Tag: "New York State Broadcasters Association"

Monday, July 15, 2019

Sports USA Awarded $2 Million in Breach of Contract Suit. A Los Angeles superior court jury ruled unanimously in favor of independent syndicator of radio live play-by-play Sports USA in its multi-year violation of contract suit against Sun Broadcasting Group. The jury awarded Sports USA damages in excess of $2 million as compensation for Sun’s breach of its advertising representation agreement with Sports USA. According to Sports USA chief executive officer Larry Kahn, “[Sun CEO] Jason Bailey thought he could breach the contract by filing claims against us which had no factual or legal basis, but under no circumstance would we back down and drop our valid claims. The jury’s decision completely affirms what we have said since day one: Sun breached the agreement and had no valid justification for doing so.” Senior Manatt, Phelps & Phillips litigation partner Robert Platt asserts, “Sports USA is absolutely thrilled with [this] outcome. Despite numerous, non-meritorious countersuits and claims, our client would not be deterred in seeking the recovery of amounts that it was rightfully owed. After fighting tirelessly on behalf of Sports USA for two years, we are happy that the jury arrived at this just conclusion.” Sports USA and Sun signed an advertising rep deal in September 2015, in which Sun agreed to serve as Sports USA’s exclusive sales representative for the 2016 and 2017 college football seasons. In January, 2017, when Sun could not fulfill its financial obligations to Sports USA under the contract, Sun attempted to terminate the agreement and Sports USA filed suit.

Talkers 2019: Telling the Story Videos Continue Posting Today with Panel Discussion “Adding the Video Component to Talk Radio.”  TALKERS is continuing to post key speeches, presentations and sessions from the recent 22^nd annual edition of the talk media industry’s longest-running and most-important national convention – Talkers 2019: Telling the Story.  Today’s (7/15) post presents the panel discussion “Adding the Video Component to Talk Radio” featuring Howie Carr, host of the Howie Carr Show (Howie Carr Radio Network and Newsmax TV), Jared Hart, former PD, WPHT, Philadelphia, and  Art Vuolo, president, Vuolo Video.  The session was introduced and facilitated by Scott Lakefield, APD, WOR, New York.  Already posted: the special keynote address delivered by CBS Sports Radio syndicated host Jim Rome with an introduction from Yappy Days author/college professor Bernadette Duncan; the panel discussion, “Generating Talk Radio Revenue in 2019” featuring (in alphabetical order) Asa Andrew, host, AsaRx;  Vince Benedetto, CEO, Bold Gold Media Group;  Suzanne Grimes, EVP/marketing, Cumulus Media and president, Westwood One; and Dave Robinett, chief marketing officer, #250-America’s Mobile Speed Dial – moderated by Erica Farber, president and CEO of the Radio Advertising Bureau (RAB) and introduced by renown independent station owner Michael Zwerling of KSCO/KOMY, Santa Cruz, CA; the special keynote address by Key Networks syndicated personality Bill O’ Reilly; the one-on-one discussion, “Sports Talk Radio’s Role in Popular Culture” featuring a conversation between Mark Chernoff, senior VP/programming WFAN/Entercom, NY and captain/sports format, CBS Sports Radio and Mike Thomas, PD, WBZ-FM “98.5 The Sports Hub,” Boston and brand manager/spoken word, podcasts, esports, Beasley Broadcasting with  Kate Delaney, host, GCN and correspondent NBC Sports Radio, serving as facilitator; the panel discussion, “Broadcasting and Podcasting,” featuring (in alphabetical order) Greg Batusic, chief operating officer, PodcastOne; Steven Goldstein, founder/CEO Amplifi Media; Michael Czarnecki, program director, WONK-FM, Washington, DC and iHeartRadio Podcast Channel; and Craig Schwalb, former program director WABC, New York and WPRO, Providence with moderation by Mike Kinosian, managing editor/West Coast bureau chief, TALKERS; the keynote “fireside chat” in which TALKERS publisher Michael Harrison interviews Premiere Networks/Fox News Channel star Sean Hannity in a casual one-on-one conversation introduced by DC Radio Company executive director Victoria Jones; the opening address titled, “Telling the Story,” delivered by Lee Habeeb, host and producer of the successful syndicated program, “Our American Stories;” RAB president/CEO Erica Farber receiving the Woman of the Year award and SiriusXM Satellite Radio star “Cousin” Bruce Morrow receiving the Lifetime Achievement award. The convention took place in New York City on Friday, June 7 and was one of the most positively received in the event’s colorful history.  TALKERS plans to add one or two videos per day to those posted until all the major events of the conference are posted here at Talkers.com where they will remain on view for the rest of the year.  To see the videos and convention video page, please click here.

Denver’s “Freedom 93.7” Debuts. In addition to positioning itself as “Freedom 93.7,” the iHeartMedia news/talk simulcast of K229BS and KDFD (760 AM, formerly sports talk KDSP ) is using “Real News – Real Talk” as its secondary slogan. President of iHeartMedia’s Denver Region, Tim Hager, comments, “With massive FM coverage, a 50,000 watt AM signal [on 760], and unmatched digital distribution, we are confident that ‘Freedom 93.7’ will quickly become a favorite destination for Colorado talk radio listeners.” The weekday lineup for “Freedom 93.7” includes: “Ground Zero” with Clyde Lewis (12:00 midnight – 5:00 am); “This Morning” with Gordon Deal (5:00 am – 7:00 am); Glenn Beck (7:00 am – 10:00 am); Rush Limbaugh (10:00 am – 1:00 pm); Sean Hannity (1:00 pm – 4:00 pm); Buck Sexton (4:00 pm – 7:00 pm); Dave Ramsey (7:00 pm – 10:00 pm); Ken Coleman (10:00 pm – 11:00 pm); and “Crime Stories with Nancy Grace” (11:00 pm – 12:00 midnight). According to Premiere Networks senior vice president of affiliate sales, talk, and morning shows, Peter Tripi, “The launch of ‘Freedom 93.7’ is an exciting opportunity to showcase some of the most-listened-to national talk radio stars, live in a single lineup, on this far-reaching simulcast. This is a win for Denver area talk radio fans.” Weekend programming, includes “The Jesus Christ Show”; “The Weekend with Joe Pags”; “Coast-to-Coast AM – Somewhere in Time”; “Tom Gresham’s Gun Talk”; and “Live on Sunday Night, It’s Bill Cunningham.” Limbaugh will continue airing on iHeartMedia Denver news/talk KOA through August; Hannity, and Beck will continue on news/talk sibling KHOW through August as well. New live and local programming line-ups for KOA and KHOW will be announced in the coming weeks.

Howie Carr Radio Network Expands With “Dirty Rats” Podcasts. A series of true-crime “Dirty Rats” podcasts will launch on the Howie Carr Radio Network two weeks from Thursday (8/1). According to Carr, the “Dirty Rats” podcast series “will educate and entertain a whole new generation about the vast scope of crime and corruption in recent decades in Boston – murder and mayhem on unprecedented scales.” HCRN president Kathy Carr notes, “This new project allows our sponsors to grow and reach new customers well beyond our current base. With the growth and success of our advertisers, we all continue to prosper.” More than 25 New England stations carry the 3:00 – 7:00 pm “Howie Carr Show.” Newsmax TV airs it weekdays, 4:00 pm – 6:00 pm. In addition to placing #16 on “The Talkers Magazine 2019 Heavy Hundred,” Carr is a New York Times best-selling author of true-crime books “Brothers Bulger,” and “Hitman,” as well as other fiction and non-fiction works.

Monday Memo: Summertime, Summertime, Sum-Sum-Summertime.  Consultant Holland Cooke writes in today’s Monday Memo about this time of the year when programmers can take advantage of people’s atypical routines.  He says, “As every station’s listeners’ routines are altered, they’re exposed to days and dayparts they might not habitually use.  When they discover you, will they instantly ‘get it?’  Is your elevator speech high-profile?”  Get more summertime tips here.

NPR Boosts Nelson to VP/Technology Operations. Overseeing the audio engineering and news flex teams at NPR the past three years, Chris Nelson is promoted to vice president of technology operations. President of operations Loren Mayor remarks, “Chris brings innovative technology leadership to his role. [He drives] collaboration between editorial, production, and technical staff, and promotes a culture of operational excellence and public service. He has focused considerable energy on building talented teams to design, deploy, engineer, and support the complex technology solutions and infrastructure at the operational heart of NPR’s editorial vision and signature sound.” Nelson notes, “I’ve seen this organization and our systems grow over the years – that would not have happened without the dedicated efforts of this team. Our technologists are innovators and leaders in their fields; they deserve recognition for the work they do to support nearly every facet of NPR’s operations. I’m proud to serve them all in this role.” The 1999 Middle Tennessee State University graduate joined NPR as an audio engineer in 2000 and has held roles that include technical director for live and recorded music broadcasts, and oversight of technical operations for multiple seasons of elections coverage. Nelson has produced documentaries for public radio and the National Hockey League, as well as serving as a Tanzania-based audio specialist for the UN’s International Criminal Tribunal for Rwanda.

