Industry Views

FAIR USE: What Constitutes “Publishing” or a “Publication” on Today’s Media Playing Field?

By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

imAs the practice of “clip jockeying” becomes an increasingly ubiquitous and taken-for-granted technique in modern audio and video talk media, an understanding of the legal concept “fair use” is vital to the safety and survival of practitioners and their platforms.

When assessing fair use in audio media, courts closely examine the “nature of the copyrighted work,” especially focusing on whether the work is factual or creative, and published or unpublished. Factual content, such as news reports or data, is more likely to be seen as fair use material, as it’s in the public interest to keep factual information accessible. Creative works, like music, fiction, or original performances, often enjoy stronger protection because they embody the creator’s unique expression and should be compensated accordingly.

Unpublished interviews or speeches.  When audio content includes unpublished material – such as a speech or interview that hasn’t been publicly released – courts typically approach it with heightened caution. For example, if a podcast includes clips from an unpublished interview with a politician to enhance commentary, courts might scrutinize this more heavily than they would a published work, as the speaker retains significant control over whether and how the content reaches the public.

Case study insight: Salinger v. Random House (1987).  The landmark case Salinger v. Random House highlighted how unpublished works generally receive stronger copyright protection. In this case, the use of unpublished letters in a biography was ruled as infringing, emphasizing that unpublished materials hold a unique status in copyright law. If a podcaster today were to use a similarly unpublished interview with a public figure without significant commentary or transformation, they might face greater legal challenges.

Redefining “published” in the digital era.  With digital platforms, the meaning of “published” is evolving. Traditionally, a work was deemed “published” when made available for sale, license, or public distribution. Now, sharing content online, even in a limited way – such as within a closed social media group or private online forum – raises questions about whether the content should be considered published. Courts are increasingly aware that limited digital sharing doesn’t necessarily reduce a work’s unpublished protections, but extensive online distribution might.

Modern considerations of online sharing. Courts today analyze factors like control over access and the sharing platform’s nature. For instance, an audio clip shared in a restricted forum might retain its unpublished protections, while a widely posted clip could lose some of those protections. Additionally, when creators post content on platforms like Instagram or YouTube before officially “publishing” it elsewhere, courts may take the creator’s intent and distribution scope into account when determining the content’s legal status.

As online platforms reshape how creators distribute their work, they also impact fair use, pushing courts to reinterpret what it means for a work to be “published.” This evolving understanding means that copyright protections depend not only on whether a work is accessible but also on the level of control over its distribution, especially for audio content.

Media attorney, Matthew B. Harrison is VP/associate publisher, TALKERS; Senior Partner, Harrison Media Law; and executive producer, Goodphone Communications.  He is available for private consultation and media industry contract representation. He can be reached by phone at 724-484-3529 or email at matthew@harrisonmedialaw.com

Industry News

Talk Media Industry Publicist Produces Trump Film Documentary Set for Late October Release

“Trump’s Big FUSS (Fight for US Sovereignty),” a film documentary written and produced by veteran talk media publicist Jerry McGlothlin – president of Special Guests – and co-written by Todd Beezley, is set for theatrical (and online venues) release in the coming days of late October to “encourage apathetic voters and undecided voters to head to the polls Tuesday, November 5.”

Trumps Big Fuss
Targeted cinemas for the release are in swing states Pennsylvania, Nevada, Arizona, Wisconsin, Michigan, Georgia, and North Carolina. The film takes a decidedly pro-Donald Trump position.  McGlothlin is available to do interviews as part of his self-described “Late October Surprise” to explain how he believes “Trump’s fight to maintain U.S. sovereignty differs from Kamala Harris’s globalist policies.”  To reach Jerry McGlothlin, call 919-437-0001 or email jerry@specialguests.com. Further information is available here.

