Tag: "talk radio"

February 2020 PPM Analysis: News/Talk

| March 30, 2020

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — A wide-ranging news/talk analysis concludes our four-part series of February 2020 overviews.

Included in this thorough synopsis are all commercial, English-language news/talk outlets (including online streams, if applicable) that appeared in any of Nielsen Audio’s 48 PPM-markets during the February 2020 ratings period (January 30 – February 26).

Unless otherwise noted, information for each station and stream was factored into all of our highlighted charts.

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Monday Memo: Coronavirus Community

| March 23, 2020

By Holland Cooke
Consultant

 

BLOCK ISLAND, RI — One hundred New Englanders died during The Great Blizzard of ’78.  Those of us who survived all have stories, many sad, others amusing, even wistful.  And, yes, nine months later, there was a baby boom.  We who covered that week are feeling déjà vu as the coronavirus pandemic story unfolds.

Whassup?

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February 2020 PPM Ratings

| March 17, 2020

Monday Memo: Coronavirus, Mental Health Crisis

| March 16, 2020

By Holland Cooke
Consultant

WASHINGTON, DC — Schools and colleges are shutting down, games-not-canceled are played in empty arenas, some store shelves are bare, and people are walking around wearing surgical masks.  St. Patrick’s Day parades were canceled in Ireland! Ireland!

While we fear a deadly respiratory disease for which there is no vaccine, Coronavirus is also a MENTAL health threat.

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PPM Analysis: January 2020 Ratings “Extra”

| March 11, 2020

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES —  This time last month, we recapped wild positive and negative “Holiday” 2019 fluctuations triggered largely by stations that transitioned to all-Christmas music from (roughly) mid-November to December 25.

Turnaround is fair play, so – while perhaps not as precipitous as what we’ve seen on Wall Street the past two weeks or so – here’s a summary of dramatic shifts as soon as the holiday tunes went on hiatus.

The following breakouts reflect PPM-market stations that either improved their 6+-stat by at least one full-share or regressed by that margin or greater in the January 2020 sweep (January 2 – 29).

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Talk Radio Rises to Coronavirus Challenge

| March 9, 2020

By Michael Harrison
TALKERS
Publisher

 

JUPITER, Fla. — This past weekend seems to have marked a tipping point in America regarding public anxiety over COVID-19, still commonly referred to as the coronavirus.  Fears and near-panic have infiltrated the beleaguered heath care systems of our communities, the stock market, and a number of inter-connected industries and public events.  Add to that, discourse about the problem in our politically oriented media have included the “weaponization” of issues per the troubling practice of each side tending to seek victory at the expense of truth.

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January 2020 PPM Analysis:
Rhythmic CHR

| March 3, 2020

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Having already posted January 2020 overviews of all-news (last Friday, 2/28) and sports talk (yesterday, 3/2), we turn our attention to a music-intensive format; this month, it’s rhythmic CHR.

Likewise with those two aforementioned spoken-word formats, our rhythmic CHR analysis is comprised of data from facilities that rank in the top 20 in any of the 48 PPM-markets (6+, January 2020).

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. Owing to that reason, ratings stats in this exclusive rhythmic CHR breakdown are limited to stations that pay Nielsen Audio for its data.

The company’s January 2020 ratings period covered January 2 – 29.

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January 2020 PPM Analysis: Sports Talk

| March 2, 2020

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Sports talk is the centerpiece of the second in our comprehensive four-part series of January 2020 PPM overviews.

The following scoreboards are comprised of sports talk facilities that rank in the top 20 (6+) in any of the 48 PPM-markets during the January 2020 ratings period, which covered January 2 – 29.

Ratings information in this exclusive analysis is limited to sports talk properties that subscribe to Nielsen Audio’s audience estimates.

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January 2020 PPM Analysis:
The All-News Format

| February 28, 2020

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our extensive four-part series of January 2020 ratings summaries begins with an overview of all-news stations.

The following scoreboards reflect data from all-news properties that appear in the top 20 (6+) in January 2020, a PPM sweep that covered January 2 – 29.

Entercom owns all but three stations listed in this format analysis.

Non-Entercom all-news operations in this report are iHeartMedia’s WBZ-AM, Boston (also listed in Providence); Hubbard Broadcasting Washington, DC’s WTOP-FM; and Sinclair Broadcast Group Seattle’s KOMO.

Ratings stats in this exclusive analysis are limited to stations paying Nielsen Audio for its data.

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Monday, February 24, 2020

| February 24, 2020

Monday Memo: Legal Advice. Just several decades ago, attorneys didn’t even advertise.  Back to the future: They’re all over billboards and TV.  Yet, as consultant Holland Cooke explains in this week’s column: “No medium showcases legal services better than talk radio.”  Read it here.

Presidential Race/Nevada Caucuses, Coronavirus Epidemic, China Productivity/Financial Markets Activity, Trump in India, and Weinstein Trial Among Top News/Talk Stories Over the Weekend. The Democrats battling to take on President Trump in November and Bernie Sanders’ victory in Saturday’s Nevada Caucuses; the status of Covid-19 and concerns about a pandemic; the effect of the coronavirus epidemic on Chinese productivity and its effect on the world’s financial markets; President Trump teases trade with India during visit with Prime Minister Narendra Modi; and the jury deliberates in the sexual assault trial of movie mogul Harvey Weinstein were some of the most-talked-about stories on news/talk radio over the weekend.

Round Four of January PPM’s Released.  The fourth and final round of ratings data from Nielsen Audio’s January PPM survey has been released for 12 markets including: Austin, Raleigh, Indianapolis, Milwaukee, Nashville, Providence, Norfolk, Jacksonville, West Palm Beach, Greensboro, Memphis, and Hartford. Nielsen’s January 2020 survey period covered January 2 – 29.  Some of the news/talk radio stations that chalked up positive weekly, 6+ AQH share ratings during the January survey include: Sinclair Telecable’s KLBJ-AM, Austin which added nine-tenths to land at a 4.5 share and the #8 rank in the market; iHeartMedia’s WTKK-FM, Raleigh posts a whopping 1.8 share increase over the Holiday 2019 survey to finish January with a 7.1 share and the #3 rank; Emmis Communications’ WIBC-FM, Indianapolis rockets up 2.2 shares to finish January with a 7.6 share and the #3 rank; Cumulus Media’s WWTN-FM, Nashville adds seven-tenths to end January with a 4.8 share and the #8 rank; and Cumulus’ WPRO-AM/WEAN-FM, Providence tacks 1.3 shares onto its Holiday 2019 number to finish the January survey with a 3.7 share and the #8 rank in the market.  You can see all the 6+ numbers from subscribing stations here.  Meanwhile, TALKERS managing editor Mike Kinosian presents his Ratings Takeaways here

KLIN, Lincoln’s Jane Monnich Wraps 45-Year Radio News Career. News radio pro Jane Monnich retired from NRG Media’s KLIN, Lincoln, Nebraska on February 20 after a 45-year run with the station.  Monnich was news anchor for the KLIN morning show and on last Thursday’s program, the on-air celebration included visits from past and current co-workers, plus proclamations from Lincoln Mayor Lerion Gaylor Baird and Nebraska Governor Pete Ricketts.  KLIN program director Bob Shomper says, “Jane’s career started in 1975, and over the following 45 years she covered 8 different governors, 10 mayors, 13 congressmen, 11 senators, dozens of city councilmen, and 100s of state legislators.  It is estimated that Jane wrote over 500,000 news stories and anchored over 105,000 newscasts.”  She’s pictured here holding the mayoral proclamation making February 20, 2020 “Jane Monnich Day” in Lincoln. The station is searching for Monnich’s replacement.  NRG Media has more about the position here.

TALKERS News Notes. WOR, New York morning drive news anchor Joe Bartlett announced on the “Len Berman and Michael Riedel in the Morning” show that he’s retiring on April 10 after 34 years working full time with the station.  Bartlett told listeners, “I’ve reached the point where my free time is more important than my life at work.”  He said he and his wife plan to retire to Hilton Head Island, South Carolina…..On Super Tuesday (March 3), ABC News Radio will present live coverage anchored by correspondents Aaron Katersky and Karen Travers.  Coverage will feature reporting by radio correspondents Alex Stone in California, Jim Ryan in Texas, Ryan Burrow in Colorado, Mark Remillard in North Carolina; Andy Field in Washington; multi-platform reporter Ines de La Cuetara in Virginia; and analysis from radio correspondent Brian Clark at the ABC News Decision Desk.  ABC News Radio will also provide one-minute Status Reports at least twice an hour throughout the evening.  A special edition of ABC News’ daily news podcast “Start Here,” hosted by Brad Mielke, will post on Wednesday morning.  It will feature analysis of the results and interviews from ABC News reporters across the electoral map…..Edison Research is launching its first Top Ten Podcast ranker, as part of its Podcast Consumer Tracker product.  Edison says the ranker depicts the top 10 podcasts in America by reach among weekly podcast consumers as the “only comprehensive and all-inclusive study” of the reach of podcast networks and shows in America.  The first ranker indicates news and true crime are top podcast categories as seven of the top 10 fit those categories.  They are (in order 1to 10): “The Joe Rogan Experience,” “This American Life,” “The Daily,” “My Favorite Murder,” “Crime Junkie,” “Stuff You Should Know,” “Wait Wait…Don’t Tell Me!” “Serial,” “Pod Save America,” and “Radiolab.”  Edison says the Podcast Consumer Tracker data is based upon 4,053 online interviews (in English and Spanish) with weekly podcast consumers, ages 18 and older. Interviews were conducted in English and Spanish…..SiriusXM is carrying the live broadcast of the “Celebration of Life for Kobe & Gianna Bryant” from the Staples Center in Los Angeles today (2/24) on its SiriusXM NBA Radio channel.

Music Radio News and Career Moves. St. Louis hot AC KYKY “Y98” makes some air staff changes and relaunches its morning show as “The Wake Up with Jen & Tim,” hosted by Jen Myers and Tim Convy, with contributions from Kevin Berghoff and Lance Hildebrand.  The Entercom station promotes Julie Tristan to host of the midday show and station host Paul Cook continues hosting afternoon drive.  Entercom St. Louis SVP and market manager Becky Domyan says, “From day one, Jen, Tim, Kevin, and Lance have impressed me with their energy, passion and desire to learn and win, and they have elevated our morning show in a short time.  I’m equally excited about the addition of Julie Tristan to our weekday programming.  She has an amazing track record of success in the market.  She is an unstoppable talent, and her charitable contributions to the community have been tremendous as well.”  Tristan is an Emmy-nominated multimedia St. Louis journalist.  She also currently serves as a producer and announcer for “Spotlight STL” on Nexstar Media Group’s KPLR-TV…..iHeartMedia’s Chicago country outlet WEBG-FM “Big 9.5.” presented a countdown of “The Top 1,000 Country Songs of All Time” and posted the list on its website.  The list was created by the station’s “blue ribbon panel of country experts” who considered factors such as: songwriting, artist contribution to country music history, historical and popular cultural significance of a song, sales and/or streaming data, radio airplay, and peak chart position.  What was #1?  “Friends in Low Places” by Garth Brooks.

PPM Analysis: “Holiday” 2019 Extra

| February 11, 2020

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES —  A time-honored tradition continues this week as the first workout for major league baseball pitchers and catchers will be held for roughly half the teams tomorrow (Wednesday, 2/12), while battery-mates for approximately the other half of MLB teams return to work Thursday (2/13).

Thus, the calendar confirms what “King Kelly” (Ray Milland) and “Monk Lanigan” (Paul Douglas) would state in the 1949 film of the same name, “It Happens Every Spring.”

Those in radio have been accustomed to wild ratings fluctuations this time of year and have a consensus reaction: “It happens every ‘holiday’ ratings period.”

For historical context, ever since Arbitron (and now Nielsen Audio) added a thirteenth yearly sweep called “Holiday” in 2007, we’ve witnessed positive spikes by stations playing wall-to-wall Christmas for a roughly six-week period leading up to December 25.

Concurrently, there’s usually a corresponding decline in listenership to stations not caught up in the all-Christmas music mood.

The following breakouts reflect those stations in PPM-markets that either improved their 6+-stat by at least one full-share or regressed by that margin or greater in the “Holiday” 2019 sweep (December 5, 2019 – January 1, 2020).

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“Holiday” 2019 PPM Analysis:
Adult Contemporary Part Two

| February 10, 2020

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES  —  The overwhelming majority of adult contemporary program directors simply cannot wait for the start of the “Holiday” survey period and they constantly express their gratitude that this thirteenth survey period was ever added to the annual ratings calendar

“Holiday,” of course, is the sweep in which many ACs (as well as some stations in other formats) temporarily pull the plug on regular programming and transition to wall-to-wall Christmas music.

It once again needs to be emphasized that not all adult contemporary outlets opt for the all-Christmas music tactic

Station executives have been asking the same question for years: When will the all-Christmas music phenomenon finally run out of gas?

To help give a clearer picture of where this genuine juggernaut programming strategy stands for adult contemporary, we’ve gathered data from the past six “Holiday” survey periods

First noteworthy nugget: “Holiday” 2019 AC stats greatly mirror those of “Holiday” 2018.

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Monday Memo: THIS Time for Sure!

| February 10, 2020

By Holland Cooke
Consultant

 

BLOCK ISLAND, RI — February 3, 1959: They were en route to Fargo, North Dakota, to give a concert, but they never made it.  The small plane carrying Buddy Holly, Richie Valens, and The Big Bopper crashed in an Iowa corn field.

February 3, 2020: As Iowans prepared to caucus that night, Rush Limbaugh shocked us with news that many in talk radio fear could be, to our format, “The Day The Music Died.”

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“Holiday” 2019 PPM Analysis: News/Talk

| February 5, 2020

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES —   A comprehensive news/talk analysis concludes our four-part series of “Holiday” 2019 overviews.

Included in this thorough synopsis are all commercial, English-language news/talk outlets (including online streams, if applicable) that appeared in any of Nielsen Audio’s 48 PPM-markets (“Holiday” 2019).

Unless otherwise noted, information for each station and stream was factored into all of our highlighted charts.

Spoiler Alert: In a sweep dominated by FM outlets playing wall-to-wall Christmas music (please see yesterday’s adult contemporary summary), news/talk stations are either down or flat in more than eight of ten cases (84%, December 2019 – “Holiday” 2019, 6+).

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“Holiday” 2019 PPM Analysis:
Adult Contemporary

| February 4, 2020

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — The format that leads the way in the all-Christmas music programming strategy – adult contemporary – is the focus of the third in our four-part series of “Holiday” 2019 overviews.

While stations from other formats engage in wall-to-wall Christmas music, adult contemporary was the originator and, by an overwhelming majority, remains the most common proponent.

Full disclosure: Not every adult contemporary station listed here played all-Christmas music during the “Holiday” 2019 sweep, and 20% of our sample  register a December 2019 – “Holiday” 2019 decline.

Whether or not they programmed all-Christmas music from early/mid-November through Christmas Day, all adult contemporary facilities that rank in the top 20 in a PPM-market (6+, “Holiday” 2019) comprise the following scoreboards in the industry’s most extensive overview of a “Holiday” ratings sweep.

Nielsen Audio only releases audience estimates for stations that subscribe to its services. Owing to that reason, ratings information in this “Holiday” 2019 report are limited to stations that pay Nielsen Audio for its data.

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“Holiday” 2019 PPM Analysis:
National Basketball Association Flagships

| February 3, 2020

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Last Sunday’s helicopter crash (1/26) that took the life of former Los Angeles Lakers superstar Kobe Bryant (and eight others, including Bryant’s daughter, Gianna) prompted us to conduct this extensive “Holiday” 2019 ratings recap of National Basketball Association radio flagships.

The following scoreboards are for an NBA team’s English-language, Nielsen Audio subscribing key station during the “Holiday” 2019 sweep (December 5, 2019 – January 1, 2020).

Some NBA teams have an AM and FM flagship and/or an emergency alternative (backup); however, we are showing one lead station per team.

Mirroring the one-station-per-team model, no NBA flagship in this analysis has ratings data from multiple Nielsen Audio metros.

Therefore, stats for the primary stations of the Knicks (WEPN-FM) and Brooklyn Nets (WFAN-FM) are limited to their home market of New York City, even though one or both of those stations may appear in ratings reports for Nassau-Suffolk (Long Island) and/or Middlesex-Somerset-Union.

The same applies to the primary station of the Golden State Warriors, KGMZ, which is listed in both San Francisco and San Jose – only information from the San Francisco report is used here.

The lone time Hubbard Broadcasting’s federal talk WFED (Washington Wizards) appeared in print for the sweeps covered in this analysis (August 2019 through “Holiday” 2019, and “Holiday” 2018) was November 2019 (.1, 6+). Thus, it is excluded from this entire summary.

Flagships of the Oklahoma City Thunder (WWLS) and New Orleans Pelicans (KLRZ) are in non-PPM markets. As a result, information for those two stations is not included in this report.

Ratings data for Toronto Raptors flagship CJCL is unavailable.

All stats cited here are full-week, Monday – Sunday, 6:00 am – 12:00 midnight and not limited to any specific day-part.

The first day of the 2019 – 2020 NBA season was October 22.

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“Holiday” 2019 PPM Analysis:
The All-News Format

| January 31, 2020

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — An overview of all-news stations initiates our wide-ranging four-part series of “Holiday” 2019 ratings summaries.

The following scoreboards reflect data from all-news properties that appear in the top 20 (6+) in “Holiday” 2019, a PPM sweep that covered December 5 (2019) through January 1 (2020).

Entercom owns all but three stations listed in this format analysis.

Non-Entercom all-news operations in this report are iHeartMedia’s WBZ-AM, Boston (also listed in Providence); Hubbard Broadcasting Washington, DC’s WTOP-FM; and Sinclair Broadcast Group Seattle’s KOMO.

Ratings stats in this exclusive analysis are limited to stations paying Nielsen Audio for its data.

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Monday Memo: Format Solution?

| January 27, 2020

By Holland Cooke
Consultant

 

BLOCK ISLAND, RI — Ever get a song stuck in your head?  You’re about to.  It’s a song that’s been stuck in mine for 40 years.  And as Americans are about to hear a modern version for the next several months, this older take has me wondering if – and admittedly hoping that – I have spotted an opportunity for radio.

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Monday Memo: Pay Attention
(They Don’t)

| January 6, 2020

By Holland Cooke
Consultant

 

BLOCK ISLAND, RI — New Year’s Resolution: Presume minimal listener attention.

Broadcasters have never had more competition for it; and listeners have never been more distracted, by daily stress, Trump Tweets, new audio and interactive competition, and overstated media noise (to which talk radio is a conspicuous contributor).

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Fatherly Advice from Bob Lonsberry

| December 11, 2019

By Bob Lonsberry
Talk Show Host

 

ROCHESTER, NY — My son signs on today.

His own radio program.

A talk show.  In Salt Lake City.

And on his first day, he will have a bigger audience and a bigger paycheck than I have ever had.

And yet, it is the nature of the elder to lecture the younger, to tell them how the world was in hope that it relates to how the world will be.

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November 2019 PPM Analysis:
News/Talk

| December 10, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our four-part series of November 2019 overviews concludes with a comprehensive analysis of news/talk stations.

Included in this thorough overview are all commercial, English-language news/talk outlets (including online streams, if applicable) that appeared in any of Nielsen Audio’s 48 PPM-markets (6+, November 2019).

Unless otherwise noted, information for each station and stream was factored into all of our highlighted charts.

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November 2019 PPM Analysis:
Urban Contemporary

| December 9, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Having already posted November 2019 PPM overviews of all-news (last Thursday, 12/5) and sports talk (last Friday, 12/6), we turn our attention to a music-intensive format; this month, it’s urban contemporary.

Our four-part series will conclude with a thorough look at news/talk.

Meanwhile though, the following urban contemporary scoreboards are comprised of stations that rank in the top 20 in any of the 48 PPM-markets (6+, November 2019).

Given that Nielsen Audio only releases audience estimates for stations that subscribe to its services, ratings information in this exclusive analysis are limited to properties that pay that company for its data.

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October 2019 PPM Analysis: Country

| November 8, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Following extensive October 2019 overviews of Major League Baseball flagships and public radio news/talk, we turn our attention to stations in the country format; waiting on deck is our thorough examination of (commercial) news/talk.

Breakouts shown here consist of data from country-formatted properties that rank in the top 20 in any PPM-market (October 2019, 6+).

Over and above that particular ratings caveat, Nielsen Audio only releases audience estimates for stations that subscribe to its services. Thus, ratings stats in this analysis are limited to facilities that pay Nielsen Audio for its data.

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October 2019 PPM Analysis:
Major League Baseball Flagships

| November 6, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — All set to lead off with our first in a four-part series of extensive October 2019 ratings overviews, we’re in the batter’s box taking our third and final swing this calendar year at the performance of Major League Baseball radio flagships.

The following scoreboards are for an MLB team’s English-language, Nielsen Audio subscribing key station during the October 2019 sweep (September 12 – October 9).

Unlike most of our other such overviews, however, this particular one comes with some unique ground rules and fine-print.

While some MLB teams have an AM and FM flagship and/or an emergency alternative (backup), we show one “designated hitter” per team.

Mirroring the one-station-per-team model, no MLB flagship in this analysis has ratings data from multiple Nielsen Audio metros.

Therefore, stats for the primary stations of the Mets (WCBS-AM) and Yankees (WFAN) are limited to their home market of New York City, even though one or both of those stations may appear in ratings reports for Nassau-Suffolk (Long Island) and/or Middlesex-Somerset-Union.

The same applies to the primary station of the San Francisco Giants, Cumulus Media sports talk KNBR. It is listed in both San Francisco and San Jose but only information from the San Francisco report is used here.