Media Institute To Honor Beasley. As part of its October 7 “Free Speech America” gala in Washington, DC, the Media Institute will honor Beasley Media Group chief executive officer Caroline Beasley and The Washington Post publisher/chief executive officer Frederick J. Ryan, Jr. Beasley will be bestowed the American Horizon Award, which recognizes an individual for visionary leadership in the communications industry, while Ryan will receive the Freedom of Speech Award, recognizing an individual who has worked to advance free speech and the First Amendment. Beasley has served in her current capacity since January 2017 and has held a number of other posts at the company including executive vice president; chief financial officer; treasurer; and secretary. She most recently served as the joint board chair of the National Association of Broadcasters board of directors. Former FCC chair Richard E. Wiley will be the master of ceremonies at the October 7 event, which will be keynoted by FCC commissioner Geoffrey Starks. The Media Institute is a nonprofit foundation specializing in communications policy and the First Amendment.

Thomson Elevated to Emmis’ Senior VP/Human Resources. During her nearly 15 years at Emmis Communications, Traci Thomson has been vice president of human resources and director of employee services. She is now boosted to senior vice president of human resources. In a staff memo, Emmis chair/chief executive officer Jeff Smulyan writes, “Traci is an integral member of the Emmis senior leadership team and has played a critical role in all actions we’ve taken the past several years to reinvent Emmis. [This] promotion also sets the stage for the important role Traci will play in the months ahead with the formation of Mediaco Holding and the next steps on our path to invest in the future of Emmis.” Before joining Emmis, Thomson spent nine years at the First Indiana Bank.

Radio One Cleveland Gets Rude. The operations manager of Radio One Detroit, Yonni Rude, transfers to Cleveland where he will have similar duties. Rude replaces Bill Black, who left this past spring. Radio One regional vice president Eddie Harrell, Jr. comments, “We are thrilled to have Yonni join our team in Cleveland. His track record and programming acumen make this a perfect fit. We look forward to Yonni furthering our standing as the dominant force with respect to serving African-Americans in Northeast Ohio.” Rude notes, “I’m excited for this opportunity and look forward to working closely with the amazing Radio One Cleveland all-star team.” The company’s Cleveland facilities include news/talk WERE “News Talk 1490”; urban contemporary WENZ “Z-107.9”; urban AC WZAK; and gospel WJMO “Praise 94.5.” Its Detroit operation consists of urban AC WDMK “105.9 Kiss FM” and WDMK-HD2 “Praise” and it operates urban contemporary WGPR “Hot 107.5” under an LMA. Rude previously was the three-year operations manager for Radio One Richmond.

TALKERS News Notes. Nine-year KSL mid-day (12:30 pm – 3:00 pm) talent Jay Mcfarland is departing the Bonneville Salt Lake City news/talk outlet. After being off the air for two weeks, he made the announcement last Friday (7/12) on an appearance with afternoon anchor Jeff Caplan. It has been speculated – but unconfirmed – that Mcfarland will run as a Republican in Utah’s 4^th congressional district for the seat currently held by Democrat Ben McAdams. Before going to KSL, Mcfarland worked at Dallas news-talk hybrid KRLD-AM ….. Since joining the Portland Trail Blazers as the NBA team’s radio voice in 1998, Brian Wheeler called 1,823 Blazers’ games, but he will not return next season. Owing to illness, Wheeler missed significant stretches of the last two years on iHeartMedia flagship KPOJ “AM 620” and Portland’s 21-station radio network. The team’s president/chief executive officer Chris McGowan states, “Brian Wheeler has been an integral part of the broadcast team and Trail Blazers family since 1998. His voice is synonymous with all the many great play-by-play calls over that 21-year span. We thank Brian for his contributions to the franchise and wish him all the best in his future endeavors.” Wheeler expresses gratitude to the team “for the incredible opportunity and honor of calling radio play-by-play the past 21 years. I was honored and blessed to be a Blazer for 21 seasons; fortunately,  I’ve accumulated some precious memories that will last a lifetime.” When Wheeler was unavailable, games were called by Travis Demers and Michael Holton.

 

 

June 2019 PPM Data – Part Three. June 2019 ratings information has been released for Portland, Charlotte, San Antonio, Sacramento, Pittsburgh, Salt Lake City, Las Vegas, Orlando, Cincinnati, Cleveland, Kansas City, and Columbus. Nielsen Audio’s June 2019 survey period covered May 23 – June 19. See all the 6+ numbers from subscribing stations here. Managing editor Mike Kinosian (Kinosian@Talkers.com) provides his “Takeaways” from these 12-PPM markets.

Portland

Spoken Word Formats – News/talk KXL’s March/April -1.0 is officially obliterated by a May/June +1.1 (3.7 – 4.2 – 4.8, 6+) as Alpha Media-owned “FM News 101 – Stay Connected” jumps from tenth to sixth. Down three-tenths in May, iHeartMedia’s KEX “News Radio 1190 – Depend On Us” bounces back with an improvement of two-tenths (2.0 – 2.2, #18 to #17, 6+). In this calendar year’s six survey periods (January 2019 through June 2019), Alpha Media news/talk KUFO “Freedom 970” has logged a 1.0 (6+) three times and a .9 (6+) the other three times: 1.0 – .9 – .9 – 1.0 – .9 – 1.0 (#26 to #24, 6+).

Tied at #22 are KUFO’s sports talk sibling KXTG “The Game” (1.4, -.3, #21 to #22, 6+) and Entercom’s similarly-formatted KFXX “1080 The Fan” (1.5 – 1.4, -.1, #23 to #22, 6+). “The Game” had nearly doubled (+.8) its 6+-stat through five successive sweeps without a loss (.9 – 1.0 – 1.0 – 1.3 – 1.5 – 1.7, 6+), while May’s 1.5 by “The Fan” was its best 6+-showing since October 2018’s 1.7. After more than tripling (+1.2) its 6+ AQH share via three straight improvements (.5 – .8 – 1.0 – 1.7, 6+), iHeartMedia-owned/Portland Trailblazers flagship KPOJ “Sports Radio 620” forfeits the entire increase in June and is back at .5 (-1.2, #21 to #28, 6+).

A combined -1.2 in May/June (7.9 – 7.0 – 6.7, 6+), after an April gain of six-tenths, Oregon Public Broadcasting news/talk KOPB continues in third-place. KOPB has been +1.2 (January 2019); a combined -2.0 in February/March; +.6 (April); and -.9 (May).

Portland Music Formats – A lofty +1.1 tacked onto May’s four-tenths’ increase (4.2 – 4.6 – 5.7, 6+) enables Alpha Media’s KUPL “98.7 The Bull – #1 For New Country” to leap from sixth to fourth. The last time KUPL reached the five-share level (6+) was in April 2017 (5.5). Prior to dropping three-tenths in April, “The Bull” was a collective +1.2 in three straight gains (3.3 – 3.6 – 4.1 – 4.5, 6+). Conversely, Entercom-owned KWJJ has May’s eight-tenths’ gain erased with a June decrease of nine-tenths; “99.5 The Wolf” – The Northwest’s Hottest Country” drifts from the top ten (#6 to #12). KWJJ continues a down/up pattern that began in December 2018 (3.4 – 2.7 – 3.8 – 3.4 – 4.2 – 3.8 – 4.6 – 3.7, 6+), with May’s 4.6 its best 6+-stat since July 2018 (4.6, as well). Logging gains of six-tenths each are iHeartMedia adult contemporary KKCW “K-103,” which is up a collective eight-tenths in three straight sweeps without a loss (7.0 – 7.0 – 7.2 – 7.8, steady at #2, 6+) and rhythmic CHR sibling KXJM “Jam’n 107.5,” an overall +1.5 via four successive positive or neutral moves  (2.4 – 3.3 – 3.3 – 3.3 – 3.9, #15 to #10, 6+). This (7.8) is the best 6+-stat for “K-103” since “Holiday” 2018’s 16.2 when KKCW was #1. KXJM has its strongest 6+-showing since March 2016 (3.9, as well). A combined -1.1 in April/May (8.9 – 8.6 – 7.8, 6+), iHeartMedia classic hits-oldies KLTH not only picks up one-tenth to 7.9 (6+), “106.7 The Eagle” is #1 the fifth month in a row. When “the Eagle” faltered by three-tenths in April, it curtailed three consecutive upticks that yielded a +3.5 (5.4 – 7.1 – 8.1 – 8.9, 6+). Prior to February, KLTH last reached the eight-share level (6+) in May 2011 (8.1, as well). A dip of six-tenths (4.5 – 3.9, 6+) sends Alpha Media triple A KINK “101.9 Uniquely Portland” from eighth to tenth and below a four-share (6+) for the first time since March 2018 (3.9, as well). Down one-half share (4.0 – 3.5, 6+), Entercom alternative KNRK tumbles from #11 to #15. All Classical Public Media’s KQAC “All Classical Portland” is a collective -2.4 in five consecutive down or flat moves (4.4 – 4.4 – 3.7 – 2.6 – 2.3 – 2.0, #17 to #19, 6+). Immediately prior to losing seven-tenths in March, KQAC was without a loss four times in a row for a collective +1.8 (2.6 – 2.7 – 3.4 – 4.4 – 4.4, 6+) and reached the four-share level (4.4, 6+) the first time since February 2017’s 4.2.

