Tag: "The Freedom Feens"

How to Help Your Remote Guests Shine

| April 1, 2014

By Michael W. Dean
The Freedom Feens
Michael Dean after Dark
Genesis Communications Network
Talk Show Host

 

deanmichael2CASPER, WY — I get a lot of e-mail, and lot of it is confusing. People are in a hurry and probably don’t realize that I can’t hear what’s in their head when they’re writing.

The most common confusing e-mail I get is people writing me and saying “I want to do an interview with you.”

The confusing thing about that is that I get interviewed a lot. I also interview people a lot. So when people write to me and say “I want to do an interview with you”, I have no idea if they want to interview me or if the want me to interview them.

So my first advice when dealing with guests is this: write your requests clearly. Because a lot of people are interviewed, and also interview others.

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Vintage Telefunken 12AX7 Tube Review

| November 19, 2013

Tubes? What Century Do You Think This Is?

By Michael W. Dean
The Freedom Feens
Genesis Communications Network
Co-Host

 

Figure 1 - TubesLeft: Tung-Sol 12AX7 tube.      Right: Telefunken 12AX7 tube

deanmichael2CASPER, WY — The transition in audio production from analog to digital over the past couple decades has been a boon for radio. No more splicing tape, and no more finding the right tape or piece of tape. And don’t get me started on those dreaded carts. I’m thankful they’ve been replaced by a click on the screen. Tape hiss is something I don’t miss either.

However, in some ways, digital audio production is too clean. So after ditching tubes and tapes for transistors, integrated circuits and hard drives, some people have gone back to analog for one phase of the audio chain: the pre-amp.

Tube pre-amps and compressors have sonic attributes that cannot yet be replicated with digital modeling. Tubes provide a warmth that comes from semi-random, subtle distortion on certain harmonics. That sounds like it would be a bad thing, but it’s actually a good thing.

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Electro-Voice Mics Rock Talk Radio

| October 22, 2013

By Michael W. Dean
The Freedom Feens
Genesis Communications Network
Co-Host

1 - Peanut in repose with Electro-Voice RE-20 microphone

Peanut in repose with Electro-Voice RE-20 microphone

A Mic for the Ages

The venerated Electro-Voice RE-20 microphone is the premiere workhorse of the last four decades of broadcast radio. It’s the mic most frequently found in live radio studios for talk show hosts, and DJs on rock radio, going back to the late 1960s.

The RE-20 is such a staple of radio that, even though other mics are sometimes used in radio studios, the RE-20 is almost always used in Hollywood to indicate “radio.” Showing it on screen is automatic shorthand for “we’re in a radio station now.” Any time you see a scene in a movie or on TV where someone is talking on the radio, the prop mics are overwhelmingly going to be RE-20s. Showing an RE-20 on screen visually implies “this person is a pro, listen to them,” even to people who don’t know anything about radio or microphones.

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A Five-Dollar Ground Tester Can Save Your Life

| September 24, 2013

 

By Michael W. Dean
Genesis Communications Network
Co-Host, The Freedom Feens

 

fig 1“Fuzzy” guards the ground tester and protects it from interlopers

Live fast, die old of natural causes

Improperly grounded outlets can add noise to electrical equipment, which is not good when doing radio. And improperly grounded outlets can KILL you…which is absolutely not good when doing radio. It doesn’t make for a long career. It can also injure employees, which can kill a company.

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How to Keep Your Show Relevant, Even Popular, 150 Years into the Future

| August 8, 2013

By Michael W. Dean
The Freedom Feens/Genesis Communications Network.
Co-Host
 

Two Kinds of Media

CASPER – I don’t define different talk shows by their subject matter or political bent. I really think there are only two kinds of talk radio. There are only two types of media for that matter, whether it’s talk radio, music, newspapers, TV, books, movies or whatever. The two types of media are DISPOSABLE and ETERNAL. Media is either disposable — to be consumed like yummy junk food, or it’s eternal and will be studied and taught in universities and enjoyed in homes for at least 150 years, well after the death of the author.

Which type is your show? Which type do you want your show to be?

And for that matter, if your show is the very tiny minority of talk radio that is eternal, what are you doing to make the archives as high quality and freely available as possible, and encouraging people to preserve it and share it so widely that it actually has a chance of being listened to 150 years from now?

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The Radio WHOOSH is Dead (Or at Least It Should Be)

| June 19, 2013

By Michael W. Dean
Freedom Feens
Co-host

deanmichaelwCASPER, WY – I’m pretty new to doing radio. Well, new to being syndicated. But I’ve been doing episodic spoken media almost daily since 2006, was a college radio DJ in the early 80s, and was into ham radio as a kid in the 70s.

More importantly, I’m not new to listening to radio. As a listener, I’d be willing to bet I could do better than 80% correct at predicting today who’s going to be out of business in five years. Anyone want to take me up on it?

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