Things get a bit trickier regarding the Los Angeles Angels. Its main radio home – KLAA – has studios and offices at Anaheim Stadium but is unlisted in both the Los Angeles and Riverside-San Bernardino-Ontario reports (October 2019). As a result, we are using data from another Angels Radio Network station throughout this entire overview, KSPN “ESPN LA 710.”

No ratings information is available/shown for either the flagship of the American League East’s Toronto Blue Jays (CJCL) or the American League West’s Oakland Athletics (KTRB).

Data cited here is not limited to any specific day-part. All stats are full-week, Monday – Sunday, 6:00 am – 12:00 midnight (6+).

With that out of the way, it’s time for the first pitch.

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October PPM Ratings Takeaways – Round Four

| November 1, 2019

October 2019 PPM Data – Information for the October 2019 ratings period has been released for Austin, Raleigh, Indianapolis, Milwaukee, Nashville, Providence, Norfolk, Jacksonville, West Palm Beach, Greensboro, Memphis, and Hartford. Nielsen Audio’s October 2019 survey period covered September 12 – October 9. Managing editor Mike Kinosian (Kinosian@TALKERS.com) provides his “Takeaways” from the PPM-markets below.

Austin

Spoken-Word Formats – When Sinclair Telecable news/talk KLBJ-AM gained six-tenths in August to 4.8 (6+), it marked the station’s best 6+-performance in more than six years (5.0, June 2013). Bouncing back from September’s half-share loss with an October +.7 (4.8 – 4.3 – 5.0, tenth to sixth, 6+), “News Radio 590” matches that June 2013 5.0 (6+). Entercom’s KJCE “Talk Radio 1370” repeats September’s .3 (#26, 6+).

An overall +1.1 through four straight improvements (1.3 – 1.6 – 1.9 – 2.3 – 2.4, 6+), Genuine Austin Radio sports talk KTXX “The Horn” advances from #15 to #14. More than doubling (+.5) its 6+ AQH-share in five straight reports without a loss (.4 – .5 – .5 – .7 – .8 – .9, 6+), iHeartMedia’s similarly-formatted KVET-AM “1300 AM The Zone” continues at #25.

Truly roaring back from September’s loss of six-tenths with an astonishing +2.0 (7.3 – 9.3, 6+), University of Texas at Austin-owned news/talk KUT progresses from second to first with its highest 6+-performance (9.3) since March (9.5). Among KUT’s shifts this calendar year include: +1.6 (January); -.6 (February); +.7 (March); -2.0 (April); -1.6 (June); +.9 (July); +1.2 (August) -.6 (September); and +2.0 (October).

Austin Music Formats – On the heels of September’s massive +1.7 to 5.0 (6+), iHeartMedia’s country KVET-FM adds another half-share (5.5, 6+) and leaps from sixth to third. September’s 5.5 is the best 6+-showing for “98.1 The Austin Texas Original” since May, when it gained nine-tenths to 5.8 (6+). Following that uptick, however, KVET-FM was an overall -2.5 via three successive significant setbacks (5.8 – 5.2 – 4.5 – 3.3, 6+). Prior to August’s 3.3, “98.1 The Austin Texas Original,” which was +1.2 in January (5.0 – 6.2, 6+), hadn’t been below a four-share (6+) in more than six years (3.1, February 2013). Also boosting by one-half share in October is Crista Ministries contemporary Christian KFMK “Spirit 105.9,” which reaches the five-share level (6+) and posts its fourth straight increase for an overall +2.2 (2.8 – 3.1 – 4.2 – 4.5 – 5.0, ninth to sixth, 6+). In addition to being a collective -1.2 in four straight dips (9.3 – 9.2 – 8.7 – 8.4 – 8.1, 6+), Emmis Austin Radio Broadcasting Company adult hits KBPA “103.5 Bob-FM” segues to #2 after six consecutive months at #1. June’s 9.3 was its highest 6+ share since “Holiday” 2018 (also 9.3). Prior to this past April, the last time “Bob” occupied the top spot was December 2018 (8.3, 6+). More than doubling (+.9) its 6+ AQH-share in four consecutive up or flat moves (.7 – .8 – 1.5 – 1.5 – 1.6, 6+), Univision Radio Spanish adult hits KLJA “Amor 107.7” advances from #19 to #18. Immediately after logging September’s +1.1 to 3.1, its highest 6+-stat since November 2018 (3.1, as well), regional Mexican cluster-mate KLQB surrenders -1.0 (2.1, #14 to #15, 6+). Entering the September sweep, “Que Buena 104.3” was off an overall four-tenths in four straight down or flat moves (2.4 – 2.2 – 2.2 – 2.2 – 2.0, 6+). Similarly-formatted KLZT, which was a combined +1.3 in August/September (4.0 – 4.3 – 5.3, 6+), falters by one-half share to 4.8 (fourth to eighth, 6+). Directly following March’s +1.2, “107.1 La Z” was a collective -2.7 in four straight decreases (6.7 – 5.9 – 5.1 – 4.4 – 4.0, 6+). A combined +.6 in August/September (4.6 – 4.8 – 5.2, 6+), iHeartMedia CHR KHFI surrenders seven-tenths (fifth to ninth) as “96.7 Kiss-FM Austin’s #1 Hit Music Station” has its lowest 6+-stat (4.5) since January’s 4.3. As a result of six successive reports without a loss, Emmis Austin Radio Broadcasting Company alternative KROX was a collective +2.1 (2.6 – 2.9 – 3.3 – 3.3 – 3.8 – 3.9 – 4.7, 6+); however “101-X” drops four-tenths in October (4.3, seventh to tenth, 6+). With a 4.7 in September 2019, KROX reached the four-share level (6+) for the first time since September 2018’s 4.0). Directly after May/June’s combined +1.1 (5.3 – 5.8 – 6.4, 6+), Entercom hot AC KAMX “Mix 94.7” is an overall -2.8 in four straight setbacks (6.4 – 5.9 – 4.6 – 4.0 – 3.6, #11 to #12, 6+).

Raleigh

Spoken-Word Formats – Progressing from eighth to seventh, iHeartMedia news/talk WTKK “106.1 Stay Connected” is an overall +1.3 in three straight upticks (4.7 – 5.2 -5.4 – 6.0, 6+). On the other hand, Curtis Media Group news/talk WPTF “News Radio 680” has lost nine-tenths as a result of four consecutive reports without an increase (1.9 – 1.8 – 1.7 – 1.3 – 1.0, #17 to #18, 6+).

In consecutive months, Capitol Broadcasting sports talk WCMC “99.9 The Fan” notches a gain of four-tenths (2.1 – 2.5 – 2.9, 6+). After finishing at #15 five months in a row, Raleigh’s “Fan” now repeats at #14. September’s increase halted five straight down or flat moves that resulted in a loss of three tenths (2.4 – 2.2 – 2.2 – 2.2 – 2.2 – 2.1, 6+). Co-owned/similarly-formatted model of consistency WDNC “620 The Ticket” has an August 2018 through October 2019 topline of: .1 – .1 – .1 – .1 – .1 – .1 – .1 – .1 – .2 – .2 – .1 – .1 – .2 – .1 – .1 – .1 (flat at #25, 6+).

After posting an August +1.0 and then a September -1.1, University of North Carolina at Chapel Hill news/talk WUNC “91.5 North Carolina Public Radio” levels off with a +.1 (7.4 – 7.5, flat at #3), 6+). August 2019’s 8.5 was its best 6+-stat since 8.8 in August 2018.

Raleigh Music Formats – Making September’s loss of seven-tenths disappear is Radio One gospel WNNL “The Light 103.9 – The Triangle’s Inspiration Station,” which posts an October increase of the same magnitude (5.2 – 4.5 – 5.2, +.7, tenth to ninth, 6+). The 5.2 in August 2019 and October 2019 is WNNL’s strongest 6+-stat since October 2018 (5.2, as well). Immediately prior to the September ratings period, “The Light” was a collective +1.5 via seven consecutive up or flat moves (3.7 – 3.9 – 4.1 – 4.2 – 4.2 – 4.5 – 4.6 – 5.2, 6+). Jumping seven-tenths as well in October is Curtis Media Group CHR WPLW-FM “Pulse FM” (4.2 – 4.9, unchanged at #11, 6+), which records its best 6+-stat since June 2017 (also 4.9). Replicating September’s increase of six-tenths, iHeartMedia’s WNCB “B-93.9 #1 For New Country” crosses the four-share level and climbs from #13 to #12 (3.5 – 4.1, 6+). Its April 2019 through August 2019 topline was: 2.9 – 2.9 – 2.9 – 2.7 – 2.9 (6+). After having its 6+ AQH share sliced by roughly 72% (-2.3) as a result of nine negative or neutral Raleigh reports in succession (3.2 – 2.9 – 2.1 – 1.8 – 1.8 – 1.6 – 1.6 – 1.6 – 1.3 – .9, 6+), Curtis Media Group-owned regional Mexican WYMY “La Ley 101.1” applies the brakes with a +.1 to 1.0 (#20 to #18, 6+). While it repeats at #1, Radio One urban AC WFXC “Foxy – Today’s R&B and Classic Soul” erases August/September’s +.6 (8.2 – 8.4 – 8.8, 6+) with a -.6 to 8.2 (6+). “Foxy” spent 12 consecutive survey periods on top; had an August-only stay at #2; and returned to #1 in September. Its August gain of two-tenths ended six straight down or flat sweeps that resulted in an overall -2.8 (11.0 – 9.9 – 9.5 – 9.5 – 9.1 – 8.8 – 8.2, 6+). Seven recent WFXC (6+) fluctuations include: +.9 (November 2018); -1.5 (December); +1.1 (“Holiday” 2018); +1.1 (January 2019); -1.1 (February); -.6 (July); and -.6 (October). January’s +1.1 took WFXC to 11.0, its highest 6+-stat in the PPM-era. Remaining in fourth-place, Curtis Media Group adult hits WBBB “96.1 BBB Your Life – Your Music” is in an up/down pattern that began in June (6.0 – 6.6 – 6.4 – 6.8 – 6.3, 6+).

Indianapolis

Spoken-Word Formats – Down a combined seven tenths in September/October (6.5 – 6.3 – 5.8, 6+), Emmis news/talk WIBC “Indy’s Mobile News 93.1” falls from fourth to sixth. Recent WIBC shifts include: +1.0 (October 2018); +.7 (November); -.9 (December); -.9 (“Holiday” 2018); +.9 (January 2019); +.9 (February); -.8 (March); -1.2 (April); +.9 (June); +.5 (August); and -.5 (October).

Adding one-tenth to September’s +.8 (1.7 – 2.5 – 2.6, 6+), Emmis-owned WFNI “The Fan – Indy’s Sports Center” climbs from #16 to #15. The June 2019 through October 2019 topline for iHeartMedia’s WNDE “Indy’s Sports Station” is: 1.0 – 1.0 – 1.1 – 1.0 – 1.1 (flat at #18, 6+). Cumulus Media’s WXNT “CBS Sports AM 1430” logged a .1 (6+) in July and August; disappeared from print in September; and returns in October with a .1 (#22, 6+).

After surrendering one-half share in September, Metropolitan Indianapolis Public Broadcasting news/talk WFYI bounces back with a +.4 (4.8 – 5.2, eighth to seventh, 6+).

Indianapolis Music Formats – It is a mixed bag for the market’s two major FM country players as Emmis-owned WLHK “Country 97.1 Hank” obliterates August/September’s -1.2 (7.2 – 7.1 – 6.0, 6+) with a robust +1.3 to 7.3 (sixth to third, 6+). Prior to July’s 7.2, “Hank” last reached the seven-share threshold in May 2018 (7.1); WLHK was a combined +1.1 in June/July (6.1 – 6.2 – 7.2, 6+). Its format rival, Cumulus Media’s WFMS “95.5 The Country Station,” was a combined -.7 in July/August (7.6 – 7.5 – 6.9, 6+); up four-tenths in September to 7.3 (6+); but is -.8 in October (6.5, third to fifth, 6+). October’s 6.5 is its lowest 6+-stat since 6.1 in “Holiday” 2018. In three straight drops, WTLC-FM was a collective -1.1 (5.5 – 4.8 – 4.5 – 4.4, 6+) but the Radio One urban AC halts the slide with a +.8 to 5.2 (ninth to seventh, 6+). Steady at #4, iHeartMedia classic rock WFBQ “Q-95 Rocks” (+.6 in October) is in an alternating down/up pattern that commenced in June: 6.7 – 5.9 – 6.4 – 6.3 – 6.9 (6+). Having lost roughly 42% (-2.1) of its 6+ AQH share via four straight down or flat moves (5.0 – 3.9 – 3.9 – 3.7 – 2.9, 6+), Cumulus Media hot AC WNTR “107.9 The Mix” curtails that streak with a gain of four-tenths to 3.3 (#13 to #11, 6+). Despite its October loss of seven-tenths (11.1 – 10.4, 6+), its classic hits-oldies sibling, WJJK “Classic Hits 104.5,” is #1 the tenth report in a row. WJJK’s 11.1 (July and September) represents the highest 6+-share in the station’s PPM-history, eclipsing April’s 10.2. After spending six straight ratings periods on top, “Classic Hits 104.5” slipped to third in “Holiday” 2018 but returned to #1 this past January. WJJK has had some dramatic fluctuations this year including: +2.9 (January); -.7 (February); -.6 (March); +1.7 (April); +1.4 (July); -1.1 (August); +1.1 (September); and -.7 (October). The overall +.9 that Emmis adult contemporary WYXB racked up in three straight spikes (7.4 – 7.8 – 8.0 – 8.3, 6+) vanishes as “B-105.7” sputters by nine-tenths and returns to 7.4 (flat at #2, 6+). Radio One rhythmic CHR WHHH “Hot 96.3” is off a combined eight-tenths in September/October (4.2 – 3.9 – 3.4, 6+) and is unchanged in tenth-place. Logging its fourth loss in a row for an overall -1.5 (6.2 – 6.0 – 5.8 – 4.9 – 4.7, 6+), Entercom CHR WZPL “99.5 ZPL” slips from seventh to ninth.

Milwaukee

Spoken-Word Formats – Not only does Good Karma Brands’ news/talk WTMJ tack on nine-tenths to September’s +.4 (7.5 – 8.4, 6+), “Wisconsin’s Radio Station” darts from third to first. Immediately prior to this, the flagship of the Brewers and Packers was -2.3 in three straight setbacks (9.4 – 8.7 – 7.6 – 7.1, 6+). Repeating in eighth-place, iHeartMedia’s WISN “News/Talk 1130” is up four-tenths in September/October (4.6 – 4.7 – 5.0, 6+), directly after a collective -1.1 through three decreases in succession (5.7 – 5.3 – 5.0 – 4.6, 6+).

By breaking out a +.9 to 1.6 (6+), iHeartMedia’s WRNW more than doubles September’s .7 (6+) as “97.3 The Game – Milwaukee’s Sports Talk That Rocks” jumps from #18 to #14. Its last time in double-digits was December 2018 (2.8, 6+) when WRNW was a CHR. Tied at #20 – all with .7 (6+) – are Good Karma Brands’ WKTI “94.5 ESPN”; Entercom’s WSSP “Sports Radio 105.7 The Fan”; and iHeartMedia’s WOKY “The Big 920.” WKTI had gained two-tenths in three straight up or flat moves (.6 – .7 – .7 – .8, 6+). “The Fan” has improved by one-tenth in three sweeps in a row (.4 – .5 – .6 – .7, 6+). Until posting a half-share increase to October’s .7 (6+), “The Big 920” logged a .2 (6+) in six straight sweeps and eight of the last nine.

Up one-half share in three straight positive or neutral moves (3.0 – 3.3 – 3.3 – 3.5, 6+), University of Wisconsin news/talk WUWM remains at #13. Despite being up six-tenths in three consecutive sweeps without a loss (.8 – 1.1 – 1.1 – 1.4, 6+), Wisconsin Public Radio news/talk WHAD backslides from #15 to #17.

Milwaukee Music Formats – Adding six-tenths to September’s +.3 (4.1 – 4.4 – 5.0, 6+), Saga Communications’ WHQG “102.9 The Hog Everything That Rocks” advances from ninth to eighth. Debuting in print with a 1.1 (6+), Magnum Radio’s WVTY “Country 92.1 VTY” checks in at #19. After four months in a row at #1, iHeartMedia classic hits-oldies WRIT “95.7 Big FM Milwaukee’s Greatest Hits” (9.6 – 8.3, -1.3, 6+) segues to #2 with its lowest 6+-figure (8.3) since December 2018’s 7.7. A combined +1.1 in June/July (8.6 – 9.4 – 9.7, 6+), WRIT occupied the lead position five straight sweeps before dropping to second in May. Having spent 43 consecutive ratings periods at #1, “Big FM” shifted to #2 in October 2018. “Holiday” 2018’s 11.5 is the strongest 6+-stat for any Milwaukee station since WRIT’s 11.6 in “Holiday” 2017. Nine of its recent (6+) moves are: -1.0 (December); +3.8 (“Holiday” 2018); – 1.9 (January 2019); +.6 (February); -.8 (March); +.7 (April); -1.5 (May); +.8 (June); and -1.3 (October). Repeating at #10, Entercom CHR WXSS “103.7 Kiss-FM” is an overall -1.4 as a result of four straight down or flat trends (5.5 – 5.4 – 5.0 – 4.1 – 4.1, 6+) and has its softest 6+-stat since May 2018 (4.1, as well). This is the eighth straight sweep without an increase for Alpha Media’s WIIL, which has lost three-tenths in that February 2019 through October 2019 timeframe (.8 – .8 – .6 – .6 – .6 – .6 – .5 – .5 – .5, 6+); “95 WIIL Rock” falls from #21 to #23.

Nashville

Spoken-Word Formats – It’s another good month for Cumulus Media news/talk WWTN, which is now +1.1 as a result of five successive sweeps without a loss (3.1 – 3.5 – 3.5 – 3.6 – 3.7 – 4.2, 6+); “Super Talk 99.7” repeats at #12. A combined +.4 in September/October (1.4 – 1.5 – 1.8, 6+), iHeartMedia news/talk WLAC “Talk Radio 1510” remains at #17; 1.8 (in July and October) is its best 6+-stat in four years (2.0, October 2015).

As a result of four straight spikes, Cumulus Media-owned sports talk WGFX “104.5 The Zone” (Tennessee Titans) is a collective +2.4 (2.7 – 2.9 – 3.2 – 4.7 – 5.1, 6+) and jumps from tenth to eighth. Prior to June, the last time WGFX fell below a three-share (6+) was July 2017 (2.7, as well). By adding three-tenths in consecutive sweeps, Cromwell Group-owned/similarly-formatted WPRT “102.5 The Game” nearly doubles August’s 6+ share (.7 – 1.0 – 1.3, #20 to #19, 6+).

Following August/September’s combined +1.8 (5.1 – 6.2 – 6.9, 6+), Nashville Public Radio’s WPLN-FM “NPR News and Classical Music” relinquishes more than half that increase (5.9, -1.0, third to sixth, 6+). The news/talk/classical hybrid outlet was a combined +1.2 in May/June (4.4 – 5.4 – 5.6, 6+) but lost one-half share in July (5.6 – 5.1, 6+).

Nashville Music Formats – Substituting September’s loss of seven-tenths (3.1 – 2.4, 6+) with an October +1.0 (3.4, 6+), Cromwell-owned WBUZ “102.9 The Buzz – Nashville’s Rock Station” proceeds from #14 to #13 with its best 6+-stat since last November (3.4, as well). There’s good news/bad news in the Midwest Communications cluster involving adult contemporary WJXA “Mix 92.9 – Your Life, Your Music” and adult hits WCJK “96.3 Jack FM Playing What We Want.” After being on top the past five months, “Mix” – a collective -2.2 in three straight setbacks (9.8 – 9.5 – 9.2 – 7.6, 6+) – falls to the runner-up slot. This particular streak directly follows an overall +1.6 in three successive spikes (8.2 – 9.2 – 9.6 – 9.8, 6+). Eight recent (6+) WJXA fluctuations include: +1.9 (December 2018); +3.2 (“Holiday” 2018); -3.5 (January 2019); -1.3 (February); -.5 (March); -.6 (April); +1.0 (May); and -1.6 (October). WJXA’s “Holiday” 2018’s 14.1 is the highest 6+-share by any Nashville outlet since its 14.4 in “Holiday” 2017. Prior to its current 7.6, “Mix” last fell below an eight-share (6+) in January 2018 (7.7). Succeeding WJXA is (aforementioned) co-owned “Jack,” which is +2.1 in three successive upticks (6.8 – 8.0 – 8.1 – 8.9, 6+). It is the first time at #1 for Nashville’s version of “Jack” since April, when WCJK logged an 8.4 (6+). Improving by one-half share each are iHeartMedia urban contemporary WUBT “101.1 The Beat” (fifth to third); its CHR sibling WRVW “107.5 The River” (sixth to fourth); and Cumulus Media country WSM-FM “95.5 Nash Icon” (5.0, #11 to #9, 6+). In three straight up or flat trends “The Beat” has gained nine-tenths (5.6 – 5.6 – 6.0 – 6.5, 6+), while “The River” has picked up nine-tenths as well in four successive reports without a loss (5.3 – 5.3 – 5.5 – 5.7 – 6.2, 6+). Meanwhile, “Nash Icon” had lost an overall seven-tenths in four straight down or flat sweeps (5.2 – 5.0 – 5.0 – 4.7 – 4.5, 6+). Unchanged at #7, iHeartMedia’s WSIX “The Big 98 – Nashville’s #1 for New Country” is a collective -1.0 as a result of three drops in a row (6.2 – 5.6 – 5.4 – 5.2, 6+), immediately after its +2.7 in seven consecutive sweeps without a loss (3.5 – 4.7 – 4.7 – 5.0 – 5.2 – 5.2 – 5.2 – 6.2, 6+). “The Big 98” reached the six-share level (July 2019, 6.2, 6+) for the first time since April 2017’s 6.1. Educational Media Foundation contemporary Christian WLVU “Positive & Encouraging K-Love,” which notched three improvements in a row for a collective +1.5 (2.0 – 2.8 – 2.9 – 3.5, 6+), forfeits 60% of that increase (2.6, -.9, #13 to #14, 6+); September’s 3.5 was its highest 6+-stat since April’s 3.7. Meanwhile, Salem Media Group’s similarly formatted WFFH “The Fish” has relinquished approximately 47% (-2.1) of its 6+-share as a result of four down or flat moves in a row (4.5 – 4.4 – 3.2 – 2.4 – 2.4, #14 to #16, 6+). This directly follows a collective +1.0 via four straight increases (3.5 – 3.8 – 3.9 – 4.1 – 4.5, 6+). An overall +1.3 via four bumps in a row (4.2 – 4.4 – 4.6 – 4.8 – 5.5, 6+), Cumulus Media urban AC WQQK “92-Q” is now a combined -.8 in September/October (5.5 – 5.2 – 4.7 (eighth to tenth, 6+). In August, “92-Q” reached the five-share level (6+) for the first time since “Holiday” 2018 (5.5, as well). An overall -1.6 in three straight setbacks (7.8 – 7.6 – 6.5 – 6.2, 6+), iHeartMedia classic rock WNRQ “105.9 The Rock” repeats in fourth-place.

