foot facility, which will now be known as Mercury Studios, features three sound stages that are up to 14,500 square feet.  TheBlaze produces six hours of live programming every day from Irving. TheBlaze also currently leases a studio inbeckglenn Midtown Manhattan.  Beck states, “We are proud to call Texas our home and be part of the local community in Irving.  We are building a world-class facility that provides TheBlaze with the highest quality talent and top-of-the-line production capabilities so American stories can be told to viewers across the country.”  TheBlaze president and chief content officer Joel Cheatwood comments, “TheBlaze has quickly built up the capacity to produce over 43 hours of original programming per week and we are excited to now have our own multi-media base as we continue to grow.”  The facility was built in 1982,  and has been the site of the production of movies and television shows including “Robocop,” “JFK,” “Silkwood,” “Prison Break” and “Walker Texas Ranger.”

cbssportslineatlantaCBS Atlanta Puts “Sportsline” TV Show on Hold After Firing Steak Shapiro, Chris Dimino and Nick Cellini.  It was only a matter of time that in the wake of the highly publicized cancellation of the “Mayhem in the AM” morning show on WQXI, Atlanta that the weekend TV sports talk show the trio did for CBS Atlanta would also see its end.  After the Steve Gleason bit that caused the three to lose their jobs at the radio station, the TV station’s general manager Trey Fabacher announced the “CBS Atlanta Sportsline” show would go on hiatus and the relationship between the station and the three co-hosts would end.  CBS issued the following statement regarding the incident: “Our employees, our partners and sponsors in no way support the content that was aired by this radio team on Monday morning.”

raytomTOM RAY RECOMMENDS:  Check Out the “Alert FM” App.  Engineering consultant and TALKERS technical editor Tom Ray writes in a new column posted today (6/20), “I just found an app that is a helluva lot more useful than what FEMA has mandated on your cell phone in regards to weather warnings. And, it has great potential to be a tool for your broadcast operation, whether you’re on the street reporters, newsroom, or just the announcers and jocks are equipped with it.  The app is available for iPhones and Android devices, and is called Alert FM.”  Check out Tom Ray’s entire column by clicking here.

chasejustinBeasley Broadcasting Names Justin Chase to New Corporate VP of Programming.  The promotion of Justin Chase from operations manager for Beasley’s three Las Vegas music outlets – KCYE, KKLZ and KOAS (as well as GGB Las Vegas-owned KVGS) – to the new corporate post of vice president of programming gives Chase the charge of overseeing all programming responsibilities for the company’s portfolio of 40-plus radio stations located in 11 radio markets across the country.  The company adds other duties to the position with Chase being charged with “developing creative campaigns that extend the radio stations’ on-air brands to the digital space.”  Chase reports to president and COO Bruce Beasley.  The company lauds Chase for the ratings and revenue growth the stations have experienced since he came aboard in 2009 – from CBS Radio’s crosstown AC KMXB — making Las Vegas one of the company’s top-performing markets.  Bruce Beasley states, “Justin possesses all the traits and strengths we were we looking for in a vice president of programming when we decided to create the position at Beasley’s corporate level.  Over the last four years with our company, he has demonstrated his ability to program numerous formats, develop and maintain strong relationships within the industry and create campaigns that extend stations’ on-air brands to digital platforms.  We believe Justin is the perfect fit for this new position.”

barefootcoyCharlottesville Talk Host Coy Barefoot Jumps Across Town to WCHV-FM.  Talk media personality Coy Barefoot leaves Saga Communications’ WINA, Charlottesville, Virginia to join Monticello Media’s WCHV-FM for the 4:00 pm to 6:00 pm slot.  Barefoot also hosts a weekly Sunday morning program on Newsplex-owned TV in the market called “Inside Charlottesville” and his radio show at WCHV-FM takes the same name.  Barefoot began his program on WINA in 2006.  The move to Monticello Media’s news/talk simulcast of WCHV-AM/FM means the station separates programming for the two hours when Barefoot’s show is head on the FM and Premiere’s Sean Hannity continues to be heard on the AM signal.

norrisedWJZ-FM, Baltimore Morning Co-Host Ed Norris Returns to Air After April Motorcycle Accident.  Former cop Ed Norris who now works as morning drive co-host at CBS Radio’s sports talk WJZ-FM, Baltimore “105.7 The Fan” returned to the air on June 19 after almost two months off the air.  Norris was involved in a motorcycle accident in which he swerved to avoid a truck. He suffered broken ribs, a broken arm and head injuries but has healed well enough to be back on the radio – although he tells WJZ-TV he’s still injured and still in some pain.  Norris co-hosts the morning show with Steve Davis.