Industry News

Newsmax Files With SEC for Initial Public Offering, Plans to List on NYSE

Industry News

Tiziana Dearing Named Host of Public Radio Powerhouse WBUR, Boston Morning Program

TizianaDearingWBUR, the leading public radio station in Boston, has named Tiziana Dearing as host of its “Morning Edition” show beginning September 18.  Dearing is a familiar voice to the station’s large, loyal audience, currently hosting the midday show, “Radio Boston.”  In an article published on the station’s website, it was reported that in an internal announcement yesterday (8/28), WBUR CEO Margaret Low praised Dearing as a “singular talent – an extraordinary host with deep ties to this city and region.”  Dearing states she has loved hosting “Radio Boston” and now looks forward to the opportunity to “meet a huge swath of Greater Boston as they get up and start their day.” She said, “It’s a tremendous privilege and it’s a tremendous responsibility.”  The transition at one of Greater Boston’s most listened-to radio shows follows the departure of Rupa Shenoy, after she was unable to reach an agreement with the station this summer to extend her contract. Before that, Bob Oakes led the show for nearly three decades. The program features news, commentary and interviews with local, regional, and national officials and newsmakers.  An example of the power of public radio, WBUR has jockeyed for first place in the 6:00 am to 9:00 am time slot this year with WBZ-FM (98.5 The Sports Hub) among the prized 25-54 age demographic. (Photo by Li Linder.)

 

Industry News

Progressive Radio’s Civic Media Acquires Political News Publication

The Wisconsin progressive radio company Civic Media announces that it adds the progressive political news digital publication The Recombobulation Area to its holdings. Civic Media notes that this is the first non-radioim acquisition since its founding in 2022. Additionally, The Recombobulation Area founder Dan Shafer is joining Civic Media as political editor. Civic Media says, “The Recombobulation Area has thousands of subscribers, has been read in 50 states and 66 countries and, to date, has reached more than 1.5 million readers. The publication has won 13 Milwaukee Press Club Excellence in Journalism awards in four years for opinion writing, feature stories, multi-story coverage, and public service journalism. Shafer has been active as a radio personality as a regular guest on Civic Media’s ‘Matenaer on Air’ and several other shows.” Civic Media CEO Sage Weil comments, “Dan Shafer and The Recombobulation Area exemplify the type of thoughtful, in-depth, and locally focused reporting that is so important to Wisconsin. We can’t wait to bring his voice to the rest of the Civic Media network, both on and off the air. It is local journalism, with an emphasis on local issues and an understanding of what is important in local communities, that will rebuild trust in our media ecosystem and, ultimately, our democracy.”

Industry News

Newsmax to Present Webinar on Planned Public Offering

Newsmax Inc. announces it is hosting an online Special Investor Webinar conversation with CEO Christopher Ruddy tomorrow at 12:00 noon ET. The company is currently holding a private placement offering ahead of its planned Public Offering and expected Listing and “this online event will provide accredited investors with insight into the Company’s vision, strategy and growth prospects.” (Accreditedim investors are defined by the Securities and Exchange Commission’s Rule 501(a) as individuals with a net worth greater than $1 million – excluding their primary residence – or incomes in excess of $200,000 in the last two years with the expectation of the same in the current year – or $300,000 with a spouse.) Last month, Newsmax announced that it would seek to become a public company later in 2024 or in early 2025 with a listing on the NYSE or Nasdaq. In preparation for this contemplated public offering, Newsmax has launched a private placement offering seeking to raise up to $225 million. Ruddy states, “We are excited to connect with the tens of thousands of investors nationwide who have already shown interest in investing in Newsmax. There is much to be enthusiastic about Newsmax, including significant growth in our audience, a surge in interest in conservative media and our expanding portfolio of platforms and distribution. Now more than ever — especially in this election year of 2024 — America needs Newsmax. We look forward to sharing more details with everyone who tunes in to the webinar.” Find information about the webinar here.

Industry News

WAMC Northeast Public Radio Names Gilbert President/CEO

Gilbert, SarahFormer Chicago Council On Global Affairs president/chief content officer Sarah Gilbert is appointed president/chief executive officer of WAMC Northeast Public Radio-owned WAMC, Albany, NY. She succeeds Alan Chartock, who retired two months ago after a 42-year tenure with the organization. WAMC board chair Dorothy Reynolds states, “This has been an intense and deliberative process. While the final decision rests with the board, we are deeply grateful for the thoughtful and on-going input from WAMC staff who took time away from other obligations to work with us in this critical effort.” According to WAMC COO/interim chief executive officer Stacey Rosenberry, “I was incredibly honored to be given the opportunity to lead; I now look forward to expanding the leadership team. We are first and foremost a news and information organization and Sarah’s experience, particularly in digital production, will help us diversify our delivery tools while maintaining our highest commitment to quality programming. Notes Gilbert, “Coming to WAMC, with its strong staff, powerful programming, and dedicated listeners and members, is an incredible opportunity to use all my skills and experiences to continue to build, grow, and strengthen this amazing organization.” In her eight years at NPR, Gilbert held various positions with the most recent being VP of news. She spent much of her early career as an editor, producer, and deputy American bureau chief at the BBC based in London, Brussels, and Washington, DC.