Providence

Spoken-Word Formats –Down six-tenths in September/October (3.4 – 2.9 – 2.8, 6+), Cumulus Media’s WPRO-AM “News Talk 630” carries on in eighth-place. August’s +.3 halted three consecutive down or flat sweeps that accounted for a loss of seven-tenths (3.8 – 3.7 – 3.1 – 3.1, 6+). Without an increase the eighth time in a row for an approximately three-fourths reduction (-1.6) of its 6+-AQH share (2.1 – 1.9 – 1.7 – 1.6 – 1.3 – .9 – .9 – .7 – .5, 6+), iHeartMedia-owned news/talk WHJJ “Providence’s News, Traffic, and Weather” repeats at #19. Flat at #20, Cumulus Media’s WPRV “AM 790 Talk & Business” has lost four-tenths via five consecutive negative or neutral moves (.7 – .5 – .4 – .3 – .3 – .3, 6+).

Anchored in seventh-place, Entercom sports talker WVEI continues an alternating down/up pattern that began in February: 4.1- 3.6 – 4.0 – 3.5 – 3.6 – 3.1 – 3.4 – 3.3 – 3.8 (6+). July’s 3.1 is its lowest 6+-stat since March 2018’s 2.8.

Following five consecutive ratings periods without an increase that led to a loss of four-tenths in that timeframe (1.3 – 1.2 – 1.0 – 1.0 – .9 – .9, 6+), iHeartMedia Boston news – talk hybrid WBZ-AM “News Radio 1030” posts a half-share increase to 1.4 (#18 to #13, 6+).

A combined -.4 in August/September (2.2 – 2.1 – 1.8, 6+) following July’s +.6, WGBH Educational Foundation Boston news/talk WGBH busts out a +.8 to 2.6 (6+) and reenters Providence’s top ten (#11 to #9). In six consecutive sweeps without an increase (2.0 – 2.0 – 1.9 – 1.7 – 1.4 – 1.4 – 1.4, 6+), The Wheeler School’s news/talk WELH has lost six-tenths but advances from #14 to #13.

Providence Music Formats – Albeit down one-tenth (9.3 – 9.2, 6+), iHeartMedia-owned WHJY “94 HJY Providence’s Home of Rock & Roll” repeats at #1. After occupying the lead position three months in a row, WHJY shifted to the runner-up slot in August; “94 HJY” was +.7 in September. A combined -1.6 in July/August (10.2 – 9.8  – 8.6, 6+), WHJY lost nine-tenths in April, forcing it from the penthouse after three straight months there. The decline halted four consecutive positive or flat moves that netted a +2.0 (8.5 – 9.8 – 9.8 – 9.8 – 10.5, 6+). Nine recent (6+) shifts for co-owned hot AC WSNE “Coast 93.3” include: -.9 (November 2018); -1.0 (Holiday” 2018); +.5 (March); +.5 (May); -.7 (June); +1.4 (July); -.5 (August); +.5 (September); and -.6 in October (5.7 – 5.1, flat at #6, 6+). Prior to June’s loss of seven-tenths, WSNE was a collective +1.2 in three consecutive improvements (3.8 – 4.3 – 4.5 – 5.0, 6+). Hall Broadcasting country WCTK follows September’s -1.0 (9.3 – 8.3, 6+) with a -.5 to 7.8 (flat at #3, 6+). Entering the September sweep, “Cat Country 98.1” was a collective +1.7 in three straight upticks (7.6 – 8.5 – 8.6 – 9.3, 6+), with August’s 9.3 (#1, 6+) representing its highest 6+-share since 10.1 in July 2018. Unlisted for the fourth month in a row are Red Wolf Broadcasting Spanish tropical WKKB “Latina 100.3,” which posted a 1.2 in June (#16, 6+) and classic hits-oldies sibling WSKP “Good Times … Great Oldies” (.8, #19, June 2019, 6+).

Norfolk

Spoken-Word Formats – Although flat at #12, Max Broadcast Group sports talk WVSP “ESPN Radio 94.1” has nearly doubled (+1.0) its 6+-stat in three straight bumps (1.2 – 1.4 – 1.8 – 2.2, 6+).

Norfolk Music Formats – Not only is Entercom urban AC WVKL #1 the tenth consecutive month, “Smooth R&B from Yesterday & Today” adds six-tenths to September’s massive +2.3 (9.1 – 11.4 – 12.0, 6+). A combined -2.3 in July/August (11.4 – 10.0 – 9.1, 6+), WVKL last failed to log double-digits (6+) in January 2014 (9.8). “Smooth R&B from Yesterday & Today” had been the market pacesetter 25 successive survey periods before segueing to the runner-up slot in “Holiday” 2018. Its August 2018 15.5 holds the record for highest 6+-performance by any Norfolk station in the PPM-era. Saga Communications’ WAFX “106.9 The Fox – Hampton Roads’ Classic Rock,” which was -3.0 in three setbacks in succession (8.2 – 7.0 – 6.6 – 5.2, 6+), ends the slide with a +.5 to 5.7 (6+) and continues at #4. Prior to September’s 5.2, “The Fox” last fell below a six-share (6+) in December 2018 (5.5). Three straight spikes by Max Broadcast Group adult contemporary WVBW yield a +1.7 (3.4 – 4.2 – 4.8 – 5.1, 6+) as “92.9 The Wave” progresses from seventh to fifth. It is tied with Entercom’s similarly-formatted WWDE “101.3 2WD” (4.9 – 5.1, +.2, sixth to fifth, 6+). WWDE was a combined +.6 in July/August (4.4 – 4.8 – 5.0, 6+) and then off one-tenth in September. Without a decrease March 2019 through September 2019 and +3.2 in that stretch (5.9 – 6.0 – 6.0 – 6.8 – 6.8 – 8.9 – 9.1, 6+), Saga Communications’ WNOR “FM 99 Rocks” forfeits exactly half that bounty with an October -1.6 to 7.5 (second to third, 6+). September’s 9.1 marked the first time in the PPM-era that WNOR appeared in print with a 6+-share reaching the nine-share level (6+). Adult standards cluster-mate WJOI “Great Songs – Great Memories,” which had been trending 1.2 – .9 – 1.2 (6+), erodes by nine-tenths to .3 (#16 to #17, 6+). The three most recent shifts by Max Broadcast Group’s country WGH-FM “97.3 The Eagle” are: -.6 (August); +.9 (September); and -.8 in October (4.7 – 4.1 – 5.0 – 4.2, fifth to seventh, 6+).

Jacksonville

Spoken-Word Formats – Three straight positive spikes by WOKV-FM netted a +2.9 (7.5 – 8.0 – 9.0 – 10.4, 6+), but the Cox Media Group news/talk outlet surrenders a -1.0 in October to 9.4 (6+). Nonetheless, “104.5 Jacksonville’s News, Weather, and Traffic” is #1 the fourth month in a row. July’s increase halted five consecutive down or flat sweeps that accounted for a collective -2.9 (10.4 – 9.7 – 8.8 – 8.6 – 8.6 – 7.5, 6+).

More than quadrupling (+.7) its 6+ AQH share since June in three straight gains (.2 – .5 – .7 – .9, 6+), iHeartMedia sports talk WFXJ “97.3 The Game – Jacksonville’s Sports Leader” repeats at #18. August’s +.3 halted nine consecutive sweeps without an increase that accounted for a net loss of 75% (-.6) of its 6+-stat (.8 – .7 – .6 – .6 – .5 – .3 – .3 -.3 – .2 – .2, 6+).

Unchanged at #11, public radio news/talk WJCT, which lost nine-tenths in five consecutive down or flat trends (3.7 – 3.5 – 3.3 – 3.0 – 3.0 – 2.8, 6+), is a combined +.4 in September/October (2.8 – 3.1 – 3.2, 6+).

Jacksonville Music Formats – Boasting September 2019 – October 2019 improvements of nine-tenths each are iHeartMedia-owned WQIK “99.1 Jacksonville’s Country” (fifth to fourth) and Radio Training Network contemporary Christian WCRJ “HIS Radio” (2.1, #17 to #15). WQIK is a combined +1.1 in September/October (5.4 – 5.6 – 6.5, 6+); WCRJ had been trending 1.2 – 1.1 – 1.2 (6+). WQIK’s format rival, Renda Broadcasting’s WGNE “99.9 Jacksonville’s Hottest Country,” is down six-tenths in September/October (4.7 – 4.5 – 4.1, ninth to tenth, 6+). Up a cumulative eight-tenths via three straight up or flat trends (4.6 – 4.7 – 4.7 – 5.4, 6+), iHeartMedia urban AC WSOL “V-101.5” pushes up from eighth to sixth with its best 6+-stat (5.4) since May’s 5.7. Conversely, urban contemporary sibling WJBT “93.3 The Beat” sputters the third time in a row for an overall –1.6 (6.6 – 5.9 – 5.6 – 5.0, fifth to eighth, 6+). Repeating in ninth-place, co-owned gospel WKSL-HD3 is +1.2 via four straight up or flat moves (2.3 – 2.9 – 3.1 – 4.5 – 4.5, 6+). Even though cluster-mate WWJK  is without an increase the fourth consecutive report for a net loss of seven-tenths (3.6 – 3.4 – 3.0 – 3.0 – 2.9, 6+), “107.3 Planet Radio – Jacksonville’s Rock Station” climbs from #13 to #12.

West Palm Beach

Spoken-Word Formats – Regaining the two-tenths it lost in September (4.0 – 3.8 – 4.0, 6+), iHeartMedia-owned WJNO “1290 The Palm Beaches’ News & Talk” pushes up from sixth to fifth. Prior to September, WJNO was an overall +2.0 in six successive sweeps without a loss (2.0 – 2.3 – 2.7 – 2.7 – 3.1 – 3.7 – 4.0, 6+). Co-owned news/talk WZZR “Real Radio 94.3 – Real Talk For The Palm Beaches,” which was down one-tenth in September, picks up four-tenths (2.0 – 2.4, 2.4, #13 to #10, 6+). August’s +.2 halted three straight down or flat sweeps that accounted for a loss of four-tenths (2.3 – 2.3 – 2.0 – 1.9, 6+). By dropping nine-tenths to 1.8 (6+), Hubbard Broadcasting’s WFTL not only suspends four straight boosts that netted a +1.0 (1.7 – 2.0 – 2.4 – 2.6 – 2.7, 6+), “News Talk 850” drifts from #10 to #14. September’s 2.7 was its strongest 6+-stat since December 2018’s 2.9. Repeating at #21, iHeartMedia Miami news/talk WIOD “610 News Radio” is trending 1.0 – .7 – .8 (6+).

After doubling (+.3) its 6+ share in three straight sweeps without a loss (.3 – .3 – .4 – .6, 6+), Hubbard Broadcasting’s WMEN “Fox Sports 640 AM South Florida” drops one-tenth to .5 (flat at #22, 6+). This is the 15th sweep in a row iHeartMedia-owned sports talk WBZT “1230 The Zone” has been a “no-show.”

The alternating down/up March 2019 through October 2019 topline for Dade County School Board news/talk WLRN is: 3.1 – 2.9 – 3.0 – 2.9 – 3.1 – 2.9 – 3.0 – 2.8 (flat at #9, 6+).

West Palm Beach Music Formats – Bouncing back from September’s loss of one-half share (3.6 – 3.1, 6+) with an October spike of nine-tenths to 4.0 (6+), Hubbard Broadcasting’s WIRK “New Country 103.1” jumps from eighth to fifth. This (4.0) is its best 6+-showing since September 2018’s 4.2. Four consecutive decreases by hot AC cluster-mate WRMF that resulted in a -3.4 (11.2 – 9.0 – 8.8 – 8.2 – 7.8, 6+) are directly followed by an overall +1.4 via three straight gains (7.8 – 8.3 – 8.5 – 9.2, 6+). Moreover, WRMF “Variety from the 90s and Now” is #1 the tenth time in a row. Whereas July’s 7.8 is WRMF’s lowest 6+-share and first time below an eight-share (6+) since “Holiday” 2016 (7.7), 11.2 in March is its best 6+-showing since November 2017 (11.2, as well). Emphatically wiping out its August/September +.7 (4.0 – 4.3 – 4.7, 6+) with an October -1.4, iHeartMedia CHR WLDI “Wild 95.5” slips from third to seventh with its lowest 6+-figure (3.3) since February’s 3.0. Miami CHR sibling WHYI “Y-100,” which had been within 2.0 – 2.6 range (6+) the last five ratings periods (2.4 – 2.3 – 2.0 – 2.6 – 2.5, 6+), falters by six-tenths to 1.9 (6+) but continues at #12. A collective +.7 in three straight sweeps without a loss (1.0 – 1.1 – 1.1 – 1.7, 6+), iHeartMedia Spanish contemporary WZTU “Tu 94.9” surrenders two-tenths to 1.5 (6+) but remains at #15. In the adult contemporary arena, iHeartMedia-owned WOLL “Today’s Kool 105.5” loses one-tenth (6.9 – 6.8, unchanged at #2, 6+), while Hubbard Broadcasting’s WEAT-FM “Sunny 107.9” adds two-tenths (4.4 – 4.6, fourth to third, 6+). WOLL was -.8 (July); +1.0 (August); and -.5 in September. Whereas August 2019’s 7.4 is the best 6+-showing for “Kool” since July 2016’s 7.5, July 2019’s 6.4 (6+) is its softest since March (6.4, as well). “Sunny” was a massive -2.2 in August/September (6.6 – 5.1 – 4.4, 6+). Prior to September, the last time WEAT fell below a five-share (6+) was in October 2018 (4.6). When “Sunny” gained one-tenth in July, it suspended three straight decreases that accounted for an overall -1.7 (8.2 – 7.0 – 6.8 – 6.5, 6+). In three improvements in succession, Moody Bible Institute gospel/religious teaching WRMB “89.3 Moody Radio” doubles (+.7) its 6+-figure (.7 – .8 – 1.3 – 1.4, #19 to #16 , 6+) and has its highest 6+-stat (1.4) since March (1.5).

Greensboro

Spoken-Word Formats – Answering September’s -1.3 with an October improvement of six-tenths (to 3.6, 6+), iHeartMedia news/talk WPTI “94.5 Your News, Talk, & Sports Station” returns to the top ten (#11 to #10). August’s 4.3 is its best 6+-stat since February (4.4).

Up one-tenth (.8 – .9, 6+), Curtis Media Group sports talk WSJS “Triad Sports” climbs from #16 to #15.

Even though it drops three-tenths (2.4 – 2.1, 6+), Wake Forest University news/talk WFDD “88.5 Public Radio for the Piedmont” is locked at #13 the 18th consecutive ratings period. In six consecutive reports without a loss, University of North Carolina at Chapel Hill news/talk WUNC has more than tripled (+1.2) its 6+ AQH-share (.5 – .8 – .8 – .8 – 1.0 – 1.7 – 1.7, steady at #14, 6+).

Greensboro Music Formats – Powered by a +1.4 (8.9 – 10.3, steady at #2, 6+), Entercom urban AC WQMG “97.1 QMG The Best R&B and Old School” is back in double-digits (6+) for the first time since “Holiday” 2018 (10.3, as well). In the market’s CHR contest, iHeartMedia-owned WMKS “100.3 Kiss-FM All the Hits” is +1.1 in September/October (2.9 – 3.1 – 4.0, tenth to ninth, 6+), reaching the four-share level (4.0, 6+) for the first time since April (4.6). At the same time that “Kiss” notches an October +.9, Dick Broadcasting’s similarly-formatted WKZL “107.5 KZL The #1 Hit Music Station” erodes by that magnitude (6.0 – 5.1, sixth to eighth, 6+). The loss curtails three straight up or flat trends that (appropriately) netted nine-tenths (5.1 – 5.5 – 5.5 – 6.0, 6+). September’s 6.0 is its best 6+-stat since January’s 6.3. WKZL has prevailed over WMKS in all 10 head-to-head battles this year; the closest was in April when WKZL beat “Kiss” by six-tenths (5.2 to 4.6, 6+). As a result of adding eight-tenths (5.9 – 6.7, 6+), WKZL’s sibling, WKRR “Rock 92,” leaps from seventh to fourth. Without a loss three times in succession for a collective +2.1 (8.8 – 9.5 – 10.9 – 10.9, 6+), Entercom adult hits WSMW “98.7 Simon Says We Play Everything” has been on top in March, June, August, September, and October. Among its 2019 (6+) fluctuations are: +.9 (January); -.6 (February); +.9 (March); -1.6 (April); +1.1 (May); +.5 (June); -1.0 (July); +.7 (August); and +1.4 (September). Prior to its March stay at #1, WSMW last reached the top in August 2016 when it logged a 10.5 (6+). In addition to the market’s (6+) country share shrinking by -2.3, the two key players are deadlocked. More to the point, Entercom’s WPAW “93.1 The Wolf” takes the bulk of the hit (6.8 – 5.2, -1.6, fourth to sixth, 6+), while iHeartMedia-owned WTQR “Q-104.1 – #1 for New Country” is -.7 (5.9 – 5.2, seventh to sixth, 6+). In September, “The Wolf” replicated August’s +.8 and posted its best 6+-stat (6.8) since October 2017’s 7.1. August/September’s +1.6 came directly after WPAW was down or flat three reports in a row for an overall loss of one-half share (5.7 – 5.3 – 5.3 – 5.2, 6+). Up six-tenths in August, WTQR had a May 2019 through September topline of: 5.7 – 5.3 – 5.3 – 5.9 – 5.9 (6+). In three straight sweeps without an increase, “Q-104.1” was a cumulative -1.0 (6.0 – 5.3 – 5.3 – 5.0, 6+), but erased 70% of that deficit in May with a +.7 to 5.7 (6+). Over the course of the last 18 sweeps (June 2018 through October 2019), WTQR has triumphed over WPAW ten times (June 2018, July, August, September, October, November, “Holiday” 2018, January 2019, May, and July); WPAW has come out on top six times (December 2018, February 2019, March, April, August, and September; and there have been two ties (June 2019 and October 2019). Immediately after busting out a September +1.0 to 7.6 (6+), Entercom rhythmic CHR WJMH “102 Jamz” relinquishes 70% of the increase (6.9, -.7, flat at #3, 6+). Five straight upticks by WVBZ netted +2.3 (2.5 – 3.2 – 3.7 – 4.1 – 4.2 – 4.8, 6+) but the iHeartMedia-owned rocker is now a combined -1.3 in September/October (4.8 – 4.0 – 3.5, 6+); “105.7 – Man Up” exits the top ten (#9 to #11). WVBZ reached the four-share level (4.1, 6+) for the first time since November 2018’s 4.0.

Memphis

Spoken-Word Formats – Following four consecutive increases that yielded a +1.1 (4.1 – 4.2 – 4.5 – 4.8 – 5.2, 6+), iHeartMedia news/talk WREC “600 AM – Memphis’ News, Traffic, & Weather” drops seven-tenths to 4.5 (sixth to seventh, 6+).

Repeating at #12, Entercom sports talk WMFS “ESPN Sports Radio” is a combined +.7 in September/October (2.3 – 2.6 – 3.0, 6+). September’s increase suspended seven consecutive down or flat trends that led to a collective -1.7 (4.0 – 4.0 – 3.9 – 3.6 – 3.5 – 3.4 – 3.0 – 2.3, 6+) as well as its lowest 6+-stat (2.3) since July 2018. Co-owned WMC-AM “ESPN 790” is now up or (mostly) flat the 13th straight time for a net gain of three-tenths (.1 – .1 – .1 – .1 – .1 -.1 – .1 – .1 – .1 – .1 – .1 – .1 – .3 – .4 , flat at #20, 6+).