Charlotte

Spoken-Word Formats – By hanging out a robust June +1.2 to 4.4 (#13 to #12, 6+), Entercom news/talk WBT completely evaporates the overall -1.2 it lost in three straight declines (4.4 – 4.3 – 3.7 – 3.2, 6+). May’s 3.2 was its lowest 6+-showing since September 2018 (2.9).

In an alternating up/down sequence that began in “Holiday” 2018 (1.6 – 1.7 – 1.3 – 1.5 – 1.2 – 1.5 – 1.3, 6+), co-owned WFNZ “The Fan – Charlotte’s Sports Leader” has lost three-tenths in that stretch; the Charlotte Hornets flagship remains at #19.

The last three shifts for University Radio Foundation news/talk WFAE were -.6 (March); +.5 (April); and -.5 (May). “Charlotte’s NPR News Source” is off an additional two-tenths in June to 2.1 (6+) but climbs from #16 to #15. Having logged a .3 (6+) in each of the last three sweeps, South Carolina Educational Television Commission news/talk WNSC gains one-tenth to .4 (6+) and is unchanged at #22.

Charlotte Music Formats – Vaulting from ninth to fourth as a result of a +.9 (4.8 – 5.7, 6+), Beasley Media Group adult contemporary WKQC “K-10.7 More Music/Better Variety” records its strongest 6+-stat (5.7) since “Holiday” 2018’s 12.9 (#1). Notching increases of one-half share each are its urban contemporary sibling WPEG “Power 98” (4.6, #11 to #10, 6+) and Educational Media Foundation contemporary Christian WRCM “Positive & Encouraging K-Love” (2.6, #18 to #14, 6+). Immediately prior to their respective increases, “Power” was an overall -1.9 in three slips in succession (6.0 – 5.2 – 5.1 – 4.1, 6+), while “K-Love” was a combined -1.2 in April/May (3.3 – 2.6 – 2.1, 6+). Entering the June 2019 sweep, iHeartMedia adult hits WLKO “102.9 The Lake” was -1.2 (“Holiday” 2018); +1.1 (January 2019); -1.4 (February); +.5 (March); -.5 (April); and +.8 (May). Simply by remaining flat at 7.1 (6+) though, “The Lake” rises from second to first. In advance of “Holiday” 2018’s -1.2, WLKO posted eight straight months without a loss for a +3.7 (4.1 – 4.3 – 4.7 – 5.2 – 5.5 – 5.5 – 6.4 – 7.1 – 7.8, 6+). Beasley Media Group cluster-mates WSOC and WBAV dislodged “The Lake” from #1 in February, after WLKO’s January-only stay on top. Speaking of WSOC, it had been #1 the past four months, but “103.7 Country’s Hottest Hits” (7.5 – 6.9, -.6, 6+) segues to second. A May improvement of eight-tenths delivered WSOC its strongest 6+-stat since November 2018 (7.5, as well). Before gaining nine-tenths in January, WSOC had been without an increase the previous four reports for an overall -1.3 (7.7 – 7.5 – 7.5 – 6.6 – 6.4, 6+). Its format rival, iHeartMedia’s WKKT “96.9 The Kat – Charlotte’s #1 for New Country,” is +1.1 in four straight positive or neutral moves (5.3 – 6.1 – 6.3 – 6.4 – 6.4, 6+) and continues in third-place. Prior to logging a +1.2 in January, WKKT was -2.3 in December and “Holiday” 2018 (6.7 – 5.8 – 4.4, 6+). A combined +1.9 in April/May (1.2 – 2.0 – 3.1, 6+), Davidson College-owned WDAV “89.9 Classical Public Radio” sees all but two-tenths of that bounty disappear with a -1.7 to 1.4 (#14 to #18, 6+). In four straight December 2018 through March 2019 down or flat trends (1.7 – 1.6 – 1.3 – 1.2 – 1.2, 6+), WDAV lost a collective half-share. Down six-tenths (3.4 – 2.8, #12 to #13, 6+), iHeartMedia alternative WEND “106.5 The End” is below a three-share (6+) for the first time since February 2017 (2.8, as well). Via four straight gains, Beasley Media Group mainstream CHR WNKS accrued a +2.1 (3.2 – 3.6 – 4.7 – 5.1 – 5.3, 6+), but “Kiss 95.1” forfeits two-tenths to 5.1 (seventh to eighth, 6+). The positive streak immediately followed four consecutive sweeps without an increase that accounted for a -1.2 (4.4 – 4.1 – 3.8 – 3.8 – 3.2, 6+).

San Antonio

Spoken-Word Formats – In back-to-back sweeps (May and June), iHeartMedia news/talk WOAI coughs up one-half share (5.3 – 4.8 – 4.3, fourth to sixth, 6+), virtually erasing its +1.1 in April (4.2 – 5.3, 6+). April’s 5.3 marked the first time “News Radio 1200 – San Antonio’s News, Traffic, & Weather” reached the five-share level since August 2016’s 5.2. Alpha Media news/talk KTSA “Stay Connected” loses one-tenth in consecutive reports (1.5 – 1.4 – 1.3, #21 to #22, 6+). That deficit this time last month halted three successive up or flat trends which netted three-tenths (1.2 – 1.3 – 1.3 – 1.5, 6+).

Tied at #32 are KTSA’s sports talk sibling KZDC “ESPN San Antonio” (flat at .3, #31 to #32, 6+) and iHeartMedia’s KTKR “Ticket 760 – San Antonio’s Sports Station” (.2 – .3, +.1, unchanged at #32, 6+).

Off one-tenth (3.1 – 3.0, 6+), Texas Public Radio news/talk KSTX falls from #13 to #16.

San Antonio Music Formats – It’s another month of musical chairs regarding Educational Media Foundation contemporary Christian KZAR “Air 1 Worship Now” and co-owned/similarly-formatted KZLV “Positive & Encouraging K-Love.” First, the backdrop. In May, KZAR posted a +1.0, pulling the plug on three successive negative trends that accounted for a -1.3 (3.3 – 2.4 – 2.2 -2.0, 6+), while KZLV eroded by -1.0, immediately after April’s half-share increase (2.9 – 3.4, 2.4, #13 to #17, 6+). The June update finds KZLV roaring back with a +1.5 (2.4 – 3.9, 6+) taking “K-Love” into the top ten (#17 to #10), whereas KZAR plummets by -1.1 (3.0 – 1.9, 6+) as “Air 1” departs the top twenty (#14 to #21). By gaining one-tenth to 2.1 (#21 to #20, 6+), Univision Radio rhythmic hot AC KVBH “107.5 The Vibe” halts at four its consecutive string of negative or neutral moves that accounted for a collective -1.4 (3.4 – 3.1 – 3.1 – 2.9 – 2.0, 6+). Tejano KXTN transitioned to KVBH “The Vibe” in mid-April. Spanish contemporary cluster-mate KMYO “Latino Mix 95.1” dials up a gain of eight-tenths (2.4 – 3.2, 6+) and elevates from #17 to #13. “Latino Mix” had been within two-share range (6+) in each of the last 19 sweeps and finds the three-share threshold (3.2, 6+) for the first time since December 2017’s 3.0. Up a collective nine-tenths via three straight positive or neutral trends (2.3 – 2.6 – 2.6 – 3.2, #16 to #13, 6+), Alpha Media regional Mexican KSAH “Norteno” has its best 6+-showing (3.2) since November 2018 (3.3). Locked on 4.7 (6+) in April and May, Cox Media Group’s KISS “Rocks San Antonio” busts out a one-half share increase to 5.2 (fifth to fourth, 6+). Leading the pack the fourth month in a row, co-owned classic hits-oldies KONO-FM “101.1 San Antonio’s Greatest Hits” follows May’s +1.1 to 8.5, its highest 6+-stat since September 2018’s 8.8, with a loss of three-tenths (8.5 – 8.2, 6+). KONO-FM had been in the runner-up slot five successive times before progressing to #1 in March. Faltering by one-half share each are Alpha Media adult hits KJXK “102.7 Jack-FM – Playing What We Want” (4.3 – 3.8, 6+), which departs the top ten (#8 to #11), and Univision Radio regional Mexican KROM “Que Buena 92.9” (3.7 – 3.2, #12 to #13, 6+). The last time “Jack” slipped below a four-share (6+) was in “Holiday” 2018 (3.5). Showing decreases of two-tenths each are Cox Media Group-owned KCYY “Y-100 San Antonio’s New Country Leader” (7.2 – 6.9, 6+) and iHeartMedia’s KAJA “KJ-97 San Antonio’s #1 Country Station” (6.2 – 6.0, 6+). Remaining separated by nine-tenths, KCYY (+.6 in May) and KAJA (+.4 in May) carry on at second and third, respectively. Recent shifts for “Y-100” include: -.8 (December); -1.1 (“Holiday” 2018); +1.8 (January 2019); +.6 (February); -.6 (March); and +.6 (May). “KJ-97” has been +.5 (September 2018); -1.1 (October); +1.0 (December); -1.0 (“Holiday” 2018); +3.0 (January 2019); and –1.9 (March).