Industry News

Newsmax Announces Public Offering Plan

Newsmax Inc. announces that it will seek to become a public company later this year or in early 2025 with a listing on Nasdaq or the NYSE. It says, “In preparation for this contemplated initial public offering, Newsmaxim is launching a private placement offering seeking to raise up to $225 million.” Newsmax CEO Christopher Ruddy adds, “While achieving significant success, Newsmax has stayed true to our mission of providing Americans with honest and real news. Now more than ever, especially in this election year of 2024, America needs Newsmax and you can join with us as an investor.” The current private offering currently consists of shares of the Company’s Series B 7% Convertible Preferred Stock for a maximum Offering amount of up to $225 million.

Industry News

Starnes Delivers Address at NC Republican Convention

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Pictured above is nationally syndicated radio host Todd Starnes delivering the keynote address at the North Carolina Republican Party State Convention Prayer Breakfast on Sunday (5/26) in Greensboro, North Carolina.

Industry News

Report: New York Public Radio to Cut Workforce by 12%

According to a report by Benjamin Mullen in The New York Times, public media firm New York Publicim Radio plans to reduce its workforce by 12% due to a “free fall in the advertising market.” The source is a memo to staffers from NYPR CEO LaFontaine Oliver. The story goes on to note that the organization employs about 340 full- and part-time workers at WNYC, classical WQXR, and the Gothamist news site. Read the Times piece here.

Industry News

Southeast U.S. Radio Stations Prepare to Keep Public Informed

Radio stations in Florida, Georgia, and South Carolina are working to keep citizens informed as Hurricane Idalia makes landfall. The effects of the Category 3 hurricane are likely to cause widespread power outages that will cut power to millions, leaving them with battery-powered AM/FM radios as the sole source of information. This emergency situation – on the heels of radio’s outstanding performance in Maui – will certainly give timely support and ammunition to those in Congress pushing the AM Radio for Every Vehicle Act.

Industry News

Western Massachusetts Public Radio Outlet Goes News/Talk All Day

In a move that’s happened at public radio outlets in markets across the country, New England Public Media’s WFCR-FM, Amherst Massachusetts is dropping the classical music that’s aired during middays and is adding news and talk programs including national shows “1A,” “On Point” and “Fresh Air,” in addition to expanded localim news programming. The company is launching a classical network that will air on five signals in the region as well as online. NEPM president Matt Abramovitz says, “These moves position NEPM to better serve western Massachusetts with journalism and conversations that create connections across our wonderfully diverse communities. That investment in local storytelling will also fuel upcoming multi-platform initiatives to reach new, diverse audiences. At the same time, we are bringing a full-time classical service to the region.”

Industry News

Public Radio’s “The World” Hits Record Number of Affiliates

The GBH and PRX produced public radio news show, “The World,” is now airing on a record 376 public radio stations across the United States and in Canada. The two public media organizations say the program is heardim by more than 2 million people nationwide on a weekly basis. “The World” executive producer Dan Lothian says, “We’re delighted to welcome people from Florida, Wisconsin, Nevada, Ohio, Iowa, New York, Michigan, Illinois, and Kansas to the hundreds of communities listening to The World’s global coverage. As we reach this exciting audience milestone, we remain committed to bringing all our listeners nuanced coverage of the most critical global issues of the day, fueling informed conversations about international affairs.”