Memphis Music Formats – Off six-tenths in August/September (10.1 – 9.8 – 9.5, 6+), iHeartMedia urban AC KJMS “V-101” responds with a +1.0 in October to 10.5 (6+) and is #1 the 12th time in a row. July’s increase of three-tenths ended four straight down or flat trends that accounted for a -1.8 (11.6 – 11.4 – 10.4 – 10.4 – 9.8, 6+). Prior to June’s loss of six-tenths to 9.8 (6+), KJMS reached double-digits (6+) 14 successive ratings periods. “Holiday” 2018’s 12.8 is the highest 6+-share since December 2012’s 13.5 for “V-101,” which was +2.3 in December/“Holiday” 2018 (10.5 – 11.5 – 12.8, 6+). Cumulus Media’s WXMX “Maximum Rock 98.1 The Max” is +1.2 (3.5 – 3.8 – 4.7, 6+) in September/October and jumps from tenth to sixth. After logging three consecutive downturns that accounted for a net loss of eight-tenths (4.3 – 4.2 – 4.0 – 3.5, 6+), Entercom’s country-formatted WLFP “94.1 The Wolf” recaptures seven-tenths (4.2, 6+) and reenters the top ten (#11 to #9). In addition to exiting the top ten (#8 to #11), hot AC cluster-mate WMC-FM “FM 100 Today’s Best Mix” is an overall -1.5 via three drops in succession (5.2 – 4.9 – 4.5 – 3.7, 6+) and falls below a four-share (3.7) for the first time since April’s 3.8. Off one-half share each are iHeartMedia classic rock and urban-rhythmic siblings WEGR “Rock 102.7” (seventh to eighth) and WDIA “1070 The Heart & Soul of Memphis” (flat at #13). “Rock 102.7” is down nine-tenths in September/October (5.3 – 4.9 – 4.4, 6+), while WDIA is an overall –1.5 as a result of three straight decreases (3.4 – 2.6 – 2.4 – 1.9, 6+).

Hartford

Spoken-Word Formats – On the heels of September’s robust +1.2 (6.2 – 7.4, 6+), Entercom news/talk WTIC-AM “News Talk 1080” is level at 7.4 (6+) but slips from second to third. Red Wolf Broadcasting news/talk WDRC-AM “AM 1360 The Talk of Connecticut” continues an alternating down/up pattern that began in April:  .9 – .8 – 1.0 – .5 – .6 – .4 – .7 (steady at #14, 6+). For the 17th survey period in a row, iHeartMedia’s WPOP “News Radio 1410” logs a .1 (6+) and is anchored at #16; WPOP was a “no-show” in June 2018.

Off one-tenth (1.7 – 1.6, 6+) after September’s increase of two-tenths, iHeartMedia sports talk WUCS “97.9 ESPN Hartford” continues at #12.

In the last three sweeps, Connecticut Public Broadcasting Network news/talk WNPR had a shift of one-tenth (4.2 – 4.3 – 4.4 – 4.3, 6+). In October, “Connecticut’s Public Media Source for News & Ideas” gains two-tenths to 4.5 and is steady at #9. Flat at #13, University of Massachusetts-owned WFCR “New England Public Radio” returns September’s spike of three-tenths (.8 – 1.1 – .8, 6+).

Hartford Music Formats – An increase of seven-tenths enables Red Wolf Broadcasting classic rock WDRC-FM “102.9 The Whale” to cross the seven-share threshold (6.5 – 7.2, fifth to fourth, 6+). Off seven-tenths in August/September (7.9 – 7.2 – 7.2, 6+), iHeartMedia’s WWYZ “Country 92.5” bounces back with a half-share increase to 7.7 (third to second, 6+). Although down six-tenths to 10.1 (6+), Entercom adult contemporary WRCH “Lite 100.5” is #1 the 40th consecutive time. Its August/September +1.3 (9.4 – 9.5 – 10.7, 6+) basically wiped away June/July’s -1.4 (10.8 – 10.4 – 9.4, 6+). Eight recent (6+) WRCH shifts include: +1.8 (December 2018); -6.9 (January 2019); +1.0 (February); -1.0 (March); -1.3 (April); +1.0 (May); -1.0 (July); and +1.2 (September). “Holiday” 2018’s +5.6 was to 18.0, the strongest 6+-showing for any Hartford station since WRCH recorded an 18.3 in “Holiday” 2017). Prior to slipping to 9.8 in April, “Lite” was in double-digits (6+) in 30 of the previous 32 sweeps. Owing to four straight negative or neutral sweeps, iHeartMedia CHR WKSS “Kiss 95.7 All The Hits” is an overall -1.2 and falls below a six-share (6.9 – 6.8 – 6.5 – 6.5 – 5.7, fifth to eighth, 6+). Entercom adult contemporary WMAS-FM, which ranked #12 in July (1.5, 6+), is unlisted for the third month in a row. Down or flat the fourth time in a row for a cumulative -1.4 (7.2 – 7.2 – 6.1 – 6.1 – 5.8, 6+), classic hits-oldies cluster-mate WHCN “105.9 The River” continues in seventh-place.

September 2019 PPM Analysis: News/Talk

| October 15, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES —  An in-depth analysis of (commercial, English-language) news/talk stations concludes our four-part series of September 2019 overviews.

If a commercial, English-language news/talk outlet (including its online stream, if applicable) appeared in any of Nielsen Audio’s 48 PPM-markets (6+, September 2019), it is included in this wide-ranging overview. Thus, there are no ratings restrictions in this particular synopsis.

Unless otherwise noted, information for each station and stream was factored into all of our highlighted charts.

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September 2019 PPM Analysis: Hot AC

| October 14, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Last week’s extensive September 2019 ratings overviews dealt with two spoken-word arena formats: all-news (Thursday, 10/10) and sports talk (Friday, 10/11).

Waiting on deck is our thorough examination of news/talk; however, in advance of that, we turn our attention to hot AC.

Breakouts shown here consist of data from hot AC stations that rank in the top 20 in any PPM market (6+, September 2019).

Over and above that ratings caveat, Nielsen Audio only releases audience estimates for stations that subscribe to its services.

Thus, ratings stats in this and our other analyses are limited to facilities that pay Nielsen Audio for its data.

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September 2019 PPM Analysis:
Sports Talk

| October 11, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES —  Sports talk takes center stage in the second of our four-part comprehensive series of September 2019 PPM overviews.

The following scoreboards are comprised of sports talk facilities that rank in the top 20 (6+) in any of the 48 PPM-markets during the September 2019 sweep, which covered August 15 through September 11.

Ratings information in this exclusive analysis is limited to sports talk properties that subscribe to Nielsen Audio’s audience estimates.

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September 2019 PPM Analysis:
The All-News Format

| October 10, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — A synopsis of all-news stations begins our wide-ranging four-part series of September 2019 ratings recaps.

The following scoreboards reflect data from all-news properties that appear in the top 20 (6+) in September 2019, a sweep that covered August 15 – September 11.

Nielsen Audio releases audience estimates for facilities that subscribe to its services. As a result, ratings stats in this exclusive analysis are limited to stations paying that company for its data.

All but three stations listed in this format overview are Entercom-owned properties.

Non-Entercom all-news operations in this report are iHeartMedia’s WBZ-AM, Boston (also listed in Providence); WTOP-FM, Washington, DC (Hubbard Broadcasting); and KOMO, Seattle (Sinclair Broadcast Group).

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Monday Memo: Weekend Talkers, Non-Stop Callers

| October 7, 2019

By Holland Cooke
Consultant

 

BLOCK ISLAND, RI — This week, part 3 of a series outlining best practices for attorneys, realtors, veterinarians, financial advisors, and other professional services providers who broker weekend talk radio time to round-up new clients.

  • ICYMI: In too many cases, the station isn’t doing all it should to help produce results. If you missed part 1, which included a helpful podcast, click here.
  • Last week: Filling your “Sales Funnel,” converting listeners to callers to customers: click here.
  • This week: How a simple tool that you already use can light-up your show.

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Monday Memo: Play the Hits

| September 30, 2019

By Holland Cooke
Consultant

 

BLOCK ISLAND, RI — Last week here, we detailed a negotiating strategy for attorneys, realtors, veterinarians, financial advisors, and other professional services providers who broker weekend talk radio time to round-up new clients.  In too many cases, the station isn’t doing all it should to help produce results.  If you missed that column, which included a helpful podcast, click here.

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August 2019 Spoken-Word Pacesetters: DC, Boston, Minneapolis

| September 23, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Earlier this month, we posted August 2019 ratings overviews for all-news (9/12); sports talk (9/13); and public radio news/talk (9/16).

Given that our definition of spoken-word includes commercial English-language news/talk outlets; all-news facilities (including business news); sports talk; and public radio news/talk operations, the following August 2019 “Ratings Extra” marks the first time in our years of doing such comprehensive individual monthly format synopses that we gauge the temperature of spoken-word stations as a complete entity in all 48 PPM-markets.

Admittedly, that last category – “public radio news/talk” – can be tricky.

Some stations falling under that banner are much broader in scope and could easily be labeled “variety,” as it is highly-possible listeners will hear those outlets air jazz, classical, bluegrass, and/or several other musical genres in various dayparts.

Nonetheless, programming on the majority of “public radio news/talk” stations listed here falls predominantly (if not exclusively) under the news/talk umbrella.

Nielsen Audio only releases audience estimates for stations subscribing to its services.

As a result, stats in this analysis are limited to facilities paying Nielsen Audio for its information.

There’s only other disclaimer: For the sake of across-the-board consistency, we have established the criteria in this particular analysis as a top 20 finish in any of the 48 PPM-markets.

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August 2019 PPM Analysis:
Mainstream CHR

| September 17, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Each month, we focus on three spoken-word genres and one music-intensive format: A thorough examination of mainstream CHR wraps up our four-part series that has been reviewing August 2019 ratings performances.

As was the case with the three heretofore published overviews of spoken-word formats (all-news, sports talk, and public radio news/talk), our mainstream CHR analysis is comprised of data from PPM-market facilities that rank in the top 20 (August 2019, 6+).

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. Owing to that reason, ratings stats in this exclusive mainstream CHR breakdown are limited to stations that pay Nielsen Audio for its data.

The company’s August 2019 ratings period covered July 18 – August 14.

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August 2019 PPM Analysis:
Public Radio News/Talk

| September 16, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our four-part series of comprehensive summaries of the August 2019 ratings period continues by highlighting the performance of public radio news/talk stations.

Breakouts shown here consist of data from public radio news/talk facilities that rank in the top 20 (6+) in any PPM-market during the aforementioned July 18 through August 14-conducted sweep.

In addition to that particular ratings caveat, Nielsen Audio only releases audience estimates for stations subscribing to its services.

As a result, ratings stats in this analysis are limited to facilities paying Nielsen Audio for its information.

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July 2019 PPM Analysis: Adult Hits

| August 23, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Having already addressed all-news and Major League Baseball flagships, we continue our four-part series of July 2019 ratings overviews with an in-depth examination of adult hits.

This analysis is comprised of PPM-market facilities that rank in the top 20 (6+) in the July 2019 sweep, a ratings period that covered June 20 through July 17.

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. For that reason, ratings stats and information in the following charts are limited to stations that pay Nielsen Audio for its data.

Bottom-line: When indexed against aforementioned all-news and MLB flagships, the qualifying PPM-market adult hits properties in our sample claim the strongest 6+-share (5.65) and best average 6+-rank (#5.57), easily outdistancing all-news (3.63/#10.75) and MLB flagships (3.72/#12.75).

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July 2019 PPM Analysis: The All-News Format

| August 21, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — An overview of all-news stations kicks off our thorough four-part series of July 2019 ratings recaps.

Spoiler alert: This isn’t the greatest month you’ll ever see for the format.

That point notwithstanding, the following scoreboards reflect data from all-news properties that appear in the top 20 (6+) in July 2019, a ratings period that covered June 20 – July 17.

Nielsen Audio releases audience estimates for facilities that subscribe to its services. As a result, ratings stats in this exclusive analysis are limited to stations paying that company for its data.

Entercom has a virtual monopoly on the all-news genre, as that company owns all but three stations listed in this format synopsis.

The exceptions are iHeartMedia’s WBZ-AM, Boston (also listed in Providence); WTOP, Washington, DC (Hubbard Broadcasting); and KOMO, Seattle (Sinclair Broadcast Group).

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Monday Memo: Advertisers Believe Each Other

| August 12, 2019

By Holland Cooke
Consultant

BLOCK ISLAND, RI –  Here is unsolicited email from an advertiser – an auto parts retailer – on one of my client stations:

“At first I was skeptical about the advertising and whether or not I would see a benefit, but I figured I would try it.  For a little while I wasn’t seeing any benefit to it, but like the sales rep had said, I waited.  After 6 months I started to see a specific benefit from the advertising; people were coming in and saying they heard of the store on the radio!  Five years later I’m still getting new customers that hear of my business on the radio.  I would highly recommend this service to any business!”

If advertisers will volunteer kudos like that without the station asking, imagine the success stories you could tell if you bothered to ask!

Testimonial spots are THE best way to fill unsold avails. 

Why:

  • What message do you send filling with Ad Council PSAs?
  • Retailers are curious what’s working for other retailers.
  • Clients who appear in testimonial spots perceive them as free advertising for their businesses.

Important: YOU should write the spot. 

Why:

  • It’ll get done. Your client is busy.  He/she will probably ask you to anyway.
  • You DO commercials, he sells auto parts.

Consider: 30s, roughly half-and-half their-message/your-message:

Client:

With the weather getting cooler, you might have some unwelcome company.  Do you need “Pest Eviction,” from Thompson Exterminating?

I’m Chuck Thompson, and when I tell MY story, I tell it HERE.  ConnectFM is never just on-in-the-background, so listeners HEAR my message.

Account Executive:

New customers can hear YOUR message here too!  I’m Dominique.  Give me 60 seconds to demonstrate?  Email Tell My Story at Connect Radio dot FM.  Tell My Story at Connect Radio dot FM.

Holland Cooke (HollandCooke.com) is a media consultant working at the intersection of broadcasting and the Internet.  He is the author of “Holland Cooke: Greatest Hits” an instant download available exclusively from Talkers Books.  Click the ad banner on this page.  And he hosts “The Big Picture” TV show on RT America.  Read HC’s Monday Memo each week at Talkers.com, and follow him on Twitter @HollandCooke

Recipe for Better Sales Revenue: Better Sales Compensation Programs

| August 6, 2019

By Bill Brady
Futures & Opinions, Inc.
President/CEO

PHOENIX — Radio sales has never been an easy job.

The challenges of selling an “intangible” against 20-to-30 other radio stations—plus every other form of media—was always difficult.  Only the strongest survived and the business chewed up and spat out those who didn’t have the skill and the drive necessary to succeed.

But, while radio sales was never an easy job, it was once a good job.  At one point, an A-player could make six figures and some even had barter allowances and car trades, which helped their cash income go further.  Before consolidation, many top radio sales pros were livin’ large.

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Monday Memo: “Hollywood,” Co-starring
AM Radio

| August 5, 2019

By Holland Cooke
Consultant

WARWICK, RI — This week Showcase Cinema at Warwick Mall is herding movie-goers into side-by-side theaters showing – at the same time – “Once Upon a Time in Hollywood:” here.

Credits for “The Ninth Film From Quentin Tarantino” include Leonardo DiCaprio, Brad Pitt, Margot Robbie, Al Pacino, and (in his final performance) the late Luke Perry.  Those credits should also include the late, great 93KHJ.

“How we listened to the radio back then is different than the way we listen to the radio now.”

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June 2019 PPM Analysis:
Commercial News/Talk

| July 29, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES —  Our four-part series of June 2019 overviews concludes with an in-depth analysis of commercial, English-language news/talk stations.

Included in this exhaustive analysis are all commercial, English-language news/talk outlets (including online streams, if applicable) that appeared in any of Nielsen Audio’s 48 PPM-markets (6+, June 2019).

Unless otherwise noted, information for each station and stream was factored into all of our highlighted charts.

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June 2019 PPM Analysis: Alternative

| July 26, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Having already posted thorough June 2019 ratings overviews for sports talk (Wednesday, 7/18) and public radio news/talk (yesterday, 7/19), we turn our attention to a similar analysis for alternative – occasionally referred to as “modern rock.”

The following scoreboards are comprised of alternative-formatted facilities that rank in the top 20 in any PPM-market (6+, June 2019).

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. Owing to that reason, ratings stats in this exclusive analysis are limited to stations that pay that company for its data.

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June 2019 PPM Analysis: Public Radio News/Talk

| July 25, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our four-part series of detailed recaps of the June 2019 ratings period continues by highlighting performance of public radio news/talk stations.

Breakouts shown here consist of data from public radio news/talk facilities that rank in the top 20 (6+) in any PPM-market during that aforementioned May 23 through June 19-conducted sweep.

In addition to that particular ratings caveat, Nielsen Audio only releases audience estimates for stations subscribing to its services.

As a result, ratings stats in this analysis are limited to facilities paying Nielsen Audio for its information.

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Monday Memo: Show Me Your Show

| May 6, 2019

By Holland Cooke
Consultant

 

BLOCK ISLAND, RI — Talk radio PDs are haunted by enthused wanna-be’s with “a GREAT idea for a weekend show.”

But they’re unproven on-air performers.  Sadly, pay-for-play is now business-as-usual, and coaching is minimal at best.

Turnover hurts.

Many who do get a crack at on-air work don’t pan-out long-term. They meant well, and swore up-and-down that they’d show up, weekend after weekend.  But after 60-90 days of show prep and being cooped-up in a radio station while all their friends are having a good time every weekend, they run out of gas.

Read More

March 2019 PPM Analysis:
Mainstream Rock

| April 26, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Each month, we review PPM performances of three spoken-word genres and one music-intensive format.

Today’s focus is in the latter category with mainstream rock in the spotlight.

This overview is comprised of PPM-market mainstream rock facilities that rank in the top 20 (6+) in the March 2019 survey period, which covered February 28 through March 27.

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. Owing to that reason, ratings stats in this exclusive analysis are limited to stations that pay Nielsen Audio for its data.

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March 2019 PPM Analysis:
The All-News Format

| April 24, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our comprehensive four-part series of March 2019 ratings recaps commences with an overview of all-news stations.

The following scoreboards reflect data from such properties that appear in the top 20 (6+) in March 2019, a ratings period that covered February 28 – March 27.

Nielsen Audio releases audience estimates for facilities that subscribe to its services. As a result, ratings stats in this exclusive analysis are limited to stations paying that company for its data.

All but three stations listed here are owned by Entercom. The exceptions are iHeartMedia’s WBZ-AM, Boston (also listed in Providence); WTOP, Washington, DC (Hubbard); and KOMO, Seattle (Sinclair Broadcast Group).

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Monday Memo: The Podcast Consumer 2019

| April 15, 2019

Holland Cooke
Consultant

BLOCK ISLAND, RI –  Last week in Las Vegas, the message was unmistakable.  While the National Association of Broadcasters’ mission remains advocating for FCC-licensees, the clear message to broadcasters at the NAB Show was to augment on-air with on-demand.  More, ICYMI in last week’s column:

http://www.talkers.com/2019/04/08/monday-memo-2019-nab-show/

For AM/FM talkers and bloggers, “on-demand” = “podcasting,” a topic we discussed with Michael Harrison and Fred Jacobs on my TV show:
https://youtu.be/sj8PRAG99rg

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February 2019 PPM Analysis: Commercial News/Talk (Part Two)

| April 2, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Yesterday’s column (Monday, 4/1) addressed the national big-picture performance of commercial, English-language news/talk stations in Nielsen Audio’s February 2019 survey period.

In a follow-up piece, we dissect the format on a more localized basis.

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February 2019 PPM Analysis:
Classic Rock

| March 29, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — After having posted special feature February 2019 ratings overviews of sports talk stations (Wednesday, 3/27) and public radio news/talk outlets (yesterday, Thursday, 3/28), we turn our attention to classic rock.

This summary is comprised of PPM-market classic rockers that rank in the top 20 (6+) in the February 2019 ratings period, which covered January 31 – February 27.

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. Owing to that reason, ratings stats in this exclusive analysis are limited to stations that pay Nielsen Audio for its data.

Bottom-line matchup: The typical PPM-market classic rock station in February 2019 generally notches a 6+-share of 5.13 and finishes in sixth-place (#6.31), both stats exceeding what we previously noted in sports talk and public radio news/talk.

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February 2019 PPM Analysis:
Public Radio News/Talk

| March 28, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our four-part series of all-encompassing synopses of the February 2019 ratings period continues with a focus on public radio news/talk stations.

Breakouts shown here consist of data from public radio news/talk facilities that rank in the top 20 (6+) in any PPM-market during the February 2019 sweep (January 31 – February 27).

In addition to that particular ratings caveat, Nielsen Audio only releases audience estimates for stations that subscribe to its services. Thus, ratings stats in this analysis are limited to facilities paying that company for its information.

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January 2019 PPM Analysis:
Major Movers

| March 6, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — In a special feature piece at about this time last month, we noted that – owing to a wildly popular programming strategy of playing wall-to-wall Christmas music from (roughly) Thanksgiving week through December 25 – Nielsen Audio’s “Holiday” survey period can be known for reflecting some especially noteworthy wobbles.

The same can certainly be said for the ratings company’s January sweeps when listening habits revert to pre-Christmas levels.

If, for example, you sensed there were copious Holiday” 2018 – January 2019 (6+) improvements of nine-tenths, your perception was exceptionally well-founded, as 29 stations posted such gains.

Additionally, 21 stations registered a +1.2, while another 21 a +1.1 (Holiday” 2018 – January 2019, 6+); the January 2019 ratings period covered January 3 – 30.

The following summarizes which formats benefitted the most from turning the calendar to January and which wished the “Holiday” sweep could have continued even longer. Gold star if you blurted out “adult contemporary” for the latter.

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January 2019 PPM Analysis: News/Talk

| March 4, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our four-part series of January 2019 overviews wraps up with a comprehensive analysis of commercial, English-language news/talk properties.

Included are all commercial, English-language news/talk outlets (including their online stream, if applicable) that appeared in any of the 48 PPM-markets (6+, January 2019).

If Nielsen Audio listed a commercial, English-language news/talk station (or stream) in January 2019, it appears below and – unless otherwise noted – its information was factored into all of our highlighted charts.