Sacramento

Spoken-Word Formats – When iHeartMedia-owned news/talk KFBK picked up one-tenth in May, it halted three straight sweeps without an increase that led to a collective -1.6 (7.6 – 7.0 – 6.2 – 6.0, 6+). “Sacramento’s News, Weather and Traffic Station” plunges nine-tenths in June to 5.2 (6+), sliding from second to fifth; KFBK was tied for first (with classic rock KSEG) in January. Flat at #14, co-owned KSTE “Talk 650” continues an alternating down/up pattern that commenced in December 2018 and has remained within 2.3 – 2.7 range: 2.4 – 2.3 – 2.5 – 2.3 – 2.7 – 2.3 – 2.6 – 2.5 (6+).

Up three-tenths via three straight gains of one-tenth each (.7 – .8 – .9 – 1.0, 6+), Entercom’s KIFM-AM “ESPN Radio 1320” forfeits the entire three-tenths and is back to .7 (#22 to #24, 6+). In five consecutive sweeps without an increase, Bonneville’s KHTK “Sports 1140” has lost exactly half (-.6) its 6+ AQH share (1.2 – 1.2 – .9 – .8 – .6 – .6, #25 to #26, 6+).

Adding two-tenths to May’s +1.0 (3.5 – 4.5 – 4.7, 6+), KXJZ progresses from ninth to seventh. Prior to May, five decreases in succession by the Capital Public Radio news/talk station accounted for a roughly 50% loss (-3.4) of its 6+-share (6.9 – 5.9 – 5.1 – 4.4 – 4.2 – 3.5, 6+); December 2018’s 6.9 is the highest 6+-stat in its PPM-history. Northern California Public Broadcasting’s KQEI has an October 2018 through June 2019 topline of .6 – .6 – .7 – .6 – .7 – .7 – .6 – .7 – .5 – .7 (#27 to #24, 6+).

Sacramento Music Formats – Powered by four consecutive upticks accounting for a +1.4 (5.2 – 5.3 – 5.5 – 5.7 – 6.6, 6+), iHeartMedia classic rocker KYRV “93.7 The River” marches from fifth to second. Ahead of it is Entercom-owned KSEG “96.9 The Eagle – Sacramento’s Classic Rock,” which despite being off six-tenths (8.9 – 8.3, 6+), is #1 the fifth month in a row. That accomplishment includes January’s first-place tie with iHeartMedia news/talk KFBK. “The Eagle” held the lead position ten consecutive survey periods before shifting to #2 in December. Six of its recent fluctuations include -1.1 (November 2018); -.8 (“Holiday” 2018); +1.0 (February 2019); -.5 (April); +.9 (May); and -.6 (June). Wiping away April/May’s combined loss of eight-tenths (5.6 – 5.1 – 4.8, 6+) with an equal magnitude June bump (4.8 – 5.6, 6+), Bonneville’s KNCI “New Country 105.1” leaps from seventh to fourth. For the 16^th successive survey period, Entravision Communications’ similarly-formatted KNTY “101.9 The Wolf” logs a 6+-share between 2.0 – 2.5 (2.0 – 2.1, +.1, 5+) and is anchored at #16. Co-owned Spanish adult hits KXSE “104.3 La Suavecita” (#17 to #15, 6+) posts a half-share increase to 2.3, its best 6+-stat since November 2018’s 2.4. Also in that Entravision Communications cluster, rhythmic CHR KHHM “Hot 103.5” has lost seven-tenths in May/June (2.5 – 2.3 – 1.8, #15 to #17, 6+). Eroding by -1.1 (6.1 – 5.0, 6+), Entercom-owned KRXQ slips from second to sixth. The last time “98 Rock” was under a five-share (6+) was “Holiday” 2018 (4.3). Immediately following April’s nine-tenths’ gain, alternative sibling KKDO “Alt 94.7” is a combined -1.4 in May/June (5.6 – 5.0 – 4.2, sixth to ninth, 6+). CHR cluster-mate KUDL “106.5 The End,” which was an overall +1.9 through four straight up or flat trends (4.1 – 4.1 – 5.3 – 5.6 – 6.0, 6+), relinquishes three-tenths to 5.7 (6+) yet advances from fourth to third. Staying flat from May and thus remaining separated by one-half share from each other are the market’s two AC players – Entercom’s KYMX “Mix 96 – Today’s Hits, Yesterday’s Favorites” (4.6, eighth, 6+) and iHeartMedia’s KBEB “92.5 The Breeze” (4.1, #11 to #10, 6+). “Mix” is without a gain the third straight time for a collective -1.6 (6.2 – 5.7 – 4.6 – 4.6, 6+); this (4.6) is its weakest 6+-stat since September 2015’s 4.5. Formerly “92.5 The Bull – #1 for New Country,” KBEB transitioned to adult contemporary as “The Breeze” in early-November (2018). It netted a +2.1 in three straight positive spikes (2.4 – 3.1 – 3.7 – 4.5, 6+), in advance of March/April’s -.8 (4.5 – 4.3 – 3.7, 6+).

Pittsburgh

Spoken-Word Formats – Not only is Entercom’s KDKA-AM -1.8 as a result of five straight February through June drops (5.1 – 4.6 – 4.3 – 4.1 – 3.7 – 3.3, 6+), “News Radio 1020” exits the top ten (#10 to #11); KDKA-AM was +1.1 in January.

Co-owned sports talk/Pirates flagship KDKA-FM “93.7 The Fan,” which dropped seven-tenths in May (6.8 – 6.1, 6+), regains two-tenths to 6.3 (fifth to fourth, 6+). The ultra-consistent September 2018 through June 2019 topline for iHeartMedia sports talk WBGG 970 AM – ESPN Pittsburgh” is 2 – .2 – .2 – .3 – .2 – .2 – .2 – .2 – .3 – .2 – .2 (#22 to #23, 6+).

Returning in its entirety May’s gain of six-tenths (4.2 – 3.6, -.6, 6+), Essential Public Media news/talk WESA “90.5 Pittsburgh’s NPR Station” slips from ninth to tenth.

Pittsburgh Music Formats – Repeating in the runner-up slot, Steel City Media adult hits WRRK “96.9 Bob FM” is +2.3 in four straight positive spikes (6.9 – 7.4 – 8.0 – 8.2 – 9.2, 6+) and reaches the nine-share level (9.2, 6+) for the first time since December 2017’s 9.0. This streak directly follows a -1.8 in three consecutive sweeps without an increase (8.7 – 7.7 – 7.7 – 6.9, 6+). A positive spike of eight-tenths takes iHeartMedia classic hits-oldies WWSW to 8.5 (steady at #3), its best 6+-stat since 13.6 in “Holiday” 2018 when “94.5 3WS” was #1. Replicating May’s increase of six-tenths (8.3 – 8.9 – 9.5, 6+), co-owned rocker WDVE, which lost nine-tenths in April, is #1 the fifth successive month. WDVE posted identical gains of eight-tenths in February and March (7.6 – 8.4 – 9.2, 6+) and spent 11 successive sweeps in the runner-up slot before dropping to third in December. In each of the last 50 ratings periods, Pittsburgh Community Broadcasting triple A WYEP has registered a 6+ AQH share between 1.0 – 1.9, but in June, “91.3 Where The Music Matters” posts a +.6 to 2.3 (unchanged at #14, 6+). As Steel City Media-owned hot WLTJ “Q-92.9” improves by six-tenths and cracks the top ten (3.1 – 3.7, #11 to #9, 6+), Entercom’s similarly-formatted WBZZ “Star 100.7” falters by the same margin (5.0 – 4.4, seventh to eighth, 6+). Consequently, the +1.9 advantage WBZZ held over WLTJ in May is down to seven-tenths. “Q-92.9” gained a combined half-share in February/March (2.9 – 3.1 – 3.4, 6+), while a March loss of one-tenth by “Star” curtailed at three a successive string of increases that led to a +1.2 (3.7 – 4.1 – 4.3 – 4.9, 6+). Immediately after Renda Broadcasting adult contemporary WSHH “Wish 99.7” records a +1.4, “Wish 99.7” plummets by -1.1 (6.3 – 5.2, fourth to sixth, 6+). May’s gigantic increase suspended four consecutive declines that resulted in a net loss of roughly half (-5.0) of WSHH’s 6+-stat (9.9 – 5.8 – 5.5 – 5.3 – 4.9, 6+). In four straight decreases, iHeartMedia alternative WXDX is an overall -1.8 (4.8 – 4.3 – 4.4 – 3.1 – 3.0, 6+) as “105.9 The X” slips from #11 to #12.