Industry News

Sanchez Selected As Nashville Public Radio COO

Robert SanchezNashville Public Radio, which includes WPLN “News 90.3” (and triple A WNXP), appoints Robert Sanchez as its chief operating officer. Nashville Public Radio president/chief executive officer Steve Swenson comments, “Rob brings a wealth of experience and expertise to help us as we continue our rapid growth to expand our public service to Nashville and Middle Tennessee. His extensive background in both news and music programming is unique in our industry.” Sanchez notes, “I’m grateful to Steve Swenson and the board of directors for entrusting me to help lead the many digital and audio services Nashville Public Radio offers. I’m invigorated to join an organization that functions at such a high level of public service and community engagement.” For the past five years, Sanchez was vice president of news for iHeartMedia Boston news -news/talk hybrid WBZ-AM and iHM’s northeast regional news director. He previously was director/news and programming for Washington, DC’s WNEW-FM “All News 99.1”; assistant news director of New York all-news WCBS-AM; and programming/operations manager for Los Angeles’ KBLA “1580 Talk Radio.” Among persons 6+ in Nielsen Audio’s May 2023 survey period, WPLN ranks #14 and is trending 2.8 – 2.9 – 3.3 (March – April – May, 6+).

Industry News

FNC’s Baier and MacCallum to Moderate Republican Primary Debate

The first Republican primary debate will take place on August 23 on FOX News Channel with anchors Bret Baier and Martha MacCallum serving as co-moderators. The event takes place live from 9:00 pm to 11:00 pmim from the Fiserv Forum in Milwaukee. FOX News Media president and executive editor Jay Wallace comments, “We are extremely proud to have Bret and Martha moderating the first debate of the 2024 presidential election season as Americans learn more about the candidates ahead of exercising their constitutional right to vote.”

Industry News

AFSP Honors Audacy with Public Education Lifesaver Award

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The American Foundation for Suicide Prevention recognized Audacy’s “I’m Listening” program and the company’s continued support of mental health with a Public Education Lifesaver Award during the organization’s annual AFSP Gala in New York City. The event honors those that have gone above and beyond in drawing attention to the cause of suicide prevention, elevating public discourse around mental health and suicide, and successfully creating actual change within our society to end this leading cause of death.  Pictured above are Audacy COO Susan Larkin (right) and actor, author, and mental health advocate Ashley Judd (left), who received the Survivor of Suicide Loss Lifesaver Award in honor of her work following her mother Naomi Judd’s suicide.

Industry News

New England Public Media Brings Monte Belmonte Aboard for New Radio Show and Podcast

New England Public Media tells TALKERS that it is hiring Western Massachusetts morning personality Monte Belmonte as host and executive producer of a new radio show and podcast “celebrating life in Western Massachusetts.” Belmonte has been hosting “Mornings with Monte” at Saga Communications’ triple A WRSI, Turners Falls, MA “93.9 The River.” Also joining Belmonte at NEPM is Kaliis Smith, who served as evening personality at WRSI and served as a regular guest on Belmonte’s show. With NEPM, Smith will be the show’s digital producer and will join Belmonte on air.

NEPM president Matt Abramovitz says, “When you listen to Monte Belmonte, you hear not only a great host with a devotion to his craft, but also a person who is committed to building and bolstering his community. Sharing the unique voices and stories of our region and using the airwaves for the common good is what public media is all about. We are excited to have Monte bring his enthusiasm and love of western Massachusetts to NEPM each day.” The programming will launch later this winter. Belmonte comments, “I’ve been a huge fan of New England Public Media since I moved west of Worcester 20 years ago. The station’s trusted reputation and broad reach was a big draw for me, as was the opportunity to work alongside people I’ve known and admired for years. I’m excited to get to work building a new show that’s all about celebrating what’s good about living here, meeting interesting neighbors and being a better community because of it.”

Industry Views

The Algorithm is Listening

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By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

Radio once measured the audience… now digital platforms use the audience to decide what happens next

Radio programmers have always watched the audience. The difference for programmers today is that the audience can now watch back, respond instantly, influence the show, and determine whether the next person ever receives it.

That is the practical meaning of an algorithm for a broadcaster. It is not a mysterious robot hiding inside the black box of an enigmatic social platform. It is a set of instructions used to make decisions. On YouTube, Facebook, TikTok, Spotify, Twitch, and other services, those instructions help determine which content gets shown, to whom, in what order, and under what circumstances.

Radio has used simpler forms of algorithmic thinking for decades. A music clock is a set of instructions. So is a rule prohibiting two songs by the same artist within a specified period. Or two female vocals in a row. A programmer who schedules news at the top of the hour, traffic twice an hour, and the strongest feature before a commercial break has created a decision system.