Therefore, the only fine-print is “DNA,” meaning a station – or its stream – “Did Not Appear” (unlisted) in a particular survey period.

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January 2019 PPM Analysis: Rhythmic CHR

| March 1, 2019

By Mike Kinosian
Managing Editor
TALKERS

Our four-part series reviewing January 2019 ratings performances continues with a thorough examination of rhythmic CHR.

Earlier recaps addressed all-news (Wednesday, 2/27) and sports talk (yesterday, 2/28).

Our rhythmic CHR analysis is comprised of data from PPM-market facilities that rank in the top 20 (6+, January 2019).

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. Owing to that reason, ratings stats in this exclusive rhythmic CHR breakdown are limited to stations that pay Nielsen Audio for its data.

The company’s January 2019 ratings period covered January 3 – 30.

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January 2019 PPM Analysis: Sports Talk

| February 28, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our four-part series of comprehensive January 2019 PPM overviews continues with a look at sports talk.

The following scoreboards are comprised of sports talk facilities that rank in the top 20 in any of the 48 PPM-markets (6+, January 2019).

Given that Nielsen Audio only releases audience estimates for stations that subscribe to its services, ratings information in this exclusive analysis are limited to properties that pay that company for its data.

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January 2019 PPM Analysis: News

| February 27, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — An overview of news stations kicks off our all-encompassing four-part series of January 2019 ratings recaps – and – spoiler alert: The format had an outstanding January.

The following scoreboards reflect data from news properties that appear in the top 20 (6+) in January 2019, a ratings period that covered January 3 – 30.

Nielsen Audio releases audience estimates for facilities that subscribe to its services. As a result, ratings stats in this exclusive analysis are limited to stations paying that company for its data.

All but three stations listed here are owned by Entercom. The exceptions are iHeartMedia’s WBZ-AM, Boston (also listed in Providence); WTOP, Washington, DC (Hubbard); and KOMO, Seattle (Sinclair Broadcast Group).

Qualifying in the Baltimore report is Entercom’s WDCH, which airs a business news format.

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Monday Memo: Handling Bad News

| February 26, 2019

BLOCK ISLAND, RI  — OOPS.  One of your hosts said WHAT???  Managers: Gaffes are inevitable, especially in talk radio.  When your station stumbles:

1) Act quickly.  The sooner you confront a negative story, the sooner it will be over.  Responding as quickly to negative stories as you do to positive ones enhances your credibility.

2) Be honest.  Hiding embarrassing information or lying will do more damage than damage control.  Never stonewall, and avoid “rolling disclosure.”  As several U.S. presidents have learned (is learning), the cover-up can be worse than the crime.

3) Tell your side of the story.  Use specifics, and detail what corrective action “has already been taken.”  You’ll sound responsible and in-control.

4) Respond in kind.  If the issue is emotional, don’t sound like a cold, unemotional Mr. Spock.  “I have a teenage daughter myself, and I know how much our host’s comments must have hurt.”

Holland Cooke (hollandcooke.com) is a media consultant working at the intersection of broadcasting and the Internet; he is the author of “Holland Cooke Greatest Hits” from Talkers Books; and he hosts “The Big Picture” TV show on RT America.  Read HC’s Monday Memo each week at Talkers.com, and follow him on Twitter @HollandCooke

PPM Analysis: “Holiday” 2018’s
Top-Rated Stations

| February 13, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES —  We’ve witnessed it yet again:  The “Holiday” survey period hardly resembles the other 12 sweeps in a calendar year.

Nielsen Audio’s “Holiday” 2018 survey period covered December 6 (2018) – January 2 (2019) and – repeating a familiar theme – stations that played wall-to-wall Christmas music (up until December 25) reaped the benefits.

As usual, the overwhelming majority of those outlets are adult contemporary.

All the facts and figures are contained in this special report, including which formats were most adversely impacted in “Holiday” 2018.

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Monday Memo: Say What?

| February 4, 2019

By Holland Cooke
Consultant

 

BLOCK ISLAND, RI — “Sucks” sucks.  Ditto “pissed-off,” and “friggin’” and “effen.”

Why: Protective soccer mom is her family’s Secretary of The Treasury, driving the car your advertisers want to see pull into the parking lot as a result of being on your air.  She might actually use these words when young ears aren’t around.  But when they’re in the minivan, you’re committing TSL suicide using language Mom doesn’t want kiddos to parrot.

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“Holiday” 2018 PPM Analysis: News/Talk

| February 4, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — A thorough analysis of commercial, English-language news/talk properties concludes our four-part series of “Holiday” 2018 PPM overviews.

All commercial, English-language news/talk outlets (including their online stream, if applicable) that appeared in any of the 48 PPM-markets (6+, “Holiday” 2018) are included – there are no ratings restrictions whatsoever.

Thus, if Nielsen Audio listed a commercial, English-language news/talk station (or stream) in “Holiday” 2018, it appears below and, unless otherwise noted, its information was factored into all of our highlighted charts.

The only fine-print is “DNA,” meaning a station – or its stream – “Did Not Appear” (unlisted) in a particular survey period.

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“Holiday” 2018 PPM Analysis: Adult Contemporary

| February 1, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — The third of four installments of our comprehensive look at “Holiday” 2018 overviews is for adult contemporary – the format that leads the way in the all-Christmas music programming strategy.

While stations from other formats engage in wall-to-wall Christmas music, adult contemporary was the originator and, by an overwhelming majority, it remains the most common proponent.

Full disclosure: Not every adult contemporary station listed here played all-Christmas music during the “Holiday” 2018 sweep and some ACs (14% of our sample) even register a December 2018 – “Holiday” 2018 decline.

Regardless if they programmed all-Christmas music roughly between Thanksgiving week and Christmas Day, all adult contemporary facilities that rank in the top 20 in a PPM-market (6+, “Holiday” 2018) comprise the following scoreboards in the industry’s most extensive overview of a “Holiday” ratings sweep.

Nielsen Audio only releases audience estimates for stations that subscribe to its services. Owing to that reason, ratings information in this “Holiday” 2018 report are limited to stations that pay Nielsen Audio for its data.

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“Holiday” 2018 PPM Analysis: Sports Talk

| January 31, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — As we head into Super Bowl Sunday, our four-part series of detailed “Holiday” 2018 PPM overviews continues with a look at sports talk.

The following scoreboards are comprised of sports talk facilities that rank in the top 20 in any of the 48 PPM-markets (6+, “Holiday” 2018).

Given that Nielsen Audio only releases audience estimates for stations that subscribe to its services, ratings information in this exclusive analysis are limited to properties that pay that company for its data.

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“Holiday” 2018 PPM Analysis: All-News

| January 30, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our extensive four-part series of “Holiday” 2018 ratings recaps commences with an analysis of all-news properties.

The following scoreboards reflect data from all-news stations that appear in the top 20 (6+) in “Holiday” 2018, a ratings period that covered December 6 (2018) – January 2 (2019).

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. As a result, ratings stats in this exclusive overview are limited to stations paying that company for its data.

All but three stations listed here are owned by Entercom. The exceptions are iHeartMedia’s WBZ-AM, Boston (also listed in Providence); WTOP, Washington, DC (Hubbard); and KOMO, Seattle (Sinclair Broadcast Group).

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Monday Memo: Improving Results from Endorsement Spots

| January 28, 2019

By Holland Cooke
Consultant

 

BLOCK ISLAND, RI — The news/talk stations I work with make big money doing what talk radio does best: cutting through mental clutter, with live endorsement spots delivered by familiar local on-air personalities.

And as you read in my Monday Memo three weeks ago, this technique can help sell podcast sponsorships.  ICYMI: http://www.talkers.com/2019/01/07/monday-memo-podcast-ads-work/

  Read More

#250 Working on Ways to Overcome Obstacles in Maximizing Direct Response Spot Success. 

| January 11, 2019

#250 Working on Ways to Overcome Obstacles in Maximizing Direct Response Spot Success.  It is no secret that a significant percentage of talk radio advertising consists of direct response advertising and the results are tallied by the sponsors – making it even more imperative that the spots get measurable action.  Considering the fact that much of the listening is done while driving, it makes it even more of a challenge to get people to make the leap from hearing an 800 phone number and actually placing the call while the thought is top of mind.  The firm #250 – America’s Mobile Speed Dial has been making progress in simplifying this process for talk shows, stations and networks across the nation by creating simple word prompted codes and phrases designed to simplify the act of calling while behind the wheel.  Now they have taken it one step further addressing another problem.  #250 chief marketing officer Dave Robinett tells TALKERS, “Accomplishing the task of making your advertiser’s phone ring is tough enough.  But there are many points of ‘breakage’ after that.  Phone reps can be poorly trained or rude.  Client phone systems or call centers might have technical issues.  Long hold times might encourage abandonment.  The #250 platform recently solved a major-yet-unrealized problem for a Premiere Networks advertiser.  A timeshare exit company’s ad was working well – so well that when the spot ran and calls came pouring in, they exceeded the 15 available call center agents.  The ‘overflow’ callers then got a busy signal.  Since these callers came in via dialing #250, for the first time ever, this advertiser has visibility to how many calls they were blocking.  It was also revealed that only one in 15 of these blocked callers bothered to attempt to call the advertiser later that day or next day.  This was clearly significant lost revenue – that the advertiser never knew they were missing – since they never before had visibility to calls they never received!”  Robinett continues, “But #250 was able to implement a call saver feature to detect the busy signal, take back the call, and prompt the caller to leave their name and number for a callback.  This voice message was set up to be emailed immediately to a designated sales manager back at the advertiser.  The advertiser was extremely pleased with the proactive discovery of a way to increase revenue by the Premiere sales executive, John Buckley.  Loyalty established.  Media spend secured.”  Dave Robinett will be one of 55 industry leaders speaking at the forthcoming convention Talkers 2019: Telling the Story in NYC on Friday, June 7.  He can be reached at 816-559-0620.

December 2018 PPM Analysis:
Public Radio News/Talk

| January 11, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our four-part series of extensive overviews of the December 2018 ratings period continues with a focus on stations under the public radio news/talk umbrella.

Breakouts shown here consist of data from public radio news/talk facilities that rank in the top 20 (6+) in any PPM-market during the December 2018 sweep (November 8 – December 5).

In addition to that particular ratings caveat, Nielsen Audio only releases audience estimates for stations that subscribe to its services. Thus, ratings stats in this analysis are limited to facilities paying that company for its information.

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December 2018 PPM Analysis:
Sports Talk

| January 10, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our four-part series of detailed December 2018 PPM overviews continues with a look at sports talk; all-news was in the spotlight yesterday (Wednesday, 1/9).

The following scoreboards are comprised of sports talk facilities that rank in the top 20 in any of the 48 PPM-markets (6+, December 2018).

Given that Nielsen Audio only releases audience estimates for stations that subscribe to its services, ratings information in this exclusive analysis are limited to properties that pay that company for its data.

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December 2018 PPM Analysis: All-News

| January 9, 2019

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — An analysis of all-news properties begins our extensive four-part series of December 2018 ratings recaps.

The following scoreboards reflect data from all-news stations that appear in the top 20 (6+) in December 2018, a ratings period that covered November 8 – December 5.

All but three stations listed here are owned by Entercom. The exceptions are iHeartMedia’s WBZ-AM, Boston (also listed in Providence); WTOP, Washington, DC (Hubbard); and KOMO, Seattle (Sinclair Broadcast Group).

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. As a result, ratings stats in this exclusive overview are limited to stations paying that company for its data.

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“We’re Number One!” … and Runners-Up

| December 17, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — For our final scoreboard of 2018, we offer a hat-tip to stations that finished first or second in the November 2018 sweep, which covered October 11 through November 7.

In addition to giving these stations their due recognition, it will be interesting to see how things will shift in the December 2018 survey period (November 8 – December 5), when a number of FM music stations suspended their customary format to play wall-to-wall Christmas music.

Watch this space for that analysis at roughly the same time next month.

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November 2018 PPM Analysis:
Strongest News/Talk Markets

| December 12, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our most extensive news/talk analysis was posted yesterday (Tuesday, 12/11).

As a follow-up, we have ranked the strongest news/talk markets, according to 6+-share in the November 2018 sweep, which concluded (11/7) one day after the much ballyhooed mid-term elections (11/6).

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October 2018 PPM Analysis: Country

| November 9, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Following extensive October 2018 overviews of public radio news/talk and Major League Baseball flagships, we turn our attention to stations in the country format; waiting on deck is our thorough examination of (commercial) news/talk.

Breakouts shown here consist of data from country-formatted properties that rank in the top 20 in any PPM-market (6+, October 2018).

Over and above that particular ratings caveat, Nielsen Audio only releases audience estimates for stations that subscribe to its services. Thus, ratings stats in this analysis are limited to facilities that pay Nielsen Audio for its data.

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October 2018 PPM Analysis:
Major League Baseball Flagships

| November 8, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — This is our third and final check this year on Major League Baseball radio flagships.

The following scoreboards are for an MLB team’s English-language, Nielsen Audio subscribing key station during the October 2018 sweep.

While some MLB teams have an AM and FM flagship and/or an emergency alternative (backup), we only show one “designated hitter” per team.

Mirroring the one-station-per-team model, MLB flagships listed here have ratings data from one Nielsen Audio metro.

Specifically, information for the flagships of the Mets (WOR) and Yankees (WFAN) is limited to their home market of New York City, even though they may appear in Nassau-Suffolk (Long Island) and/or Middlesex-Somerset-Union.

Key stations for the two Bay Area teams – the San Francisco Giants (KNBR) and Oakland A’s (KGMZ) – have San Francisco ratings info only here – nothing from San Jose.

The primary flagship for the Los Angeles Angels, KLAA, is unlisted (October 2018) in both the Los Angeles and Riverside-San Bernardino-Ontario reports. Therefore, “NA” (“Not Available”) is displayed next to KLAA throughout this entire overview.

No ratings information is shown for the flagship for the American League East’s Toronto Blue Jays (CJCL).

Data cited here is full-week, Monday – Sunday, 6:00 am – 12:00 midnight (6+), so it is not limited to any specific day-part.

With that out of the way, it’s time to throw out the first pitch.

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September 2018 PPM Analysis: Hot AC

| October 15, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Following two extensive September 2018 spoken-word arena-focused overviews last week (all-news, Thursday, 10/11 and sports talk Friday, 10/12), we turn our attention to hot AC. Waiting on deck is our thorough examination of news/talk.

Breakouts shown here consist of data from hot ACs that rank in the top 20 in any PPM market (6+, September 2018).

Over and above that particular ratings caveat, Nielsen Audio only releases audience estimates for stations that subscribe to its services. Thus, ratings stats in this analysis are limited to facilities that pay Nielsen Audio for its data.

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September 2018 PPM Analysis:
Sports Talk

| October 12, 2018

By Mike Kinosian,
Managing Editor
TALKERS

LOS ANGELES — Our four-part series of detailed September 2018 PPM overviews continues with a look at sports talk; all-news was in the spotlight yesterday (Thursday, 10/11).

The following scoreboards are comprised of sports talk facilities that rank in the top 20 in any of the 48 PPM-markets (6+, September 2018).

Given that Nielsen Audio only releases audience estimates for stations that subscribe to its services, ratings information in this exclusive analysis are limited to properties that pay that company for its data.

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August 2018 PPM Analysis: Mainstream CHR

| September 18, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — A thorough examination of mainstream CHR wraps up our four-part series reviewing August 2018 ratings performances.

Earlier recaps addressed all-news (last Thursday, 9/13); public radio news/talk (last Friday, 9/14); and sports talk (yesterday, 9/17).

As was the case with those other three overviews, our mainstream CHR analysis is comprised of data from PPM-market facilities that rank in the top 20 (6+, August 2018).

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. Owing to that reason, ratings stats in this exclusive mainstream CHR breakdown are limited to stations that pay Nielsen Audio for its data.

The company’s August 2018 ratings period covered July 19 – August 15.

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August 2018 PPM Analysis: Sports Talk

| September 17, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our four-part series of detailed August 2018 PPM overviews continues with a look at sports talk.

The following scoreboards are comprised of sports talk facilities that rank in the top 20 in any of the 48 PPM-markets (6+, August 2018).

Given that Nielsen Audio only releases audience estimates for stations that subscribe to its services, ratings information in this exclusive analysis are limited to properties that pay that company for its data.

Spoiler alert: The format enjoys a stellar July 2018 – August 2018 performance and nearly as strong August 2017 – August 2018 showing.

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August 2018 PPM Analysis:
Public Radio News/Talk

| September 14, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — The second of our four-part series of extensive overviews of the August 2018 ratings period addresses public radio news/talk; we examined all-news outlets yesterday (Wednesday, 9/13).

Breakouts shown here consist of data from public radio news/talk facilities that rank in the top 20 (6+) in any PPM-market during the August 2018 sweep.

In addition to that particular ratings caveat, Nielsen Audio only releases audience estimates for stations that subscribe to its services. Thus, ratings stats in this analysis are limited to facilities that pay the company for its information.

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July 2018 PPM Analysis: News/Talk

| August 23, 2018

By Mike Kinosian
Managing Editor
TALKERS

Los Angeles – The fourth and final installment of our special feature summary of July 2018 ratings overviews deals with (commercial, English-language) news/talk outlets.

All-news was addressed Monday (8/20); MLB flagships the following day (Tuesday, 8/21); and we highlighted adult hits yesterday (Wednesday, 8/22).

Ratings criteria for PPM-market (commercial, English-language) news/talk facilities is at least a .5 (6+) in the July 2018 ratings period, which covered June 21  – July 18; eligibility to appear on our all-news and adult hits analyses is based on a top 20 finish (6+, July 2018).

Nielsen Audio releases audience estimates for facilities that subscribe to its services. Owing to that reason, ratings stats in this exclusive overview are limited to stations that pay Nielsen Audio for its data.

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July 2018 PPM Analysis: Adult Hits

| August 22, 2018

By Mike Kinosian
Managing Editor
TALKERS

 LOS ANGELES — Our four-part series of July 2018 ratings overviews continues with an in-depth examination of adult hits.

Previously posted were similar July 2018 ratings summaries for all-news operations (Monday, 8/20) and MLB flagships (yesterday, 8/21).

This analysis of adult hits stations is comprised of PPM-market facilities that rank in the top 20 (6+) in the July 2018 sweep, a ratings period that covered June 21 through July 18.

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. For that reason, ratings stats and information in the following charts are limited to stations that pay Nielsen Audio for its data.

Bottom-line: When indexed against all-news and MLB flagships, the roughly two-dozen qualifying PPM-market adult hits properties in our sample claim the strongest 6+-share (5.55) and best average 6+-rank (#5.71), easily outdistancing all-news (4.34/#8.33) and MLB flagships (3.77/#13.03).

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July 2018 PPM Analysis: All-News

| August 20, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — All-news properties take center stage as we begin our four-part series of July 2018 ratings recaps.

The following scoreboards reflect data from all-news stations that appear in the top 20 (6+) in July 2018, a ratings period that covered June 21 – July 18.

Among qualifying all-news properties, only of every five is up month to month (20%, June 2018 – July 2018, 6+), while roughly one in three (36%) shows a July 2017 – July 2018 increase.

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. As a result, ratings stats in this exclusive analysis are limited to stations that pay Nielsen Audio for its data.

While the vast majority of outlets on this particular panel program news around-the-clock, a few run talk blocks in addition to their news committment, making them genuine news – talk hybrids.

All but four facilities listed here are owned by Entercom. The exceptions are WBZ-AM, Boston and KFBK, Sacramento (both iHeartMedia); WTOP, Washington, DC (Hubbard); and KOMO, Seattle (Sinclair Broadcast Group).

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Advice to Rush Limbaugh Stations: PANDER

| August 6, 2018

By Holland Cooke
Media Consultant

BLOCK ISLAND, RI – “Pander.” That is your one-word, sure-shot ratings success strategy.

Ten years ago, Limbaugh was a mature act.  Some stations that branded as “Rush Radio” eventually re-branded.  Now, buoyed by Trump, his 30th anniversary.  During El Rushbo’s recent Three-Oh show, the president called to gush congratulations.

Gallup Poll: How many people feel that the media “report the news fully, accurately and fairly?”

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A Real Producer Can Protect a Talk Show Host from Saying Something Stupid

| August 6, 2018

By Jeffrey Haveson
Talk Media Consultant                                        

Newark, NJ — Dennis Malloy and Judi Franco are back at Trenton-based New Jersey 101.5 after a 10-day suspension, but what have we learned from this as an industry?

For those who don’t know or have forgotten, the suspension was meted out to Dennis and Judi after they repeatedly called New Jersey Attorney General Gurbir Grewalon, who is a Sikh, “the guy with the turban” and “Turban Man,” and Dennis defended the name calling by saying “if that offends you, then don’t wear the turban (man) and I’ll remember your name.”

This is a perfect example of why talk radio stations, be they public or commercial, news talk, conservative talk, progressive talk, sports talk, financial talk, or other, need real producers.

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June 2018 PPM Analysis: Sports Talk

| July 18, 2018

By Mike Kinosian,
Managing Editor
TALKERS

LOS ANGELES — Sports talk launches our four-part series of detailed June 2018 PPM overviews.

Spoiler alert: The format enjoys far better June 2017 – June 2018 results than its month-to-month (May 2018 – June 2018) performance.

The following scoreboards are comprised of sports talk facilities that rank in the top 20 in any of the 48 PPM-markets (6+, June 2018).

Given that Nielsen Audio only releases audience estimates for stations that subscribe to its services, ratings information in this exclusive analysis are limited to properties that pay that company for its data.

