By Michael W. Dean
The Freedom Feens
Genesis Communications Network
Talk Show Host
CASPER, Wy. — Podcasting is sometimes considered “the ugly stepchild of radio,” because unlike radio, podcasting is open to the unwashed masses. Anyone with an Internet connection can reach the world, for no money and with no licensing.
Podcasting was ignored and vilified by radio industry people for years (it still is by some). But these days, almost all talk radio shows also release a podcast archive of their show, either a pay version or for free.
In addition to releasing podcast archives of terrestrial radio shows, some talk hosts become podcasters after voluntarily leaving radio or after being fired. And some people (like myself) start their shows as a podcast before getting syndicated on radio.
By Holland Cooke
WASHINGTON, DC — If you’re a broadcaster, you probably found this story remarkable. If you’re a podcaster, you probably found it relatable:
“By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.”
Internet talk media has become the terrestrial radio farm system
By Michael Harrison
NEW YORK –– On page 23 of this issue of TALKERS magazine we are pleased to launch the third annual installment of a relatively new feature titled, “The Frontier Fifty: A Selection of Outstanding Talk Media Webcasters.”
It is an alphabetical list of 50 talk “acts” consisting of a wide variety of hosts, teams and shows representing a cross section of the important pioneering work taking place in the burgeoning world of internet talk media. The continuing publication of such an “editorial staff’s choice” in this magazine marks another evolutionary milestone as, together, we experience the fascinating transition between the AM/FM/VHF/UHF (“terrestrial”) domination of pop culture during the second half of the 20th century and the emerging internet media’s (“stickless”) reign over the first half of the 21st –– already more than a decade underway. We thank our friends at Broadcasters General Store for their continued sponsorship of this ambitious and optimistic feature. Their faith in it is a sign that there is, in fact, a “new industry” of enormous potential proportions emerging before us all.