Salt Lake City

Spoken-Word Formats – After spiraling by -1.3 this time last month, Bonneville-owned KSL “News Radio 102.7 FM & 1160 AM” levels off in June by repeating May’s 6+ AQH share (3.9) and market rank (eighth). Prior to May, KSL had never fallen below a four-share (6+) in the PPM-era. Two-tenths behind KSL is iHeartMedia’s KNRS, which is up three-tenths to 3.7 (flat at #10), halting three straight down or flat sweeps that resulted in a collective -1.7 (5.1 – 4.1 – 4.1 – 3.4, 6+). “Talk Radio 105.9 – Listen And You’ll Know” was a combined +1.8 in January/February (3.3 – 4.7 – 5.1, 6+). The January 2019 through June 2019 topline for Cumulus Media-owned KKAT “860 AM – Utah’s Big Talker” is .3 – .2 – .3 – .4 – .3 – .3 (unchanged at #21, 6+).

In four straight sweeps without an increase, University of Utah news/talk KUER is an overall -1.0 (3.1 – 2.5 – 2.2 – 2.1 – 2.1, #15 to #16, 6+).

Salt Lake City Music Formats – Stuck on 1.9 (6+) in April and May, Cumulus Media alternative KHTB “Alt 101.9” records a half-share improvement to 2.4 (#16 to #15, 6+), its best 6+-showing since January’s 2.7. Albeit down three-tenths after May’s increase of two-tenths (8.1 – 8.3 – 8.0, 6+), Bonneville adult contemporary KSFI “FM 100.3 – Better Music/Better Work Day” repeats at #1. Before segueing to the runner-up slot in April, KSFI was on top the previous five ratings periods. “FM 100.3” registered a +1.5 in March, following January/February’s -14.4 (21.8 – 7.9 – 7.4, 6+). Three straight increases netted a massive +16.2 (5.6 – 5.7 – 12.7 – 21.8, 6+) for KSFI, the only PPM-market station in “Holiday” 2018 to reach the 20-share level (6+). On the other hand, in five consecutive negative moves, Cumulus Media’s similarly-formatted KBEE “B-98.7 Today’s Hits & Yesterday’s Favorites” is an overall -1.5 (4.2 – 3.8 – 3.5 – 3.4 – 3.0 – 2.7, #11 to #12, 6+). Bonneville-owned classic hits-oldies KRSP “103.5 The Arrow” is a combined -1.4 in May/June (8.2 – 7.6 – 6.8, second to third, 6+). It was an April-only stay at #1 for KRSP, which had been an overall +2.5 in five consecutive increases (5.7 – 6.1 – 6.3 – 7.0 – 7.8 – 8.2, 6+). “The Arrow” is overtaken by its format rival – iHeartMedia-owned KODJ “94.1 Salt Lake’s Greatest Hits” – which is flat at 7.4 (6+) but advances from third to second. “Salt Lake’s Greatest Hits” netted +2.9 via three straight upticks (4.4 – 6.4 – 6.8 – 7.3, 6+); surrendered a -1.1 in April; and was +1.2 in May. An increase of seven-tenths this time last month took Cumulus Media CHR KENZ to 3.0, its highest 6+-stat since September 2018’s 3.5. “Power 94.9 Utah’s New Hit Music,” however, regresses by one-half share in June to 2.5 (#11 to #14, 6+). The market’s two major hot ACs are separated by just two-tenths as Capital Broadcasting’s KBZN “Now 97.9 – Today’s Best Music” is off three-tenths (5.8 – 5.5, steady at #4, 6+), while iHeartMedia’s KJMY “My 99.5” improves by four-tenths to 5.3 (seventh to fifth, 6+). Prior to the May sweep, “Now 97.9” had been down or flat three straight times for a net loss of six-tenths (6.0- 5.6 – 5.4- 5.4, 6+). Meanwhile, “My 99.5” is in an alternating down/up pattern that started in “Holiday” 2018 (3.7 – 3.5 – 3.9 – 3.8 – 5.0 – 4.9 – 5.3 (6+). Independent KSOP-FM “Z-104 Utah’s #1 Country” continues a similar down/up pattern that surfaced in December 2018: 4.2 – 3.7 – 4.0 – 3.6 – 4.4 – 4.3 – 5.4 – 5.2 (sixth to seventh, 6+). May’s 5.4 was its best 6+-showing since December 2017 (5.4, as well). Flat at #11, iHeartMedia-owned KAAZ “106.7 Utah’s Best Rock” is +1.0 in three straight improvements (2.3 – 2.4 – 3.0 – 3.3, 6+).

Las Vegas

Spoken-Word Formats – By gaining two-tenths (1.8 – 2.0, 6+), Entercom’s KXNT, which was off six-tenths in May, returns to the top twenty (#21 to #19). The 2.4 “News Talk Radio 840” logged in February, March, and April was its best 6+-showing since February 2017’s 2.8. Flat at #23, Beasley Media Group news/talk KDWN “AM 720 Where Las Vegas Comes to Talk” has a January 2019 through June 2019 topline of 1.1 – 1.2 – 1.1 – 1.1 – 1.1 – 1.2 (6+).

Following five upticks in a row that nearly doubled (+2.8) its 6+ AQH share since “Holiday” 2018 (3.0 – 3.7 – 3.8 – 4.1 – 4.6 – 5.8, 6+), Nevada Public Radio’s KNPR forfeits six-tenths to 5.2 (third to fourth, 6+).

Las Vegas Music Formats – In five consecutive sweeps without an increase, iHeartMedia adult contemporary KSNE was a whopping -8.0 (12.8 – 7.5 – 6.7 – 6.7 – 5.5 – 4.8, 6+). “Sunny 106.5 – Better Music for a Better Workday” rebounds in June though with a +1.2 to 6.0 (6+) and jumps from fifth to second. Prior to May, the last time KSNE fell below a five-share (6+) was October 2017 (4.8, as well). “Sunny” was #1 from September 2018 through January 2019. Its “Holiday” 2018 12.8 is the highest 6+-share for any Las Vegas station since the 14.0 KSNE logged in “Holiday” 2016. KSNE is now just one-tenth behind Beasley Media Group classic hits-oldies KKLZ “96.3 – Hits of the Eighties & More,” which is -1.5 in May/June (7.6 – 7.1 – 6.1, 6+) but on top the fifth month in a row. February’s 8.3 marked the first time KKLZ reached the eight-share level (6+) in its PPM-history. There’s considerable shifting in the market’s hot AC battle as KKLZ cluster-mate KVGS “Star 107.9 Vegas’ Best Variety” erupts with a +1.1 (2.8 – 3.9, #13 to #9, 6+) at the same time that Entercom’s KMXB “Mix 94.1” falters by -1.0 (6.5 – 5.5, second to third, 6+). “Star” returned 60% of April’s +1.0 with a -.6 in May. Moreover, this is the best 6+-stat (3.9) for “Star” since it flipped from adult hits “Bob” in January 2015. The loss by “Mix,” meanwhile curtails three consecutive increases that netted +1.0 (5.5 – 5.9 – 6.3 – 6.5, 6+), with May’s 6.5 its strongest 6+-stat since July 2018’s 6.7. Down or flat the past four ratings periods for an overall loss of nine-tenths (2.9 – 2.9 – 2.5 – 2.3 – 2.0, 6+), Entercom alternative KXTE “X-107.5” answers with a gain of seven-tenths to 2.7 (#17 to #13, 6+). An increase of six-tenths enables Lotus Communications-owned Spanish adult hits KWID “La Buena 101.9” to reach the five-share level (4.5 – 5.1, seventh to fifth, 6+), while a boost of one-half share by KLUC “98.5 Las Vegas’ #1 Hit Music Station” (4.1 – 4.6, eighth to seventh, 6+) gives the Entercom CHR its best 6+-showing (4.6) since September 2018’s 4.8. Its rhythmic hot AC cluster-mate KXQQ was a cumulative +1.1 in five sweeps in a row without a loss (3.9 – 4.2 – 4.2 – 4.3 – 4.4 – 5.0, 6+), but “Q-100.5” craters by -1.4 to 3.6 (fourth to tenth, 6+). In May, KXQQ reached the five-share level (6+) for the first time since May 2018 (5.0, as well). In addition to erasing May’s half-share gain with June’s loss of six-tenths (1.5 – 2.0 – 1.4, 6+), University of Nevada’s KUNV “91.5 FM – Jazz & More” departs the top twenty (#17 to #22). This is the fourth straight decline for Beasley Media Group urban-rhythmic oldies KOAS “Jammin’ 105.7,” which is -1.0 since February (4.1 – 4.0 – 3.7 – 3.6 – 3.1, #10 to #11, 6+). As a result of five successive setbacks, Faith Communications contemporary Christian KSOS “SOS Radio” is -1.6 (4.3 – 4.2 – 4.1 – 3.4 – 3.0 – 2.7, #12 to #13, 6+).