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Ex-“stream”-ly Enlightening Net Results

| July 2, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — A little over three weeks ago (6/8) in New York City, an uncommonly tight-knit community gathered for “TALKERS 2018,” making it the 21st chapter of talk media’s longest-running and most relevant national convention.

Panel discussions and gathering-area locations alike were abuzz with optimism about spoken-word formats and recent ratings success stories.

There was justifiable reason for the palpable upbeat “Full Speed Ahead!” attitude pervasive at this year’s confab, especially given that literally within 72 hours after founder/publisher Michael Harrison gaveled the seminar to adjournment, May 2018 PPM results were released.

Five news/talk outlets chalked up top-two results (6+): WSB-AM Atlanta (7.5, #1); KMOX, St. Louis (8.3, #1); WOKV, Jacksonville (9.3, #1); WISN, Milwaukee (7.7,  #2); and WKXW, Middlesex-Somerset-Union (6.0, #2).

An equal number of news properties finished no lower than second as well (6+): WTOP, Washington, DC (9.7, #1); WBBM-AM, Chicago (4.9, #2); KCBS-AM, San Francisco (5.4, #2); news – talk hybrid KFBK, Sacramento (6.7, #2); and KCBS-AM, San Jose (6.4, #2).

A half-dozen sports talk representatives placed in the top five (6+), including WFAN, Long Island (4.7, #3); KDKA-FM, Pittsburgh (7.4, #3); WFAN, New York (4.7, #5); WIP, Philadelphia (6.1, #5); WBZ-FM, Boston (5.7, #5); and WXYT-FM, Detroit (5.3, #5).

The May 2018 sweep included six instances of public news/talkers being (6+) pacesetters in their respective markets: KQED, San Francisco (8.1, #1); KPBS, San Diego (6.4, #1); KCFR, Denver (6.0, #1); KOPB, Portland (8.0, #1); KUT, Austin (8.2, #1); and KQED, San Jose (6.9, #1).

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May 2018 PPM Analysis: Urban AC

| June 25, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Each month, we focus on three spoken-word genres and one music-intensive format.

In our fourth and final installment of May 2018 ratings overviews, urban AC takes center stage representing that latter category.

Previous special feature analyses of the most recent PPM sweep dealt with all-news (last Wednesday, 6/20); sports talk (Thursday, 6/21); and public news/talk (Friday, 6/22).

This summary is comprised of PPM-market urban ACs that rank in the top 20 (6+, May 2018).

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. Owing to that reason, ratings stats in this exclusive analysis are limited to stations that pay Nielsen Audio for its data.

Bottom-line matchups: The typical PPM-market urban AC meeting the above-stated criteria registers a May 2018 6+-share of 5.47, the best among the four genres we examined from that ratings period; the runner-up is all-news (4.41, 6+).

Additionally, it is customary for a qualifying urban AC to rank seventh (#7.16, 6+), which is the strongest of these four categories with all-news (#8.62, 6+) again placing second-best.

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May 2018 PPM Analysis:
Public News/Talk

| June 22, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — The third of our four-part series of extensive overviews of the May 2018 sweep looks at public stations whose primary focus is news/talk.

Breakouts shown here consist of data from public news/talk facilities that rank in the top 20 (6+) in any PPM market during the May 2018 ratings period, which covered April 26 – May 23.

Over and above that particular ratings caveat, Nielsen Audio only releases audience estimates for stations that subscribe to its services. Thus, ratings stats in this analysis are limited to facilities that pay the company for its information.

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May 2018 PPM Analysis: Sports Talk

| June 21, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our four-part series of detailed May 2018 PPM overviews continues with sports talk; an analysis of all-news operations was posted yesterday (Wednesday, 6/20).

The following scoreboards are comprised of sports talk facilities that rank in the top 20 (6+) in any of the 48 PPM-markets for the May 2018 survey period, which covered April 26 – May 23.

Given that Nielsen Audio only releases audience estimates for stations that subscribe to its services, ratings information in this exclusive analysis are limited to properties that pay that company for its data.

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May 2018 PPM Analysis: All-News

| June 20, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our four-part series of May 2018 ratings recaps commences with an overview of all-news properties.

The following scoreboards reflect data from all-news stations that appeared in the top 20 (6+) in May 2018, a ratings period that covered April 26 – May 23.

Among qualifying all-news properties, May 2018’s average market share is off slightly from April 2018 (4.53 – 4.41, 6+); however, the (6+) market rank improves from #8.75 to #8.62.

A whopping 93.75% of our panel was down or flat (March – April, 6+), but the format bounces back (April – May), as 62.5% are either down or flat.

May 2017 – May 2018 stats for all-news outlets are extremely consistent with comparable April 2017 – April 2018 figures.

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. As a result, ratings stats in this exclusive analysis are limited to stations that pay Nielsen Audio for its data.

While the vast majority of outlets on this particular panel program news around-the-clock, a few run talk blocks (in addition to their news commitment), making them genuine news – talk hybrids.

All but four properties listed here are owned by Entercom. The exceptions are WBZ-AM, Boston and KFBK, Sacramento (both iHeartMedia); WTOP, Washington, DC (Hubbard); and KOMO, Seattle (Sinclair Broadcast Group).

Appearing in the Baltimore report, Bloomberg-operated WDCH airs a business news format.

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April 2018 PPM Analysis:
Classic Hits-Oldies

| May 25, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — The first two installments of this four-part special feature series of April 2018 ratings overviews dealt with spoken-word formats. Specifically, an all-news overview was posted Wednesday (5/23) and our analysis of Major League Baseball flagships (all of which are either sports talkers or news/talk) appeared yesterday (5/24). On deck Monday is the comprehensive look at news/talk.

Right now though our attention is on classic hits-oldies, with this summary comprised of PPM-market facilities that rank in the top 20 (6+, April 2018).

Bottom-line matchup: In April 2018, the typical PPM-market classic hits-oldies station generally notches a 6+-share of 5.13 and finishes #6.33. Those (6+) rank and share stats are better than both all-news (4.53/#8.75) and our particular panel of MLB flagships (3.98/#12.39).

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. Owing to that reason, ratings stats in this exclusive analysis are limited to stations that pay Nielsen Audio for its data.

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April 2018 PPM Analysis: All-News

| May 23, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — An overview of all-news properties launches our four-part series of April 2018 ratings recaps.

The following scoreboards reflect data from all-news stations that appeared in the top 20 (6+) in April 2018, a ratings period that covered March 29 – April 25 – and one that was not especially kind to this particular format.

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. As a result, ratings stats in this exclusive analysis are limited to stations that pay Nielsen Audio for its data.

While the vast majority of outlets on this particular panel program news around-the-clock, a few run talk blocks (in addition to their news commitment), making them genuine news – talk hybrids.

All but four properties listed here are owned by Entercom. The exceptions are WBZ-AM, Boston and KFBK, Sacramento (both iHeartMedia); WTOP, Washington, DC (Hubbard); and KOMO, Seattle (Sinclair Broadcast Group).

Appearing in the Baltimore report, Bloomberg-operated WDCH airs a business news format.

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March 2018 PPM Analysis: News/Talk

| April 30, 2018

By Mike Kinosian
Managing Editor
TALKERS

The fourth and final installment of our special feature summary of March 2018 ratings overviews deals with (commercial, English language) news/talk outlets.

All-news was addressed last Wednesday (4/25); public news/talk the following day (Thursday, 4/26); and we highlighted mainstream rock last Friday (4/27).

The ratings criteria for PPM-market commercial news/talk facilities is at least a .5 (6+) in the March 2018 ratings period, which covered March 1 – 28. By contrast, eligibility to appear on the all-news; public news/talk; and rock panels is based on a top 20 finish (6+, March 2018).

Nielsen Audio releases audience estimates for facilities that subscribe to its services. Owing to that reason, ratings stats in this exclusive overview are limited to stations that pay Nielsen Audio for its data.

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Why Does Talk Radio Struggle?

| April 6, 2018

By Bryan Crabtree
Talk40.com News
Publisher

 

ATLANTA — It doesn’t.  There you have it.  Talk radio is as strong today as it has ever been.

Most commercial talk stations in the United States have predominantly conservative opinion.  I’ve sat through countless seminars and meetings listening to the pontification about how we’ve gotten too political and how we should try something different.  Wrong!

Talk radio is about what affects our audiences’ lives.  I continue to be puzzled by the fact that I hear local newscasts on stations across the country during Rush Limbaugh with the lead story about a shooting at a gas station (or similar) in the inner city.  What talk listener really cares about another murder in Atlanta, Chicago or Dallas?

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Four Steps to Creating Magic on the Radio

| March 20, 2018

By Bill McMahon
The Authentic Personality
CEO

 

EAGLE, Idaho — The surest way to attract and hold the largest and most loyal audience you can is to consistently create meaningful emotional experiences for your listeners. Experiences that make their lives more interesting, rewarding and fun. Experiences that challenge them to think, feel, and grow.

Creating magical moments for your listeners flows naturally from recognizing and fully understanding meaningful emotional experiences in your life. Here’s a process for doing just that:

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PPM Analysis: January 2018’s
Highs & Lows

| March 12, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — This time last month, we highlighted “Holiday” 2017 success achieved by stations programming all-Christmas music, as well as the significant consequence that proven programming strategy had across-the-board.

The following recaps the falloff (in some cases, particularly steep) that many of those all-Christmas music stations (the majority of which are adult contemporary) experienced in January 2018 and how stations in certain formats, including those in the spoken-word arena, have quickly rebounded.

Included below are all PPM-stations that either improved – or decreased – by one full-share (“Holiday” 2017 – January 2018, 6+).

We have broken out this interesting data market-by-market; format-by-format; highs to lows; and (6+) AQH share and ranking.

This supplements our earlier in-depth January 2018 ratings overviews of all-news (Wednesday, 2/28); sports talk (Thursday, 3/1); commercial news/talk (Friday, 3/2); and rhythmic CHR (Monday, 3/5).

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PPM Analysis: 2017 in Review

| February 13, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — As was once again documented in exhaustive detail in our exclusive series of “Holiday” 2017 overviews posted here last week, the “Holiday” sweep is without question the most volatile of Nielsen Audio’s 13 ratings periods per calendar year, particularly as it relates to music radio. 

Historically, the December and January survey periods produce the next wildest activity as they directly lead up to and follow the “Holiday” momentum; things tend to quickly shake back to a sense of “normalcy” in the January report.

Owing to major programming modifications (primarily all-Christmas music), listening patterns change significantly, of course, in November and December.

Given that a variety of formats are impacted, pronounced ratings swings in the aforementioned survey periods are hardly limited though to music-intensive formats.

In anticipation of next week’s January 2018 results, let’s examine the extent and 2017 timeline of high/low fluctuations registered by a comprehensive cross-section of spoken-word stations.

Each facility shown here (a) appeared in all 13 ratings periods (January 2017 through “Holiday” 2017), notching a minimum of .1 (6+) each time and (b) reached 1.0 or higher (6+) at least once in the last 13 sweeps.

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“Holiday” 2017 PPM Analysis:
Public News/Talk

| February 2, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — We commence our extensive overview of the “Holiday” 2017 sweep with a look at public-owned stations that primarily focus on news/talk.

Breakouts shown here consist of data from public news/talk stations that rank in the top 20 in any PPM market (6+, “Holiday” 2017).

Over and above that particular ratings caveat, Nielsen Audio only releases audience estimates for stations that subscribe to its services. Thus, ratings stats in this analysis are limited to facilities that pay the company for its information.

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Is it Against the Law for Terrestrial Radio to Say “Shithole” on the Air in Covering Trump Story?

| January 12, 2018

By Steven J.J. Weisman
TALKERS
Legal Editor

BOSTON – It is hard to give a definitive answer to the above question which is part of the problem because the indecency standards for broadcast radio are not particularly clear.  In 2012 when the Supreme Court ruled on this matter in response to enforcement decisions against Fox and ABC, the Supreme Court, unlike the lower appeals court did not rule that the present indecency rules violated the First Amendment.  Instead, by a vote of 8-0 they ruled in favor of Fox and ABC thus overturning the FCC’s decisions and fines against the networks on the grounds that the standards were too vague and there was not sufficient notice when the FCC changed its interpretation of its rules.    Specifically, the court indicated that, “This opinion leaves the Commission free to modify its current indecency policy in light of its determination of the public interest and applicable legal requirements.”  The FCC has not made any substantial changes to its indecency rules and has kept them in force, largely without any controversy for the last six years.

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December 2017 PPM Analysis: Hot AC

| January 9, 2018

By Mike Kinosian,
Managing Editor
TALKERS

LOS ANGELES — Following two extensive December 2017 overviews in the spoken-word arena (all-news, Friday 1/5 and sports talk yesterday, 1/8), we turn our attention to hot AC.

Breakouts shown here consist of data from hot ACs that rank in the top 20 in any PPM market (6+, December 2017).

Over and above that particular ratings caveat, Nielsen Audio only releases audience estimates for stations that subscribe to its services. Thus, ratings stats in this analysis are limited to facilities that pay Nielsen Audio for its data.

Bottom-line comparison: Based on our parameters and analysis, hot AC (#8.81) and all-news (#8.41) are similar in average 6+ rank in December 2017, as well as typical 6+share (4.34, hot AC/4.46, all-news).   

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December 2017 PPM Analysis: Sports Talk

| January 8, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — Our four-part series of thorough December 2017 PPM overviews continues with sports talk.

This chain of recaps began last Friday (1/5) with a look at all-news operations.

The following scoreboards are comprised of sports talk facilities that rank in the top 20 in any of the 48 PPM-markets (6+, December 2017).

Nielsen Audio only releases audience estimates for stations that subscribe to its services.

Owing to that reason, ratings information in this exclusive analysis are limited to properties that pay Nielsen Audio for its data.

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December 2017 PPM Analysis: All-News

| January 5, 2018

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — An overview of all-news operations commences the first in our four-part series of December 2017 ratings recaps.

The following scoreboards are comprised of all-news stations that appeared in the top 20 (6+) in any of the 48 PPM-markets in December 2017, a ratings period that covered November 9 to December 6.

Nielsen Audio only releases audience estimates for facilities that subscribe to its services.

Owing to that reason, ratings stats in this exclusive analysis are limited to stations that pay Nielsen Audio for its data.

With the exception of WTOP, Washington, D.C. (Hubbard); KOMO, Seattle (Sinclair Broadcast Group); and KFBK, Sacramento (iHeartMedia), all stations listed here are Entercom-owned properties.

The vast majority of the properties shown here program news around the clock; a few, however, run talk blocks and could be considered genuine news – talk hybrids.

Appearing in the Baltimore report, Bloomberg-operated WDCH airs a business news format.

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Tuesday, January 2, 2018

| January 2, 2018

Holland Cooke and Michael Harrison Present TALKERS 2017 in Review on RT America.  Noted media consultant and TALKERS correspondent/columnist Holland Cooke was joined by Michael Harrison during a special year-end wrap up of 2017 on Cooke’s RT America show, “The Big Picture.”  The two counted down the 10 most-talked-about topics and people on talk radio in America during 2017 according to TALKERS, offering personal insights and commentary along the way.  To view the entire segment, please click here.

CMG, Mike Calta and Matt Loyd Sued by Hulk Hogan in Sex Tape Case.  The infamous Hulk Hogan sex tape is back in the news in Florida as the former pro wrestler (real name Terry Bollea) is suing Cox Media Group, WHPT, Tampa air personality Mike Calta, and former WHPT staffer Matt Loyd for unspecified damages.  According to a report by WFTS-TV, Tampa, the defendants had asked that the case be dismissed, but a Pinellas County court judge has ruled the case can move forward.  If you remember, Hogan sued Gawker over its posting of a video of him having sex with Bubba the Love Sponge’s then-wife Heather Clem and won a $100 million judgement.  But Gawker’s subsequent bankruptcy declaration and sale make it unlikely he’ll collect on that.  So, now Hogan is going after CMG, Calta, and Loyd, claiming that the defendants are guilty of “stealing, disseminating, using and exploiting illegally-recorded video.”

Mike Felger Re-Ups with Beasley’s ‘98.5 The Sports Hub.’  Boston sports media personality Mike Felger – co-host of the afternoon drive “Felger and Mazz” show on WBZ-FM – signs a multi-year contract extension with Beasley Media Group to continue his duties with the station.  Beasley EVP and COO Brian Beasley says, “We are thrilled to have Mike continue entertaining Boston’s loyal and dedicated sports fans.”  The company says the afternoon show – co-hosted by Tony Massarotti – has finished #1 with Men 25-54 for the 22nd consecutive quarter.

Sports Talk Host Dan Sileo to Leave ‘Mighty 1090’ San Diego.  Sports talk personality Dan Sileo announces he’s exiting the morning drive show at Broadcast Company of the Americas’ sports talk XEPRS, San Diego “The Mighty 1090” for a new, yet-to-be-announced gig.  Sileo says, “It’s with GREAT sadness that I informed the ‘Mighty 1090’ that I will be moving on to a great opportunity! But, I want to thank the folks at 1090 for SAVING my career.  Mike Shephard has been amazing to work for! JT I see why Jim Rome had so much success.  I love the on-air guys like Scott Kaplan and Darren Smith…amazing lineup.  Once again SD, Sileo is NOT going anywhere.  Stay tuned!”

Great Stock Market Gains For 2017; But Not in Radio.  In 2017, Wall Street had its best year since 2013 with the Nasdaq jumping 28% and the Dow Jones gaining 25%.  However, those stellar double-digit gains didn’t extend into the radio sector as the majority of radio stocks saw double-digit decreases, led by Cumulus Media, whose stock has evaporated following the company’s late-2016 8-for-1 reverse stock split and subsequent bankruptcy filing.  Stock in Entercom (ETM) – despite its buyout of CBS RADIO, Townsquare Media (TSQ) and Salem Media Group (SALM) all slid about 25% in 2017.   E.W. Scripps (SSP) and Saga Communications (SGA) sank nearly 20% for the year.  Shares of Urban One (UONE) underperformed, losing more than 40% last year, and Pandora (P) plummeted from a closing high of $13.58 on February 17 to $4.82 on December 29.  Shares of Emmis Communications (EMMS) were basically flat, closing at $3.52 on December 29 – which was 10 cents higher than the stock closed for trading on January 3, 2017.  There were two noticeable radio winners, however.  Radio’s bright light was Beasley Broadcast Group (BBGI), which opened at $6.15 on the first day of trading of 2017 and closed at $13.55 on the last day of trading for the year.  SiriusXM (SIRI) delivered a gain of more than 20% in 2017.

TRN Receives Permission from Appeals Court for Extension; Status of Programming Uncertain.  Just before Christmas, a number of affiliates of Talk Radio Network reported that they were receiving no programming from the syndicator and had received no notice relative to the missing programming.  At this point, it’s still unclear what the status of the company’s operations is, but the appeal of its suit against Cumulus, Westwood One, Lew Dickey, and Charles Steinhauer is continuing.  TRN was granted an “extension of time to file” its brief to January 26.  As you may recall, TRN sued Cumulus/WW1 and others alleging anti-trust practices.  That suit was dismissed.  TRN’s second suit against many of the same parties was dismissed because the claims were almost identical to the previous, already-dismissed suit.  Back on September 20, TRN filed an appeal.  But, because of the November Chapter 11 bankruptcy filing by Cumulus/WW1, those parties have been granted stays.

What Have You Learned Doing Television?  That’s the question recently put to media consultant Holland Cooke a couple months into his gig hosting “The Big Picture” Fridays on RT America.  Ever the consultant, Cooke happily offers his thoughts on what the medium has taught him relative to the talk radio business.  He says his first lesson is the importance of scripting his opening monologue – something he’s had a difficult time selling to talk radio hosts who prefer to “wing it.”  Check out his thoughts on that and six other items he’s taken away from his television talk hosting experience here.

TALKERS News Notes.  Los Angeles news/talk outlet KFI raised more than $462,000 last month during its seventh annual “KFI PastaThon.”  The iHeartMedia station’s on-air fundraising event to help feed local children in need benefits Caterina’s Club, a charitable organization that feeds 3,500 underprivileged children five days a week in more than 15 cities in Los Angeles and Orange Counties.  During the 17-hour, live broadcast on December 8, KFI personalities Bill Handel, Jennifer Jones Lee, Gary Hoffman, Shannon Farren, John Kobylt, Ken Chiampou, Tim Conway Jr. and Aron Bender were on site at the Christ Cathedral in Garden Grove encouraging listeners to donate packaged pasta, jars of pasta sauce and money to help feed underprivileged children that live in motels without access to a kitchen.  KFI program director Robin Bertolucci comments, “Over the past seven years ‘KFI PastaThon’ has raised over $1.8 million dollars and 347,000 pounds of pasta and sauce.  We are honored to join our listeners in support of chef Bruno Serato and his outstanding organization, Caterina’s Club that helps thousands of children in Southern California.”…..Beginning on January 8, the nationally syndicated Steve Sanchez show expands to a daily program via Genesis Communications Network.  Sanchez says, “I still will be hosting my Sunday night live flagship show but GCN wanted me to expand and utilize my large social media platform and live stream as I do the show.”…..The nationally syndicated “Free Talk Live” program – hosted by Ian Freeman and Mark Edge – announces new affiliate stations WCGO-AM, Chicago and KLAY-AM, Tacoma are both airing the weekday program…..Entercom Communications names Gene Vidler director of sales for the New Orleans station group that includes news/talk WWL-AM/FM and CHR WEZB “B97,” classic rock WKBU “Bayou 95.7,” urban contemporary WWWL-AM/W297DF “HOT 103.7,” and AC WLMG “Magic 101.9.”  has joined the New Orleans cluster as the Director of Sales for B97 (WEZB-FM), BAYOU 95.7 (WKBU-FM), HOT 103.7 (WWWL-AM), MAGIC 101.9 (WLMG-FM) and WWL AM-FM.  Vidler was most recently VP of sales for Tyler Media’s nine-station cluster.