nab logoNAB Files Comments with FCC Requesting Indecency Policy Provide Clarity.  The National Association of Broadcasters has filed a 42-page report containing its comments in regard to the FCC’s request for such on Adopting Egregious Cases Policy.  The crux of the NAB’s comments is that the commission’s policy on indecency needs to be clear and contain examples.  “The Commission’s broadcast indecency policies must, at the very least, adhere to the constraints of Pacifica — and thus, unlike the 2004 Golden Globe decision and its progeny, they must be limited and restrained.  Golden Globe and subsequent decisions focusing on fleeting expletives and isolated nudity led to unpredictable, arbitrary and unconstitutional enforcement of indecency rules and policies that chilled broadcaster speech.  Any policies going forward not only must be cautious and restrained, as Pacifica requires, they also must be as predictable, consistent and clear as possible.”  The NAB also states it believes: 1) the commission should no longer treat fleeting or isolated expletives and images as actionably indecent; 2) that, to be actionably indecent, challenged material must fall within the scope of its indecency definition —that is, the material must describe or depict sexual or excretory organs or activities.  The NAB also asks that the commission must use language that is as precise as possible and provide relevant examples and context in its policies and decisions.  If the commission cannot establish sufficiently clear indecency regulations so that broadcasters know what is expected of them, then broadcasters cannot be subject to liability for alleged violations of those standards.

arbitronArbitron Modifies TLR Policy Affecting Out-of-Market Streaming.  Arbitron announces a modification to its Total Line Reporting policy beginning with the Summer Diary Survey and the July 2013 PPM.  Arbitron explains: Over-the-air stations and streams that simulcast have been eligible for Total Line Reporting (TLR) for a number of years.  Combos that receive TLR are reported with a combined total line using the “primary” station’s call letters, selected by the combo from among the over-the-air stations.  Until May 2013, in order to be eligible for TLR, a stream had to simulcast 100% with its over-the-air partner, including any commercials, throughout the stream’s reach. Starting May 2013, Arbitron introduced a change in the policy that enables a stream to receive TLR while substituting commercials outside the home market of its over-the-air partner, subject to certain restrictions. After carefully reviewing this policy and with input from the Radio Advisory Council, Arbitron is modifying this policy to provide greater flexibility to stations that stream.  Starting with the July 2013 PPM report month and Summer 2013 Diary survey, a stream is eligible for TLR as long as the stream simulcasts all content 100%, including commercials, in the home Metro and DMA of its over-the-air partner. Under this new policy, the stream is not required to simulcast any content outside the over-the-air station’s home Metro and DMA. The 100% simulcast requirement for streams will remain in effect in the over-the-air station’s Metro and DMA. Over-the-air stations requesting TLR with one another will also need to simulcast 100% without exception, as required under the long-standing Arbitron TLR policy.

rtdnaRTDNA/Hofstra Survey of Radio and TV News Directors Paints Unclear Picture of State of Radio News.  The annual survey of radio and television news directors and general managers by Hofstra University professor emeritus Bob Papper in conjunction with the RTDNA was released on Wednesday and regarding radio news, Papper states, “Overall in the survey, 77.7% of radio stations run local news — 78.8% of AM stations and 77.2% of FM stations.  The overall percentage is up a surprising 8.8% from last year, with AM stations up 9.8 points and FM stations up 4 points.  As I do each year, I would urge caution on those numbers.  The numbers are based on stations that return the survey, and since it’s a news survey, stations that run news could well be more likely to return the surveys than stations that do not.  It’s possible those percentages are too high.”  Papper reports that regarding changes in radio news and plans for the future veered from past years.  “Historically, these numbers have tended to be pretty consistent, but this year is different.  The percentage of stations reporting an increase in news fell from 30.1% last year to 22% this time around.  The percentage reporting a drop edged up from 4.9% to 6.7%.  Non-commercial stations were a little more likely to increase the amount of news; so were stations in the biggest markets.”  You can see the summary of the entire study here.

Obama Nukes Plan/Berlin Speech, ‘Gang of 8’ Amnesty Deal, NSA Surveillance Program, DOJ News Organization Monitoring, and FBI Domestic Drones Policy Among Top News/Talk Stories Yesterday (6/19).  President Obama’s nukes reduction plan and his speech in Berlin; the “Gang of 8” illegal immigrant amnesty deal; controversy over the National Security Administration’s surveillance program; the effect of the Department of Justice’s monitoring of phone and email records of news organizations on sources; and the FBI’s admission to using drones in the United States were some of the most-talked-about stories on news/talk radio, according to ongoing research from TALKERS.