Orlando

Spoken-Word Formats – Immediately after posting a May +.7 (4.5 – 5.2, 6+), Cox Media Group news/talk WDBO-FM surrenders eight-tenths to 4.4 (eighth to tenth, 6+). “News 96.5” was a combined +1.9 in January/February (3.6 – 5.1 – 5.5, 6+) and -1.0 in March/April. Stuck on 3.9 (6+) in April and May, iHeartMedia news/talk WTKS “Real Radio 104.1 – We Say What We Want” drops four-tenths in June to 3.5 (#11 to #12, 6+) and is in 3.1 – 3.9 range (6+) for the ninth time in a row. News/talk cluster-mate WFLF has a March 2019 through June 2019 topline of 2.5 – 2.5 – 2.9 – 2.9 (6+) and repeats at #14.

Cox Media Group’s sports talk WDBO-AM “ESPN 580 Orlando” more than doubles May’s .3 (.7, +.4, 6+) and jumps from #23 to #19, while iHeartMedia’s similarly-formatted WYGM “FM 96.9 The Game – Orlando’s Sports Leader” is down one-tenth in back-to-back sweeps (.8 – .7 – .6, #19 to #21, 6+).

Off seven-tenths in three straight slips (4.0 – 3.7 – 3.4 – 3.3, 6+), Community Communications’ news/talk WMFE “90.7 Public Radio for Central Florida” moves from #12 to #13.

Orlando Music Formats – On the heels of May’s eight-tenths’ increase, iHeartMedia-owned WJRR piles on a +1.1 (3.4 – 4.5, 6+) as “101.1 – Orlando’s Rock Station” enters the top ten (#12 to #9) with its best 6+-stat (4.5) since February 2018’s 4.8. Entering the May sweep, WJRR was off nine-tenths through four straight decreases (3.5 – 3.4 – 3.3 – 3.2 – 2.6, 6+). Owing to a +.2 to 8.7 (unchanged at #2), Spanish tropical sibling WRUM “Rumba 100” applies the brakes to three straight down or flat trends that led to a -1.0 (9.5 – 8.9 – 8.5 – 8.5, 6+). “Rumba” spent 11 consecutive ratings periods on top before falling to #2 in December and “Holiday” 2018; in 2019, it was #1 in January, February, and April. Having surrendered one-half share in May to 4.2 (6+), Cox Media Group-owned WWKA “K-92.3 Orlando’s #1 For New Country” follows with a June increase of six-tenths (4.8, tenth to eighth, 6+). Jumping by one-half share from May are iHeartMedia CHR WXXL “XL-106.7 Orlando’s #1 Hit Music Station” (7.5, steady at #3, 6+) and Entercom hot AC WOMX “Mix 105.1” (6.0 – 6.5, fifth to fourth, 6+). Immediately following four improvements in a row that netted a +1.7 (7.3 – 7.4 – 8.1 – 8.4 – 9.0, 6+), “XL-106.7” was a combined -2.0 in April/May (9.0 – 8.4 – 7.0, 6+). Prior to dropping three-tenths in May, “Mix” was a combined +.9 in March/April 5.4 – 5.6 – 6.3, 6+). Via four straight sweeps without a loss, alternative sibling WQMP “101.9 Orlando’s New Alternative” is up eight-tenths (2.1 – 2.6 – 2.7 – 2.9 – 2.9, flat at #14, 6+) and has its best 6+-stat since September 2018 (2.9, as well). Over and above adding four-tenths to May’s +1.1 (7.9 – 9.0 – 9.4, 6+), co-owned classic hits-oldies WOCL “105-9 Sunny FM – We Own The ‘80s” repeats at #1. An April loss of three-tenths interrupted three consecutive increases that netted a +3.3 (4.9 – 6.9 – 7.9 – 8.2, 6+). Eroding by -1.1 each are Cox Media Group urban AC WCFB “Star 94.5” (fourth to sixth) and rhythmic CHR cluster-mate WPYO “Power 95.3” (#7 to #11). “Star” is an overall -2.6 in three straight setbacks (7.8 – 7.6 – 6.3 – 5.2, 6+) and below a six-share (5.2, 6+) for the first time in exactly one year (5.5, June 2018). Meanwhile, “Power” is a combined -1.4 in May/June (5.7 – 5.4 – 4.3, 6+).

Cincinnati

Spoken-Word Formats – While iHeartMedia news/talk WLW “The Big One,” which had a January-only stay on top, is off an overall one-half share in three straight sweeps without an increase (9.9 – 9.5 – 9.4 – 9.4, 6+), the flagship of the Reds continues in the runner-up slot. Co-owned WKRC, whose November 2018 through May 2019 topline was 3.6 – 3.3 – 3.0 – 3.5 – 3.4 – 3.5 – 3.6 – 3.5 (6+), spirals by eight-tenths to 2.7 (#11 to #13, 6+). It was exactly one year ago when “55 KRC The Talk Station in Cincinnati” was below a three-share (2.8, June 2018).

In five straight sweeps without an increase, sports talk cluster-mate WCKY “Cincinnati’s ESPN 1530” has its 6+-stat carved in half (1.2 – 1.0 – .9 – .9 – .8 – .6, flat at #22, 6+), while co-owned WSAI “Fox Sports 1360” has a similar 50% erosion (-.3) in three successive down or flat ratings periods (.6 – .4 – .3 – .3, #24 to #23, 6+).

A collective -1.2 via three straight drops (3.7 – 3.1 – 2.6 – 2.5, flat at #14, 6+) Cincinnati Public Radio news/talk WVXU has wiped away the +1.1 it achieved through three consecutive gains (2.6 – 3.0 – 3.2 – 3.7, 6+).

Cincinnati Music Formats – When Hubbard Broadcasting-owned WUBE accrued two-tenths in May, it pulled the plug on three straight negative trends that accounted for a -2.1 (9.4 – 8.7 – 7.9 – 7.3, 6+). In June, “B-105.1 Cincinnati’s Country” adds a whopping +1.3 (7.5 – 8.8, 6+) and continues in third-place with its best 6+-stat (8.8) since January’s 9.4. Advancing from #15 to #14, Cumulus Media’s similarly-formatted WNNF “94.1 Nash FM” logs its sixth straight up or flat trend for an overall +1.1 (1.4 – 1.6 – 1.6 – 2.0 – 2.0 – 2.5, 6+). As a result of four drops in a row (6.5 – 6.4 – 5.7 – 5.6 – 5.5, 6+), Hubbard Broadcasting hot AC WKRQ was -1.0, but “Q-102 Cincinnati’s Hit Music” picks up two-tenths in June to 5.7 (sixth to fifth, 6+). A May loss of four-tenths by Radio One urban contemporary WIZF curtailed four consecutive positive or neutral reports that yielded seven-tenths (2.7 – 2.7 – 2.9 – 3.2 – 3.4, 6+), but “101.1 The Wiz” bounces back with a June increase of seven-tenths (3.0 – 3.7, 6+) and reenters the top ten (#12 to #9). There’s good and bad news for Cumulus Media classic hits-oldies WGRR. On the positive side, “103.5 Cincinnati’s Greatest Hits” is #1 the fifth sweep in succession; however, its -2.1 (11.7 – 9.6, 6+) represents the largest (6+) May 2019 – June 2019 decrease by any station in the 36 PPM-markets whose data has been released thus far. Entering the June ratings period, WGRR was +3.6 in five successive increases (8.1 – 9.6 – 10.2 – 11.1 – 11.3 – 11.7, 6+). After a December-only stay at #1, “103.5 Cincinnati’s Greatest Hits” spiraled by -1.8 in “Holiday” 2018 (9.9 – 8.1, 6+) and shifted to third. Immediately prior to its -1.8, WGRR was an overall +1.3 via four straight gains (8.6 – 9.1 – 9.2 – 9.6 – 9.9, 6+). Co-owned WOFX “92.5 The Fox – Cincinnati’s Classic Rock,” which gained a combined nine-tenths in April/May (5.1 – 5.7 – 6.0, 6+), surrenders a -1.0 to 5.0 (fifth to sixth, 6+), its lowest 6+-stat since “Holiday” 2018’s 4.3. Immediately after posting a May improvement of seven-tenths (3.2 – 3.9, 6+), Radio One urban AC WOSL “100.3 Cincy’s R&B Station” relinquishes eight-tenths to 3.1 (#9 to #11, 6+); May’s 3.9 was its best 6+-performance since February 2017 (3.9, as well). The six 2019 fluctuations by Cumulus Media adult contemporary WRRM “Warm 98” are -8.2 (January); +.4 (February); -.6 (March); +.6 (April); +.7 (May); and -.6 in June (7.5 – 6.9, third to fourth, 6+); May’s 7.5 was its highest 6+-showing since “Holiday” 2018’s 14.6. Locked on 4.8 (6+) in April and May, Hubbard Broadcasting rhythmic hot AC WREW “Mix 94.9” sputters by one-half share to 4.3 (6+) but remains in seventh-place.