Iran Protests, North Korea Nukes, Trump Pakistan Criticism, the New Year Holiday, Frigid Winter Weather, NFL Playoffs, and College Football Championship Among Top News/Talk Stories Over the Weekend.  The violent protests taking place in Iran; North Korea’s nuclear weapons program and Kim Jong Un’s overture to South Korea; President Trump criticizes Pakistan’s efforts to combat terrorism; the New Year holiday; the unusually cold weather affecting much of the U.S.; the NFL playoffs scenario; and the College Football Playoff games were some of the most-talked-about stories on news/talk radio over the holiday weekend, according to ongoing research from TALKERS magazine.

Music Radio News and Career Moves.  A new adult hits station takes to the airwaves in Oklahoma City as Cumulus Media launches KQOB “ALICE 96.9 FM.”  Cumulus OK City VP/market manager Jay Davis says, “We created ‘ALICE’ for the listeners who wanted something compelling and different from the traditional radio fare.  ‘ALICE 96.9 FM’ lives by the mantra ‘We Play Anything,’ and surrounds the great music it plays with a playful, clever, and authentic persona.  While ‘ALICE 96-9 FM’ does not have traditional ‘announcers,’ listeners will find plenty of personality on the station.”…..Entercom re-brands alternative KITS, San Francisco ‘The New ALT 105.3, The Bay Area’s New Alterntive.”  The move marks the end of the “Live 105” moniker after 31 years.  At the same time, Michael Martin is named program director for the station…..Cumulus Media appoints radio programming pro Paul Horton program director and morning show host for adult contemporary WMXS, Montgomery “Mix 103.3.”  Horton joins Cumulus from Back Door Broadcasting’s crosstown Christian contemporary WVRV Montgomery…..Cumulus flips WRWM, Indianapolis from classic hip hop to CHR as “ENERGY 93.9.”  The on-air lineup will be: the nationally syndicated “The Bert Show,” (PD) Jay Michaels from 10:00 am to 1:00 pm, Rachel Ryan from 1:00 pm to 4:00 pm, Justin Luvv from 4:00 pm to 9:00 pm, and the syndicated Zach Sang from 9:00 pm to 2:00 am…..Cumulus Media appoints programming pro Gary Nolan program director and midday host for KQHN, Shreveport “Q97.3.”  He was most recently with iHeartMedia’s WMAG, Greensboro…..Alpha Media launches adult hits KSAJ, Topeka “98.5 Jack FM.”…..iHeartMedia alternative WRDA, Atlanta “ALT 105.7” adds “The Woody Show” for mornings, effective tomorrow (1/3)…..Cumulus Media Amarillo will flip the frequencies of country stations KPUR-FM “The Armadillo” and KARX.  KPUR moves from 107.1 on the dial to the more powerful 100,000-watt signal 95.7.  KARX-FM will segue to its new home at 107.1 as “NASH Icon 107.1 FM.”

Round One of December PPM Ratings. Information for the December 2017 ratings period has been released for 12 markets including: New York, Los Angeles, Chicago, San Francisco, Dallas, Houston, Atlanta, Philadelphia, Nassau-Suffolk (Long Island), Riverside, San Jose, and Middlesex-Somerset-Union. Nielsen Audio’s November 2017 survey period covered November 9 – December 6.  More often than not, sharp November 2017 – December 2017 improvements are attributable to stations playing all-Christmas music (usually about a week before Thanksgiving). View all the 6+ numbers from subscribing stations here.  Meanwhile, managing editor Mike Kinosian provides his “Takeaways” from these 12 PPM markets.

TWELVE TAKEAWAYS

1) New York – In four straight gains, iHeartMedia adult contemporary WLTW is a collective +2.8 (6.0 – 6.1 – 6.6 – 7.0 – 8.8, 6+). On top for the fourth straight time, “106.7 Lite FM” has its best 6+-share since 13.3 in “Holiday” 2016 and is one-half share ahead of December 2016’s 8.3. After finishing at #1 for three consecutive months, “Lite FM” dropped to #2 in August. Its loss of seven-tenths in that sweep (6.7 – 6.0, 6+) completely erased three straight gains that yielded that exact margin (6.0 – 6.1 – 6.5 – 6.7, 6+). Co-owned rhythmic CHR WKTU, which had been off one full-share over its last three sweeps (4.0 – 3.6 – 3.4 – 3.0, 6+), regains half that loss and carries on at #11 (3.5, +.5, 6+). One-tenth ahead of it and remaining at #10 is its format rival, Emmis-owned WQHT “Hot 97” (3.6, +.2, 6+). When “Hot 97” picked up one-tenth in November, it ended three consecutive dips that resulted in a cumulative loss of nine-tenths (4.2 – 3.8 – 3.6 – 3.3). The market lost one of its two CHR players on November 9, as Entercom transitioned WBMP “Amp” to “Alt 92.3 – New York’s New Alternative.” The station’s June 2017 through December 2017 6+ topline is a very consistent 2.0 – 2.0 – 1.9 – 2.0 – 2.0 – 2.2 – 2.1; WBMP slips from #17 in November to #18. Former top 40 rival – iHeartMedia’s WHTZ “Z-100” – is down a combined six-tenths in November and December (4.8 – 4.4 – 4.2, 6+) but moves up from eighth to seventh. In the all-news arena, Entercom’s WCBS-AM picks up one-half share (2.6 – 3.1, #13 to #12, 6+), while co-owned similarly-formatted WINS declines by that same margin to 5.8 (6+) and remains in second-place. Immediately prior to this ratings period, WINS was a cumulative +1.6 via four straight upticks (4.7 – 4.9 – 5.4 – 5.9 – 6.3, 6+); its 6.3 in November 2017 represents the highest 6+-share in its PPM-history. By recording a +.2 in August, WINS halted four straight dips that resulted in a collective -1.1 (5.8 – 5.3 – 5.1 – 4.8 – 4.7, 6+). In two-share range (6+) in each of the last 14 sweeps, WCBS-AM reaches the three-share threshold (6+) for the first time since its 3.0 in October 2016. Without an increase the past four sweeps for a combined -1.1 (6.6 – 6.1 – 5.5 – 5.5 – 5.5, 6+), classic hits-oldies sibling WCBS-FM “New York’s Greatest Hits” gains two-tenths to 5.7 (6+), inching up from fourth to third. It exited the #1 spot in September after only a one-month stay there. A one-half share dip in August curtailed at four a streak of successive up or flat trends that generated a combined seven-tenths (5.9 – 6.1 – 6.1 – 6.2 – 6.6, 6+). Prior to August, the last time “New York’s Greatest Hits” was at #1 was in May. Also in that Entercom cluster, sports talk WFAN-FM plummets by -1.3 to 3.9 (fifth to eighth, 6+). “The Fan” had been without a loss since June for a collective +1.7 (3.5 – 3.9 – 4.1 – 4.6 – 5.2 – 5.2, 6+). The 5.2 that it registered in October and November is the station’s best-ever 6+-stat in the PPM-era and first time above the five-share level (6+). On two prior occasions, “The Fan” dialed up a 4.5 and it reached a 4.6 (6+) in September 2017. Down or flat for the sixth straight time for a combined loss of one full-share (5.5 – 5.3 – 5.3 – 5.1 – 4.8 – 4.7 – 4.5, 6+), iHeartMedia-owned WAXQ “Q-104.3 New York’s Classic Rock” remains in sixth-place.

2) Los Angeles – So, how did the transition to all-Christmas music affect KOST “Coast 103” in sunny Los Angeles? The iHeartMedia adult contemporary nearly doubles October’s 4.4 (8.7, +4.3, 6+) to march from third to first and is 2.3 shares better than its 6.4 (6+) in December 2016. As a result of “Coast 103” picking up two-tenths in October, it halted three consecutive off-trends that resulted in a combined decrease of one-half share (4.8 – 4.7 – 4.5 – 4.3, 6+). Ousted from the top spot after a run of ten (10) straight months there is co-owned hot AC KBIG “My-FM,” which is flat at 5.9 (6+) and shifts to second-place; KBIG was down one-half share in November (6.4 – 5.9, 6+). In October, “My-FM” regained in its entirety the four-tenths squandered in September (6.4 – 6.0 – 6.4, 6+). Prior to September’s -.4, KBIG posted four successive up or flat trends that netted eight-tenths (5.6 – 5.8 – 5.8 – 6.1 – 6.4, 6+). Remaining in sixth-place, news/talk cluster-mate KFI is without a decrease for the sixth time in a row for a collective +.8 and is trending 3.5 – 3.5 – 3.4 – 3.5 – 3.5 – 3.3 – 3.4 – 3.5 – 3.5 – 3.9 – 4.1 – 4.1 since January (6+). Having recorded a 1.9 in three of the last four sweeps (1.9 – 1.7 – 1.9, 1.9, 6+), Pasadena Area Community College news/talk KPCC “89.3 Southern California Public Radio” breaks out a gain of six-tenths to 2.5, reaching the two-share level (6+) for the first time since February’s 2.1 (6+) and cracks the top twenty at #15. Tied at #13 are iHeartMedia-owned KYSR-FM “Alt 98.7 – LA’s New Alternative” (2.6, -.1, flat at #13, 6+) and its format rival, Entercom’s KROQ (2.6, +.2, three-way tie at #18 to #13, 6+). With a gain of two-tenths in November, “Alt 98.7 – LA’s New Alternative” ended eight consecutive down or flat trends for a collective loss of seven-tenths (3.2 – 3.1 – 3.0 – 2.9 – 2.9 – 2.7 – 2.6 – 2.5 – 2.5, 6+). After nine monthlies in a row for without a loss for an overall gain of one full-share (1.8 – 2.0 – 2.1 – 2.1 – 2.2 – 2.2 – 2.4 – 2.5 – 2.7 – 2.8, 6+), KROQ regressed by two-tenths in both October and November (2.8 – 2.6 – 2.4). September’s 2.8 was its strongest 6+-showing since June 2016’s 2.9. One week into the December ratings period (11/16), Entercom classic rock KSWD “The Sound” became Educational Media Foundation-owned contemporary Christian KKLQ “Positive & Encouraging K-Love.” In its final ratings performance, “The Sound” notched a 2.8 to finish at #12 (November 2017, 6+). The last song played by “The Sound” was The Beatles’ “The End.” Meanwhile, Los Angeles’ version of “Positive & Encouraging K-Love” debuts in December by forfeiting more than half of November’s 2.8 (1.2, -1.6, 6+), freefalling to #28. Following five successive sweeps without an increase for a net loss of seven-tenths (5.1 – 4.8 – 4.8 – 4.8 – 4.5 – 4.4, 6+), Entercom classic hits-oldies KRTH “K-Earth 101” bounces back with a gain of four-tenths to 4.8 (6+) and is steady at #3. At the same though, smooth AC cluster-mate KTWV “The Wave” is a collective -1.7 in four successive down or flat trends (5.9 – 5.2 – 4.3 – 4.2 – 4.2, 6+) but stays at #5; “The Wave” occupied the runner-up slot from March through September. Even though it is down three-tenths to 1.0 (6+) to end at seven its streak of up or flat trends that yielded a net gain of one-half share (.8 – .9 – 1.0 – 1.0 – 1.0 – 1.0 – 1.2 – 1.3, 6+), KSPN “ESPN LA 710” – the flagship of the Los Angeles Rams and Los Angeles Lakers – improves from #30 to #29. After trotting out a +.7 to 1.7 (6+) in November, matching the audience draw in Vin Scully’s swan song after 67 consecutive years as the play-by-play announcer for the Los Angeles Dodgers (1.7, 6+, November 2016), iHeartMedia sports talk KLAC “AM 570 Sports” falters by -1.2 to .5 (#25 to #36, 6+).

3) Chicago – The noteworthy accomplishment of iHeartMedia Los Angeles adult contemporary KOST “Coast 103” doubling its November 2017 stat (see above) is taken one step further by its “Windy City” hot AC sibling WLIT “93.9 My-FM,” which more than triples November’s 2.8 to 8.5 (6+). In the process, “93.9 My-FM” rockets from a four-way logjam at #12 all the way to #1 and is 2.2 shares in front of December 2016’s 6.3 (6+). WLIT fell off the top twenty in October (2.5 – 2.2, -.3, #21, 6+), but recovered in November with a gain of six-tenths. Knocked out of the penthouse where it resided in October and November is its hot AC foe, Hubbard’s WTMX “101.9 The Mix,” which segues to #3. After registering six straight improvements for a collective +1.7 (4.6 – 4.6 – 4.6 – 5.0 – 5.2 – 5.8 – 6.3, 6+), WTMX surrenders eight-tenths to 5.5 (6+). Prior to November, the last time “Mix” reached the six-share level (6+) was in May 2013 (6.4). “Mix” finished in the runner-up slot in July, August, and September. Stuck on 2.4 (October, November, 6+) and within 2.4 – 2.9 range (6+) the past nine sweeps, Entercom’s WBMX “104.3 Jams” explodes with an increase of two full-shares to 4.4 (6+) and catapults from #22 to #5. Up until November 9, Chicago’s 104.3 dial position was the home of classic hits-oldies WJMK “K-Hits,” but that’s when Entercom transitioned “K-Hits” to WBMX (the calls formerly used by its new Boston sibling); “The Long & Winding Road” (Beatles) and “Changes” (David Bowie) were the last two songs played by WJMK before the format flip. The last time the former WJMK reached a four-share (6+) was in July 2015 (4.1). It is a tough sweep for the market’s sports talk outlets. Not only is Entercom-owned Chicago Cubs flagship WSCR a combined -2.8 in November and December (4.9 – 3.6 – 2.1, 6+), “670 The Score” sinks from #6 to #21; WSCR posted a full-share gain in October (3.9 – 4.9, 6+). Meanwhile, after being a collective +1.1 via three straight gains (1.3 – 1.5 – 1.9 – 2.4, 6+), WMVP “ESPN Chicago 1000” is off by nine-tenths to 1.5 (#22 to #24, 6+). Regressing by six-tenths each are iHeartMedia urban contemporary WGCI-FM “Chicago’s #1 for Hip-Hop and R&B” (3.3 – 2.7, #9 to #14, 6+) and Merlin Media alternative WKQX (#12 to #20, 6+). This is the lowest 6+-stat for WGCI-FM (2.7) since March (2.6); WKQX is a cumulative -.8 in four straight down or flat trends (3.0 – 2.9 – 2.9 – 2.8 – 2.2, 6+). Off for the fourth straight sweep for an overall loss of one full-share (4.1 – 3.8 – 3.6 – 3.4 – 3.1, 6+), iHeartMedia mainstream CHR WKSC “103.5 Kiss FM – Chicago’s #1 Hit Music Station” slips from seventh to ninth. With a +.1 in November, Entercom-owned WBBM-FM ended five consecutive down or flat trends for a collective -.7 (4.0 – 3.9 – 3.8 – 3.7 – 3.4 – 3.3, 6+) but “Chicago’s B-96” returns that one-tenth and is back at 3.3 (seventh to eighth, 6+).

4) San Francisco – A November 2017 – December 2017 increase of +2.3 (4.5 – 6.8, 6+) elevates Entercom adult contemporary KOIT-FM “Better Music for a Better Workday” from third to second. December 2017’s 6.8 (6+) is two full-shares better than its 4.8 in December 2016 and represents the station’s highest 6+-share since 9.2 in “Holiday” 2016. As a result of KOIT-FM finishing second, it ends 11 straight months of KCBS-AM occupying that runner-up slot, as KOIT-FM’s all-news sibling shifts to #3. Up eight-tenths in October, KCBS-AM is a combined -.4 in November and December (6.8 – 6.7 – 6.4, 6+). October’s 6.8 was its strongest 6+-performance since February (6.8, as well). When KCBS-AM added two-tenths in September to 6.0 (6+), it ended four consecutive down or flat monthlies that yielded a loss of one-half share (6.3 – 6.1 – 6.0 – 5.8 – 5.8, 6+). Down one-tenth in each of the last four ratings periods (3.0 – 2.9 – 2.8 – 2.7 – 2.6, 6+), iHeartMedia urban contemporary KMEL “#1 For Hip-Hop and R&B” ends the pattern with a gain of six-tenths to 3.2, its best 6+-showing in San Francisco since 3.3 in “Holiday” 2016, and jumps from #14 to #7. From October 2016 through November 2017, the 6+ high/low variance for KMEL was just seven-tenths. Up one-half share (1.3 – 1.8, 6+), Alpha Media classic hits-oldies KBAY “94.5 Bay FM – The Bay’s Greatest Hits” checks in at #21. While this marks the 12th successive time that KQED-FM sets the pace in San Francisco, the Northern California Public Broadcasting news/talk outlet erodes by nine-tenths to 7.7 (6+). A gain of four-tenths in July halted at four a successive streak without an increase that produced a -1.0 (7.7 – 7.3 – 7.0 – 6.7 – 6.7, 6+). It added one-half share in August (7.1 – 7.6, 6+), but relinquished 60% of that increase in September (7.3, -.3, 6+). At this time last month, KQED-FM hung out a +1.3 (7.3 – 8.6, 6+). After picking up three-tenths in November to halt six straight down or flat trends for a cumulative -1.4 (4.2 – 4.1 – 3.5 – 3.2 – 3.2 – 3.0 – 2.8, 6+), Cumulus Media sports talk KNBR “The Sports Leader” regresses by seven-tenths to 2.4 (6+) and again exits the top ten (#9 to #14). Having doubled its 6+ stat via four straight positive spikes (1.7 – 2.3 – 2.4 – 2.9 – 3.4, 6+), news/talk cluster-mate KSFO surrenders four-tenths in December (3.0, 6+), falling from seventh to ninth. Locked on 2.9 in October and November (#11, 6+), Univision Radio regional Mexican KSOL “Que Buena” slips one-half share to 2.4 and is tied with KNBR at #14. A collective +.9 as the result of six straight up or flat moves (1.8 – 1.9 – 1.9 – 2.0 – 2.1 – 2.2 – 2.7, 6+), University of Southern California classical KDFC gives back one-tenth in December to curtail the streak (2.6, #12 to #13, 6+). For the ninth month in succession, KUFX “98.5 K-Fox – The South Bay’s Classic Rock” is unlisted in San Francisco, but it still appears in print in San Jose. The station’s March 2017 6+-San Francisco stat was 1.5.

5) Dallas – Not only does KDGE “Star 102.1 – More Music, More Variety” nearly double its 6+-share (2.6 – 5.0, +2.4, 6+), the iHeartMedia adult contemporary outlet zooms from #17 all the way to #4 with its strongest 6+-stat since 7.7 in “Holiday” 2016. Seven-tenths of a share separates the top seven December 2017 finishers. Included in that scrum (in addition to “Star”) is Entercom classic hits-oldies KLUV “98.7 K-LUV,” which bounces back from November’s half-share decrease with a December gain twice that margin (4.2 – 5.2, +1.0, 6+); November’s 4.2 was its lowest 6+-stat since January 2015 (4.2, as well). In the process, KLUV vaults from seventh to a first-place tie with iHeartMedia classic rocker KZPS “Lone Star 92.5, which is an overall +.7 in three consecutive increases (4.5 – 4.8 – 5.0 – 5.2, 6+). After four straight gains that netted nine-tenths (4.6 – 4.7 – 5.0 – 5.2 – 5.5, 6+), KZPS was down or flat the next four ratings periods for an overall loss of one full-share (5.5 – 5.4 – 5.4 – 4.9 – 4.5, 6+). “Lone Star” repeats as a co-occupant at the top spot. Its November partner, however, was Cumulus Media country outlet KPLX “The Wolf” which after 11 successive months on top, tumbles to fifth. “The Wolf” posts its fourth straight negative trend for a collective loss of one full-share (5.8 – 5.7 – 5.3 – 5.0 – 4.8, 6+). On the heels of trending 3.5 – 3.2 – 3.5 (6+), Entercom adult hits KJKK “100.3 Jack FM” notches a gain of six-tenths to 4.1 (6+) and continues at #8. This is the sixth month in succession that iHeartMedia’s KEGL “97.1 The Eagle Rocks’ is either up or flat for an overall gain of eight-tenths (3.0 – 3.0 – 3.4 – 3.4 – 3.4 – 3.4 – 3.8, ninth to tenth, 6+). Once a heritage adult contemporary facility, KVIL in recent years repositioned itself to hot AC and then to CHR as “Amp.” Simultaneous with Entercom officially closing on its ownership of KVIL (11/9), the station became “Alt 103.7 DFW’s New Alternative.” In PPM’s 12 reports covering calendar year 2017, KVIL notched a high of 2.9 (February) and a low of 2.1 (April). Down an overall half-share in back-to-back sweeps (2.8 – 2.6 – 2.3, 6+), KVIL moves from a four-way logjam at #17 in November to #20. Meanwhile, steady at #3, iHeartMedia CHR KHKS “Kiss” improves in back-to-back sweeps by a cumulative seven-tenths (4.4 – 4.7 – 5.1, 6+). Following nine straight up or flat trends that more than doubled its 6+-share (1.4 – 1.5 – 2.0 – 2.0 – 2.1 – 2.1 – 2.4 – 2.6 – 2.9 – 3.1, 6+), co-owned sports talk KRLD-FM “105.3 The Fan” returns six-tenths of that +1.7 (2.5, #14 to #17, 6+). In 13 monthly reports since “Holiday” 2016, co-owned news/talk KRLD-AM (#21 to #19) has been within a high of 2.4 and a low of 2.0 (2.1 – 2.3 – 2.0 – 2.0 – 2.3 – 2.2 – 2.1 – 2.2 – 2.1 – 2.1 – 2.2 – 2.4 – 2.4, 6+). A collective -1.1 in November and December (3.9 – 3.3 – 2.8, 6+), Salem Media Group contemporary Christian KLTY “94.9 Your Life … Inspired” slumps from #11 to #15.

6) Houston – The significant up/down pattern continues for iHeartMedia adult contemporary KODA “Sunny 99.1,” which gained eight-tenths in August; lost it all in September; picked up one-half share in October; surrendered eight-tenths in November; and now logs a whopping +2.8 in December (6.4 – 7.2 – 6.4 – 6.9 – 6.1 – 8.9, 6+). After back-to-back stays at #2, “Sunny” cruises to #1. Immediately prior to September’s -.8, KODA was a collective +1.7 via four straight up or flat monthlies (5.5 – 5.5 – 5.8 – 6.4 – 7.2, 6+). This is its strongest 6+-stat since “Holiday” 2016’s 10.3; KODA was 7.3 in December 2016. Trading places with “Sunny” is Radio One urban AC KMJQ, which is actually up one-tenth to 7.5, but shifts to #2 after three straight months at #1. When “Majic 102.1 The People’s Station” was off three-tenths in November, it ended three straight gains that netted seven-tenths (7.0 – 7.1 – 7.2 – 7.7, 6+). “Majic” spent six consecutive months on top before segueing to #2 in August. It was +1.4 in May; -.6 in June; and -.7 in July. Somewhat similar to its AC sibling KODA, cluster-mate KTBZ has a bit of a yoyo effect, as “94.5 The Buzz – Houston’s Rock and Alternative” was up a combined full-share in September and October (3.6 – 4.3 – 4.6, 6+); dropped eight-tenths in November to 3.8 (6+); and now regains six-tenths in December (4.4, tenth to eighth, 6+). Having entered the top twenty in November with a gain of eight-tenths (1.3 – 2.1, 6+), co-owned Houston Astros flagship KBME “Sports Talk 790” forfeits nearly twice that increase (.6, -1.5, #20 to #26, 6+). Following October’s +1.6, Univision Radio regional Mexican KLTN is a combined -1.8 in November and December (4.7 – 6.3 – 5.8 – 4.5, 6+) and dips from third to sixth. It was -.5 in March; +.7 in April; -1.1 in June; -.7 in July; +.7 in August; -.5 in November; and now -1.3 in December. Following three straight negative trends that yielded a combined -1.5 (8.0 – 7.4 – 6.7 – 6.5, 6+), KLTN brought back 60% of that deficit in January (+.9), jumping from third to first. It was a very quick stay there though as KLTN surrendered -1.3 in February (7.4 – 6.1, 6+) and dropped to third. A loss of one-half share by Entercom adult hits KKHH (fifth to ninth) takes “95.7 The Spot” to 4.3, its lowest 6+-showing since 3.5 in January.

7) Atlanta – A November decrease of one-tenth by Salem Media Group contemporary Christian WFSH curtailed at four its string of successive trends without a loss that netted a +1.8 (3.9 – 3.9 – 4.3 – 5.3 – 5.7, 6+); however, “104.7 Fish” answers in a big way with a December +1.6 (5.6 – 7.2, 6+), swimming from fourth to second. This marks the first time that Atlanta’s “Fish” has reached the seven-share level (6+) since “Holiday” 2016’s 7.1. Even though it replicates November’s increase of seven-tenths (5.1 – 5.8 – 6.5, 6+), Cox Media Group urban AC WALR “Kiss 104.1” backslides from a second-place tie to third as it is leapfrogged by WFSH. Its gain of seven-tenths in November ended four consecutive declines that resulted in a cumulative -1.1 (6.2 – 5.9 – 5.6 – 5.3 – 5.1, 6+). Steady at #6, Radio One-owned and similarly-formatted WAMJ “Majic – The Real Sound of Atlanta” drops two-tenths (4.9 – 4.7, 6+) following a November improvement of six-tenths. “Majic” was a combined -.5 in September and October (4.8 – 4.6 – 4.3, 6+). By chalking up a one-half share uptick (5.8 – 6.3, 6+), Entercom urban contemporary WVEE “V-103 The People’s Station” records its best 6+-stat since May’s 6.5, yet must settle for a fourth-place finish (down from November’s #2 tie with WALR). Having notched three straight increases for a collective +1.6 (8.6 – 8.9 – 9.9 – 10.2, 6+), Cox Media Group news/talk WSB-AM is now a combined -1.1 in November and December (10.0 – 9.1, 6+), but is #1 for the 24th successive ratings period. Prior to June’s +.2, WSB-AM had been down or flat the previous four sweeps for a combined -2.1 (10.7 – 9.9 – 9.5 – 9.5 – 8.6, 6+); January 2017’s 10.7 represents WSB-AM’s best-ever (6+) PPM-performance. Elsewhere in the news/talk arena, City of Atlanta Board of Education-owned WABE surrenders one-half share (4.9 – 4.4, sixth to seventh, 6+). As a result of declining by seven-tenths (3.8 – 3.1, #12 to #15, 6+), Entercom hot AC WSTR “Star 94.1 – Today’s Hits” has its lowest 6+-share since April (3.1, as well). Down or flat in four straight ratings periods for a net loss of four-tenths (4.3 – 4.1 – 4.1 – 3.9 – 3.9, 6+), iHeartMedia CHR WWPW picked up two-tenths in November, but “Power 96.1 Atlanta’s #1 Hit Music Station” forfeits one-half share in December to 3.7, its softest 6+-share since 3.6 in March, and departs the top ten (#9 to #11). Its format rival – Cumulus Media’s WWWQ – is down or flat for the third straight time for an overall loss of six-tenths (4.7 – 4.7 – 4.5 – 4.1, 6+) as “Q-100 Atlanta’s New Hits” slips from eighth to ninth. Having lost roughly 70% of its 6+-stat in five successive down or flat trends since June (1.8 – 1.3 – 1.3 – 1.0 – .7 – .5, 6+), Woman’s World Broadcasting-owned WTSH “Georgia Country” adds one-tenth to .6 (#30 to #28, 6+). Elsewhere in the format, iHeartMedia’s WUBL “94.9 The Bull – Atlanta’s #1 For New Country” returns to the top ten with its third straight modest increase (3.8 – 4.0 – 4.1 – 4.2, #11 to #8, 6+), while Cumulus Media-owned WKHX “Kicks 101.5 – Atlanta’s #1 For Country Hits” returns November’s +.3 but remains at #13 (3.4 – 3.7 – 3.4, 6+). Without an increase for the fifth consecutive sweep, Cox Media Group adult contemporary WSB-FM “B-98.5” is an overall -.8 (4.7 – 4.7 – 4.3 – 4.3 – 4.2 – 3.9, 6+) and drops from ninth to tenth.

8) Philadelphia – Ousted from #1 in November, Jerry Lee-owned adult contemporary WBEB roars back with a gain of five full-shares as it returns to the top spot from #2. In four straight increases, “Today’s 101.1 More FM” is a collective +6.1 (6.7 – 7.2 – 7.6 – 7.8 – 12.8, 6+) and has its highest 6+-share since 17.9 in “Holiday” 2016; WBEB logged an 11.1 in December 2016. It is the only station in the 12 PPM-markets highlighted here to reach double-digits (6+). Prior to September, the last time “More FM” occupied the top spot was February when it ended a seven-straight month run there. Owing to a gain of one-half share (1.1 – 1.6, 6+), University of Pennsylvania triple A WXPN “88.5 Vinyl at Heart – Rhythms, Not Algorithms” registers its highest 6+-share since August (1.6, as well) and it enters the top twenty (#20). In five straight sweeps without a loss, iHeartMedia-owned WRFF was a modest +.3 (3.7 – 3.8 – 3.8 – 3.8 – 3.9 – 4.0, 6+), but “Radio 104.5 – Philadelphia’s Alternative Rock” spirals by one full-share in December to 3.0, fading from #7 to #13 (6+). The market’s (6+) sports talk share erodes by -1.4 as two positive streaks come to an end. Specifically, Entercom-owned WIP forfeits nine-tenths (7.1, first to second, 6+) and Beasley Media Group’s WPEN “97.5 The Fanatic” regresses by one-half share (2.7 – 2.2, #15 to #18, 6+). Philadelphia Eagles flagship WIP was a combined +3.5 as the result of four straight increases (4.5 – 5.3 – 6.4 – 7.5 – 8.0, 6+) and reached #1 in November for the first time in the PPM-era by recording its best-ever 6+-stat (8.0). Off a collective full-share in June and July (5.5 – 4.7 – 4.5, 6+), WIP gained eight-tenths in August. Prior to December, “97.5 The Fanatic,” the key station of the Philadelphia 76ers, notched five straight up or flat trends for a collective +1.1 (1.6 – 1.7 – 1.7 – 2.0 – 2.4 – 2.7, 6+). Following five consecutive up or flat trends that netted an overall +1.5 (2.0 – 2.4 – 2.6 – 2.9 – 2.9 – 3.5, 6+), iHeartMedia urban-rhythmic oldies WISX “Real 106.1 – Philly’s Real #1 for Throwbacks” returns one-third of that increase (3.0, -.5, 6+) yet actually improves from #14 to a tie at #13 (with WRFF). Immediately before the November sweep, WISX was within 2.0 – 2.9 range (6+) in each of the previous 18 survey periods. Although unchanged at #5, Entercom classic hits-oldies WOGL declines for the fifth straight month for an overall -2.2 (7.5 – 7.4 – 6.6 – 6.2 – 5.6 – 5.3, 6+).

9) Long Island – Over and above repeating at #1, Connoisseur Media hot AC WALK-FM is a whopping +3.3 in November and December (5.4 – 6.7 – 8.7, 6+), following an October loss of nine-tenths. “Real Variety 97.5” was on top between June and September, as well. After three consecutive increases that generated a +2.1 (4.2 – 5.1 – 5.3 – 6.3, 6+), WALK-FM dropped one-tenth in July; bounced back with a +.7 in August; but surrendered six-tenths in September. In five successive sweeps without a loss, iHeartMedia adult contemporary WLTW has nearly doubled its 6+-share (2.4 – 2.5 – 2.5 – 2.6 – 2.9 – 4.5, 6+) as New York City’s “Lite FM” soars from #13 to #4 with its strongest 6+-showing in Long Island since 7.8 in “Holiday” 2016. In addition to being up or flat for the fourth month in a row more than doubling its 6+-share since August (1.2 – 1.5 – 1.5 – 1.7 – 2.5, 6+), public news/talk WNYC-FM breaks into the top twenty at #15. After four straight increases that produced an overall +1.9 (4.0 – 4.2 – 4.6 – 5.3 – 5.9, 6+), Entercom sports talk WFAN “The Fan” relinquishes all but four-tenths of that increase (4.4, -1.5, 6+), skidding from second to sixth. In November, Cox Media Group-owned WBAB gained one-half share to 5.5, its best-ever 6+ PPM-performance, but “Long Island’s Only Classic Rock” falters by twice as much as that +.5 (4.5, -1.0, 6+) to slip from third to fourth. Although within 2.0 – 2.9 territory (6+) for the 37th consecutive ratings period, Emmis rhythmic CHR WQHT “Hot 97” falters by seven-tenths (2.7 – 2.0, 6+) and drifts from #14 to #18. Its urban AC cluster-mate, WBLS “107.5 – #1 For R&B,” is within 3.0 – 3.9 range (6+) for the 15th sweep in a row but is down two-tenths and departs the top ten (3.7 – 3.5, #9 to #11, 6+). Recording a negative trend for the fourth time in succession Cox Media Group CHR WBLI is an overall -2.1 since July (6.2 – 5.6 – 5.2 – 4.9 – 4.3 – 4.1, sixth to seventh, 6+). Ending at 13 its consecutive string of three-share showings (6+) in Long Island, Entercom all-news WCBS-AM has its third straight decrease for an overall loss of one full-share (3.8 – 3.7 – 3.0 – 2.8, #12 to #13, 6+).

10) Riverside – On top for the 26th consecutive ratings period, Entravision Spanish adult hits KLYY “Jose” recaptures all but one-tenth of November’s -.8 (6.9 – 7.6, +.7, 6+). When “Jose” gained three-tenths in August, it ended six consecutive decreases for a net loss of -2.7 (9.4 – 9.2 – 8.6 – 8.3 – 8.1 – 7.9 – 6.7, 6+). It was in that stretch that “Jose” fell below a seven-share for the first time since May 2016’s 6.5. Winning ways continue for Good News Radio contemporary Christian KSGN “89.7 Family Friendly,” which is a combined +1.1 in five successive ratings periods without a decrease (1.6 – 1.6 – 2.1 – 2.1 – 2.1 – 2.7, 6+). Climbing from ninth to seventh, KSGN, in September, reached the two-share level (6+) for the first time since December 2015’s 2.0. Albeit that it slips from fourth to fifth, Univision Radio regional Mexican KSCA “Zona MX 101.9” notes its fourth straight monthly without a decrease (3.2 – 3.5 – 3.5 – 4.1 – 4.1, 6+), repeating its best 6+-share in the Inland Empire since April’s 4.9. It is tied with Spanish contemporary cluster-mate KLVE “K-Love 107.5,” which is an overall -1.2 in four straight survey periods without an increase (5.3 – 4.9 – 4.7 – 4.1 – 4.1, fourth to fifth, 6+). Having doubled its 6+-share in November (1.2 – 2.4, +1.2, 6+), All-Pro Broadcasting’s KHTI forfeits all of that increase and two-tenths more (1.0, -1.4, 6+) as “Hot 103.9 – Move to the Music” falls out of the top ten (#8 to #14). Prior to November, “Hot” was off a collective nine-tenths in six straight down or flat trends (2.1 – 1.8 – 1.5 – 1.4 – 1.3 – 1.3 – 1.2, 6+). Four consecutive up or flat moves by LC Media urban-rhythmic oldies KQIE netted an overall gain of six-tenths (3.3 – 3.3 – 3.4 – 3.6 – 3.9, 6+), but “Old School 104.7” coughs up more than twice that increase with its 6+-share cut by one-third (2.6 -1.3, sixth to eighth, 6+).

11) San Jose – It has been a rollercoaster ride for Alpha Media classic hits-oldies KBAY “94.5 Bay FM – The Bay’s Greatest Hits,” which was a combined +2.3 in August and September (3.7 – 4.8 – 6.0, 6+); a collective -2.0 in October and November (6.0 – 4.9 – 4.0, 6+); and now +1.6 in December to 5.6 (6+). September’s 6.0 was its strongest 6+-stat since 8.0 in the “Holiday” 2016 report. It is tied in third-place with Entercom adult contemporary KOIT-FM “Better Music for a Better Workday,” which has an identical 4.0 – 5.6/eighth to third November 2017 – December 2017 profile. KOIT-FM’s adult contemporary rival – iHeartMedia’s KISQ “98.1 The Breeze” – tacks on nine-tenths to the one-half share it added in November (3.6 – 4.5, 6+) to zoom into the top ten (#11 to #6). Prior to November, “The Breeze” had been -1.3 in three straight negative or flat trends (4.4 – 3.7 – 3.1 – 3.1, 6+). A gain of seven-tenths boosts Universal Media Access world ethnic KSJO “Bolly 92.3 – The Bay Area’s Bollywood Station” to 1.0 (6+, #28). Doubling its 6+-share since October (.9 – 1.2 – 1.8, 6+), Spanish Broadcasting System regional Mexican KRZZ “93.3 La Raza” checks in at #23. When Univision Radio’s similarly-formatted KSOL lost one-tenth in November, it ended at four a consecutive string of up or flat trends that generated a +1.1 (2.8 – 3.0 – 3.0 – 3.3 – 3.9, 6+). Ironically, “Que Buena” is -1.1 in December (3.8 – 2.7, 6+) and departs the top ten (#10 to #12). October’s 3.9 was its best 6+-share in San Jose since last December’s 4.1. Likewise, as a result of returning 90% of November’s full-share increase (4.2 – 3.3, -.9, 6+), Entercom CHR KMVQ “99.7 New Hit Music Now!” exits the top ten (#6 to #11). While it is on top in San Jose for the fifth straight time, Northern California Public Broadcasting’s KQED-FM slips by one-tenth to 8.1 (6+), thus halting three consecutive gains that produced an overall +1.3 (6.9 – 7.3 – 8.0 – 8.2, 6+). Back in July, KQED-FM recaptured 80% of the cumulative -1.5 it lost in four straight downward moves (7.6 – 7.5 – 7.2 – 6.3 – 6.1, 6+) to advance from #3 to #1. Unlisted in San Jose since posting a 5.1 (6+) in the “Holiday” 2015 report, KQED-FM returned in January 2017 by recording a 6.9 (6+) to finish at #1 and had been on top through April; November’s 8.2 was its highest 6+-share since reappearing the first of this year. Eroding by eight-tenths each are Entercom all-news KCBS-AM (7.2 – 6.4, steady at #2, 6+); iHeartMedia hot AC KIOI “Star 101.3 – More Music, More Variety” (4.5, third to sixth, 6+); and Univision Radio Spanish adult hits KBRG “100.3 Mas Variedad,” which was off six-tenths in November (5.4 – 4.8 – 4.0, 6+) and drifts from fourth to ninth. Entering the December sweep, “Star” netted +1.8 in four successive increases (3.5 – 4.0 – 4.5 – 4.9 – 5.3, 6+). At the same time, as a result of four straight upticks, Entercom sports talk KGMZ nearly tripled its 6+-share (.4 – .5 – .5 – .6 – 1.1, 6+), but “95.7 The Game” is off in December by one-tenth to 1.0 (6+, #28). For the third straight time, Cumulus Media’s similarly-programmed KNBR has a fluctuation of one-half share (3.2 – 2.7 – 3.2 – 2.7, 6+), yet “The Sports Leader” actually climbs from #13 to a three-way tie at #12. With a -.1 in November, co-owned KSFO ended three straight up or flat trends that accounted for a cumulative +.7 (1.5 – 1.7 – 1.7 – 2.2, 6+) and now the news/talk slips by another seven-tenths (2.1 – 1.4, 6+), tumbling out of the top twenty (#20 to #26).

12) Middlesex – In addition to notching its fifth straight Middlesex-Somerset-Union gain for an overall whopping +4.2 (4.3 – 4.4 – 4.6 – 4.9 – 5.9 – 8.5, 6+), iHeartMedia New York City’s WLTW “Lite-FM” marches from third to first as it practically doubles its 6+-share. Moreover, 8.5 is its best 6+-showing in this New Jersey market since “Holiday” 2016’s 8.7. It displaces WKXW, which had been #1 the past 11 ratings periods. The Townsquare Media news/talker surrenders all nine-tenths of November’s +.9 – and one-tenth more – to segue to #2 (7.2 -1.0, 6+). November’s 8.2 was its strongest 6+-stat since 8.2 in September 2016. As a result of a “Holiday” 2016 – January 2017 increase of one-full-share (6.8 – 7.8, 6+), “New Jersey 101.5” returned to #1 following one month in the runner-up slot. A +1.5 (2.3 – 3.8, 6+) enables Pillar of Fire contemporary Christian WAWZ “Star 99.1” to reach the three-share level (6+) for the first time since April’s 3.0. Moreover, “Star” rockets from #20 all the way into the top ten at #8. Having registered a 2.2 (6+) in three of the last five sweeps (2.2 – 2.3 – 2.1 – 2.2 – 2.2, 6+), Entercom all-news WCBS-AM breaks out a +.6 to 2.8 (6+), entering the top twenty in a three-way tie at #15. By dropping two-tenths to 5.0 (6+), sports talk sibling WFAN-FM concludes three straight increases for an overall +1.4 (3.8 – 4.3 – 5.1 – 5.2, 6+), but “The Fan” manages to inch up from fifth to fourth. Having logged a 2.8 (6+) eight times in the previous ten sweeps – including the past four – iHeartMedia rhythmic CHR WKTU picks up one-tenth to 2.9 (6+, #15 top #13). On the heels of dropping one full-share in November, Spanish Broadcasting System-owned Spanish tropical WSKQ “La Mega 97.9” sputters by another nine-tenths (5.3 – 4.3 – 3.4, 6+) to exit the top ten (#6 to #11). After three straight increases for a collective +1.1 (2.5 – 2.9 – 3.1 – 3.6, 6+), iHeartMedia urban contemporary WWPR “Power 105.1 New York’s Hip-Hop and R&B” surrenders seven-tenths to 2.9 (6+) and – likewise – departs the top ten (#10 to #13). Faltering by one-half share each are co-owned WAXQ “Q-104.3 New York’s Classic Rock,” a combined -1.2 in three straight sweeps without a gain (6.0 – 5.3 – 5.3 – 4.8, fourth to fifth, 6+) and Univision Radio Spanish tropical WXNY “X-96.3,” which was off by eight-tenths in November (3.2 – 2.4 – 1.9, 6+), fading from #16 to #22.

November 2017 PPM Analysis: Mainstream CHR

| December 13, 2017

By Mike Kinosian
Managing Editor
TALKERS

LOS ANGELES — A thorough examination of mainstream CHR will put a bright seasonal bow around our four-part series reviewing November 2017 ratings performances.

Earlier recaps addressed news/talk (last Friday, 12/8); NBA flagships (Monday, 12/11); and adult hits (yesterday, 12/12).

As was the case with those other three overviews, our mainstream CHR analysis is comprised of data from PPM-market facilities that rank in the top 20 (6+, November 2017).

Bookends for these four recaps (news/talk and mainstream CHR) represent two of the three largest sample bases (historically) in the medium, with country being the other.

Nielsen Audio only releases audience estimates for facilities that subscribe to its services. Owing to that reason, ratings stats in this exclusive mainstream CHR breakdown are limited to stations that pay Nielsen Audio for its data.

The company’s November 2017 ratings period covered October 12 – November 8.

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