Cleveland

Spoken-Word Formats – After a January/February +1.3 (4.2 – 5.1 – 5.5, 6+), iHeartMedia news/talk – and Indians flagship – WTAM “1100 Cleveland’s News Radio” has logged a -.6 (March); +.9 (April); -.7 (May); and +.5 in June (5.1 – 5.6, ninth to eighth, 6+). Flat at #19, Salem Media Group news/talk WHK “AM 1420 The Answer – News-Opinion-Insight,” which resurfaced in print in April, has a redundant April – May – June topline of .5 – .5 – .5 (6+).

In an alternating down/up pattern that began in January (which includes June’s -1.0), Entercom’s WKRK is a collective -2.4 (5.4 – 4.2 – 4.6 – 3.9 – 4.0 – 3.0, 6+); “Sports Radio 92.3 The Fan” fades from the top ten (#10 to #14).

Even though WCPN is down one-tenth to 3.6 (6+), thus snapping at five a consecutive string of positive or neutral sweeps that netted a +1.6 (2.1 – 3.2 – 3.2 – 3.2 – 3.4 – 3.7, 6+), the Ideastream-owned news/talk outlet progresses from #12 to #10.

Cleveland Music Formats – A lofty +1.1 (7.3 – 8.4, 6+) enables Entercom-owned WNCX “98.5 Cleveland’s Classic Rock” to zoom from fifth to second with its strongest 6+-stat since August 2018 (8.4, as well). WNCX is three-tenths ahead of iHeartMedia-owned WGAR “99.5 Cleveland’s #1 For New Country,” which substitutes May’s one-half share loss with a June gain of seven-tenths (7.4 – 8.1, fourth to third, 6+). Its May decrease halted four consecutive gains that accounted for an overall +3.5 (4.4 – 6.1 – 6.6 – 6.8 – 7.9, 6+). That streak directly followed five consecutive losses that resulted in a -3.7 (8.1 – 7.2 – 6.8 – 6.5 – 5.7 – 4.4, 6+). Even though WZAK gains three-tenths to 7.8 (6+), pulling the plug on five successive sweeps without an increase resulting in a -1.2 (8.7 – 8.5 – 8.5 – 8.5 – 8.2 – 7.5, 6+), the Radio One urban AC backslides from second to fourth. May’s 7.5 was its lowest 6+-showing since October 2018 (7.5, as well). Trending 6.4 – 6.6 – 6.6 – 6.4 (February through May, 6+), urban contemporary cluster-mate WENZ “Z-107.9” hangs out a +.6 to 7.0 (sixth to fifth, 6+), its best 6+-showing since November 2017’s 7.2. A combined +1.0 in three straight upticks (4.7 – 4.8 – 5.6 – 5.7, 6+), iHeartMedia-owned WMMS “100.7 Cleveland’s Rock Station” continues in seventh-place. In May, it reached the five-share level for the first time since October 2017’s 5.0. Notwithstanding that it returns May’s gain of four-tenths (9.8 – 10.2 – 9.8, 6+), classic hits-oldies sibling WMJI is #1 the seventh straight sweep. Five  recent fluctuations for “Majic 105.7 – Cleveland’s Greatest Hits” include +2.8 (“Holiday” 2018); -1.7 (January 2019); +.8 (February); +1.0 (March); and -1.0 (April). Entercom adult contemporary WDOK craters by -1.5 to its weakest 6+-stat since January (6.0, as well), as “Cleveland’s Star 102” skids from second to sixth. By losing roughly half its 6+ AQH share (1.1 – .6, -.5, 6+), Moody Bible Institute religious teaching WCRF “Moody Radio 103.3” drops from #16 to #18.

Kansas City

Spoken-Word Formats – Nearly erasing completely March/April’s -.8 (5.6 – 5.4 – 4.8, 6+) with a May/June +.7 (4.8 – 5.2 – 5.5, 6+), Entercom news/talk KMBZ-FM “98.1 News-Traffic-Weather” elevates from fifth to fourth. Co-owned KMBZ-AM “Talk 980” dropped two-tenths in March; gained three-tenths in April; lost two-tenths in May; and regains that two-tenths in June (2.1 to 2.3, #20 to #19, 6+). Cumulus Media’s KCMO-AM “Talk Radio 710 AM,” which was off two-tenths through three straight down or flat trends (1.4 – 1.4 – 1.3 – 1.2, 6+), picks up one-tenth to 1.3 (6+) and continues at #22.

A combined +1.7 in March/April (2.3 – 2.8 – 4.0, 6+), Entercom’s KCSP “610 Sports Radio” has lost seven-tenths in May/June (4.0 – 3.9 – 3.3, 6+) and fades from the top ten (#10 to #14). One-tenth behind the Royals flagship is Union Broadcasting’s WHB “Sports Radio 810,” which is up two-tenths to 3.2 (#14 to #15, 6+), thus halting four straight negative or flat trends that led to a -2.0 (5.0 – 3.8 – 3.8 – 3.1 – 3.0, 6+).

Through five straight up or flat moves (3.0 – 3.4 – 3.7 – 3.9 – 3.9 – 4.9, 6+), KCUR netted a +1.9, but the University of Missouri news/talk outlet forfeits eight-tenths in June to 4.1 (6+) and drops from sixth to ninth.

Kansas City Music Formats – A stunning +3.8 as a result of five consecutive positive or neutral reports (5.4 – 6.6 – 7.7 – 7.9 – 7.9 – 9.2, 6+), Cumulus Media classic hits-oldies KCMO-FM “94.9 Kansas City’s Greatest Hits” returns to #1 from the runner-up slot. After a two-month stay in the lead, it was dislodged in May. Five recent KCMO-FM fluctuations include +1.6 (“Holiday” 2018); -1.3 (January 2019); +1.2 (February); +1.1 (March); and +1.3 (June). Turnabout is fair play as KCMO-FM succeeds the station that ousted it in May – co-owned KCFX “101 The Fox – Kansas City’s Classic Rock Station” (8.4 – 8.6, +.2, first to second, 6+). This (8.6) is the highest 6+ showing since January 2019’s 10.1 for KCFX, which is +1.3 in three bumps in succession (7.3 – 7.7 – 8.4 – 8.6, 6+). April’s four-tenths’ increase halted February/March’s combined -2.8 (10.1 – 8.2 – 7.3, 6+). By piling on nine-tenths to May’s +.6 (3.3 – 3.9 – 4.8, 6+), Entercom hot AC KZPT leaps from tenth to fifth as “99.7 The Point” crosses the four-share threshold (4.8) for the first time since September 2018’s 4.3. Owing to five positive or neutral moves in a row, University of Northwestern St. Paul contemporary Christian KJNW “Life 88.5” is an overall +2.0 (1.5 – 1.9 – 2.0 – 3.0 – 3.0 – 3.5, 6+) and climbs from #14 to #12 with its strongest (6+) performance since January 2018 (3.5, as well). Following March/April’s +1.0 (4.9 – 5.1 – 5.9, 6+), Steel City Media’s KBEQ “Q104 New Hit Country” is a combined -1.7 in May/June (5.9 – 5.3 – 4.2, fourth to eighth, 6+). On one hand, April’s 5.9 is its best 6+-stat since June 2018 (5.9, as well), while June’s 4.2 its weakest since December 2018’s 3.7. Remaining flat in June are country challengers co-owned KFKF “Country 94.1” 4.8 (but jumping from seventh to fifth, 6+) and Entercom’s WDAF “106.5 The Wolf” (3.5, but advancing from #13 to #12, 6+). In the Cumulus Media cluster, KCHZ “95.7 The Vibe – All The Hits” is up one-tenth (2.6, flat at #18), ending four successive declines that accounted for a collective -2.0 (4.5 – 3.8 – 3.1 – 3.0 – 2.9 – 2.5, 6+). That directly followed five consecutive positive or flat moves resulting in a +1.4 (3.1 – 3.2 – 3.7 – 4.1 – 4.1 – 4.5, 6+). Co-owned urban AC KMJK “Magic 107.3,” however, is -1.2 in three drops in succession (4.0 – 3.9 – 3.0 – 2.8, #14 to #16, 6+).

Columbus

Spoken-Word Formats – Although flat at #6, iHeartMedia news/talk WTVN “News Radio 610” hasn’t had an increase in each of the last five sweeps and is an overall -2.3 in that January through June stretch (7.0 – 5.9 – 5.5 – 5.0 – 5.0 – 4.7, 6+).

Ever since reappearing in print, RadiOhio sports talk outlet WBNS-FM “Sports Radio 97.1 The Fan” is 4.7 (April); 4.6 (May); and now off seven-tenths to 3.9 in June (seventh to ninth, 6+).

The January through June topline for Ohio State University news/talk WOSU is: 4.5 – 4.7 – 4.5 – 4.7 – 4.6 – 4.8 (seventh to fifth, 6+).

Columbus Music Formats – Three straight upticks by Saga Communications classic hits-oldies WNND yield eight-tenths (2.2 – 2.3 – 2.5 – 3.0, 6+) as “Rewind” jumps from #13 to #11 and reaches the three-share level (6+) for the first time since December 2017’s 3.1. A combined -1.4 in April/May (8.7 – 8.4 – 7.3, 6+), co-owned WLVQ is up three-tenths to 7.6 (third to second, 6+). “Iconic Rock Q-FM 96” previously amassed a +1.9 in three straight “Holiday” 2018 through March 2019 increases, (6.8 – 7.2 – 8.1 – 8.7, 6+). This is the 19^th sweep in a row that iHeartMedia-owned WCOL is #1 and “92.3 Columbus’ #1 For New Country” has been in double-digits (6+) each ratings period since June 2017 (11. 7 – 11.1, 6+). Sample WCOL fluctuations include +3.1 (January 2018); -1.7 (February); +1.1 (March); +1.0 (April); +1.2 (June); +.6 (July); 1.2 (August); -.5 (October); -1.5 (November); -2.1 (“Holiday” 2018); +.8 (January 2019); +.7 (February); +1.2 (April); -1.3 (May); and now -.6 (June). Immediately following May’s +1.4, co-owned CHR WNCI surrenders all but two-tenths of that gain (8.6 – 7.4, -1.2, second to third, 6+). Prior to May, “97.9 Columbus’ Hit Music Station” was a collective –1.1 through three successive decreases (8.3 – 8.0 – 7.7 – 7.2, 6+). May’s 8.6 was its strongest 6+-performance since September 2018’s 9.4. As a result of nine consecutive positive or neutral moves, Ohio State University’s WOSA has more than doubled (+.7) its 6+ AQH share (.5 – .9 – .9 – .9 – 1.0 – 1.0 – 1.0 – 1.1 – 1.1 – 1.2, #18 to #17, 6+).

On the heels of notching a May gain of six-tenths (3.7 – 4.3, 6+), One Connection Media Group contemporary Christian WCVO “104.9 The River” forfeits nine-tenths to 3.4 (ninth to tenth, 6+). Meanwhile, Radio One gospel WJYD, which was +1.0 in nine successive July 2018 through March 2019 up or flat trends (.5 – .8 – .8 – 1.0 – 1.0 – 1.0 – 1.2 – 1.4 – 1.6 – 1.8, 6+), is off six-tenths in June to 1.4 (#15 to #16, 6+); “Joy 107.1” was 1.7 (6+) in April and 2.0 (6+) in May. Three consecutive sweeps without a loss by iHeartMedia adult hits WODC netted +1.0 (4.1 – 4.2 – 4.2 – 5.1, 6+), but “93.3 The Bus” returns half that increase in June (4.6, -.5, fifth to seventh, 6+); May’s 5.1 was its best 6+-stat since 8.7 in “Holiday” 2018.

Pay Inequality Prompts Young To Exit WPXY. “Walking away from a stable paycheck is risky at best and stupid at worst, but for me, it was necessary.” That candid Twitter assessment is how Whitney Young described the decision to leave her role as morning co-host on Entercom Rochester CHR WPXY “98-PXY.” She had been teamed there with Corey James. Exiting wasn’t over often-stated “philosophical differences” or an offer from another station, but for something that’s become prominent in recent headlines – equal pay for equal work. Further quoting her tweet, Young writes, “My male co-host’s salary was nearly double my own, and I was unable to negotiate a raise that would reduce the pay disparity. This inequality is in conflict with my most deeply held beliefs.” Young doesn’t seem to have any animosity whatsoever for James, noting he is “a good friend, a talented showman, a dependable colleague, and fully deserving of his salary.” She promises though to “continue speaking about the things that matter to me – mental health awareness being of utmost importance.” While Young has “no idea” about her next move, she states, “it won’t be on [WPXY] but I’ll talk to you soon.” Young initially worked at WPXY as a social media producer. She exited but rejoined for mid-day duty two years ago and became part of the morning show last year. No Nielsen Audio ratings numbers are available to quote for Entercom’s WPXY, as the market’s only subscribers to the winter 2019 book are seven iHeartMedia stations.

More Music Radio News and Career Moves. A special “Meet & Greet” reunion of many of Detroit’s most famous radio personalities will be held September 14 from 1:00 – 6:00 pm at Novi, Michigan’s Suburban Collection Showplace. “Radio’s Best Friend,” Art Vuolo, is hosting the open to the public, fan-based event that will honor 94-year-old Robin Seymour, whose “Motor City” on-air radio credits include WKNR “Keener 13,” CKLW “The Big 8,” and WKMH. His recently-published book, “The DJ Who Launched 1,000 Hits,” will be available ….. The program director of Cumulus Media Houston mainstream CHR KRBE, Leslie Whittle, adds corporate duties as Cumulus Media’s vice president/hot AC formats. Cumulus Media executive vice president/content and audience Brian Philips comments, “With great strategy and spirit, Leslie has built a CHR powerhouse in Houston. She understands all nuances of contemporary music radio. We are fortunate to enlist her as VP of our hot AC formats. Her name has hit every list of the ‘Best PDs in America,’ and we are glad to spread Leslie’s brainpower and influence through our important hot AC stations.” Whittle notes, “I’m honored to have this opportunity and look forward to working with these amazing programmers and their teams, along with the talented people at Westwood One. A big ‘high-five’ to our team here at KRBE, led by Alex Cadelago and Dan Bennett as we continue to do great things in Houston.” After starting her radio career at Austin CHR KHFI, where she ultimately became program director, Whittle joined KRBE in 2000 and became PD in 2006 …..  Former Entercom Los Angeles all-news KNX anchor/reporter Karen “Cha Cha” Harlow joins Tegna San Diego adult hits KFMB-FM, where she’ll do a Saturday afternoon (2:00 pm – 7:00 pm) shift and swing work. It is a return to San Diego for Harlow, who has worked at KHTS, XHTZ, and XPRS. Director of FM programming Mike V. Vasquez notes, “I’ve been a fan of [Harlow’s] since first hearing her when I arrived in San Diego in 1998, so I’m thrilled to finally work with her. Her energetic, positive, vibe – combined with her extensive connections in San Diego – make her an ideal fit for us.” Harlow comments, “It is a thrill to join the family at the legendary KFMB-FM. I’m ready to shake the sand out of my beach towel and get back to playing awesome music on the radio – let’s have some fun.” ….. Having spent 31 years with Entercom San Diego, one-year senior director of promotions Chris Turner will be leaving the five-station cluster this Friday (7/19). Turner joined KSON as a part-time member of the country station’s street team in November 1988 and was eventually promoted to assistant promotions director. He later became director of promotions for co-owned alternative KBZT, before having the same title at KSON ….. In two weeks (7/29), Dena Fletcher will join Griffin Communications’ KVOO “98.8 Tulsa Country” as program director. Griffin director of radio operations & programming Steve Hunter comments that, “Dena will be a great addition to our team and a great fit for our culture.” As part of her 20-year resume, Fletcher has programmed cross-town Cox Media Group hot AC KRAV “Mix 96” and hosted afternoon drive on that cluster’s classic rock KJSR “103.3 The Eagle.” ….. In an October 17 ceremony at New York City’s Javits Center, Cumulus Media Syracuse mainstream CHR WNTQ “93-Q” morning team (5:30 am -10:00 am) Ted Long and Amy Robbins will be inducted into the New York State Broadcasters Association’s Hall of Fame. Cumulus Media Syracuse vice president/market manager Beth Coughlin comments, “When two amazing people create and produce a dynamic, platinum- standard product, and fine-tune it for many years on air, it can’t be duplicated. Ted and Amy’s influence as part of not only the ‘93-Q’ family, but also within the central New York community, has set them apart. We congratulate them, and thank the New York State Broadcasters Association for this Hall of Fame recognition.” Long & Robbins have been together for 30 years.

St. Jude’s Cites iHM Boston and Portsmouth “Bull” Siblings. During an event last week at St. Jude’s Children Hospital in Memphis, iHeartMedia Boston country outlet WBWL “101.7 The Bull” and co-owned/similarly-formatted WTBU “95.3 The Bull,” Portsmouth (New Hampshire) were recognized with the Country Cares Radio Stations Of The Year Award. ALSAC/St. Jude Children’s Research Hospital regional development director Jenn Potter states, “St. Jude partners with over 350 radio stations throughout the year and is proud to honor ‘The Bull.’ They are the true definition of incredible partners and are always trying to do more for the kids of St. Jude.” Vice president of programming for iHeartMedia’s Boston region, Dylan Sprague, comments, “Receiving this award is a credit to our great teams in Boston and Portsmouth. The funds raised are a true testament to the dedicated listeners and our on-air team who make the St. Jude mission so relevant to the Boston and Portsmouth communities.” Shown (above, left to right) are: New England Region St. Jude Children’s Research Hospital managing director Kim Chisholm; WTBU “95.3 The Bull” program director Tim Moore; Jenn Potter; WBWL “101.7 The Bull” sales manager Ally Klein; WBWL program director Ginny Brophy; St. Jude Children’s Research Hospital Country Cares Program director/radio development Scott Hinshelwood; and WBWL and WTBU on-air personality Colton Bradford.