Digital algorithms do something more consequential. They do not merely organize the program. They organize the audience around each individual piece of content.

From diaries to PPM

The traditional radio diary asked selected listeners to record what they heard and when they heard it. Nielsen defines the diary as a measurement method in which respondents manually record their listening habits. Those reported habits are then used to estimate listening across a larger market.

The system was necessarily crude. A diary could show that someone reported listening to a station during morning drive. It could not reliably establish whether that person loved the program, ignored it, hated it, stayed because the station was playing in a waiting room, or simply remembered the call letters incorrectly.

Still, the diary produced an enormously valuable number. Ratings influenced advertising rates, station formats, talent contracts, syndication opportunities, and management decisions. The ratings service measured the audience, but the station still controlled the programming and the transmitter.

The Portable People Meter changed the speed and granularity of that feedback. PPM panelists carry a small device that detects inaudible identification codes embedded in participating broadcasts. Instead of relying entirely on a listener’s memory and written entry, the meter passively detects exposure to encoded audio.

That gave programmers something closer to immediate feedback. They could study audience movement within smaller portions of a show, identify apparent tune-out points, compare features, evaluate commercial breaks, and make changes much more quickly.

PPM therefore became the bridge between traditional ratings and algorithmic distribution. The diary remembered the audience. PPM observed the audience more closely. Both still produced information for human beings to interpret.

A programmer could see a decline and decide to shorten a segment. The meter did not shorten it. A consultant could conclude that a feature hurt retention. The PPM system did not prevent tomorrow’s listeners from hearing it.

The algorithm closes that gap.

(more…)

Industry News

Audacy to Shut Down KXNT, Las Vegas

Longtime KXNT, Las Vegas host of the station’s morning show “News at 8,” Alan Stock delivered the sad news of the station’s demise to his listeners this past Friday.  Photo credit: the Las Vegas Review-Journal.   

After nearly 40 years as a mainstay of Las Vegas radio broadcasting, News Talk 840 KXNT will be going dark effective September 1.  Parent company, Audacy announced its plan to shut down the iconic news/talk outlet this past Friday (7/31) on longtime Las Vegas radio talk show host Alan Stock‘s one-hour morning program, “News at 8.” According to a report by John Katsilometes in the Las Vegas Review-Journal, Stock stunned his audience with the statement,  “I have an important update for our listeners. Effective September 1, News Talk 840 KXNT will conclude its broadcast operation.” Stock continued reading from a prepared statement: “To put it simply, the station’s transmitter site is shutting down. Our parent company, Audacy, explored a number of alternative transmission options, but ultimately wasn’t able to identify a technically and financially viable long-term solution. This wasn’t an easy decision. I know KXNT has been a part of this community for a long time, and it’s been an honor to spend time with you every day.” Stock continued, “I’m incredibly grateful to our listeners, our advertisers, and everyone who has made the station such an important part of Las Vegas.”  The article in the Friday NEON section of the Vegas publication went on to report that according to Audacy, Stock’s show will move to the company’s other Las Vegas news/talk property, KDWN 101.5-FM in its 8:00 am weekday time slot beginning Tuesday, September 1. At this point, Stock’s “News at 8” is the only locally-produced talk show on KXNT, a conservative platform that is otherwise home to nationally syndicated programming. The report states, shows hosted by such right leaning voices as Glenn Beck and Mark Levin will end their programming in Las Vegas, but still be available nationwide, as the station signs off. Station SVP/market manager Gina Massenzi said the station’s approximately 40 full- and part-time staffers would remain with the company. KXNT-AM 840 signed on under the call letters KVEG in 1986, mixing talk and middle-of-the-road music. In 1997, KVEG changed its call sign to KXNT, the “NT” standing for “News/Talk.”

Industry Views

The Advertiser Gave Us an AI Commercial… Isn’t that Enough?

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imgBy Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

Synthetic audio can turn one clearance problem into two
An advertiser sends a finished commercial to a station. The script came from one AI platform, the announcer’s voice from another, and the music arrived inside the final audio file. The production value is surprisingly good for a dental office. Then someone notices that the announcer sounds remarkably like Matthew McConaughey. He does not say “alright, alright, alright,” exactly, but he says something close enough to make the association obvious.

A conventional infringing commercial may misuse a song, recording, photograph, or written copy. An AI commercial can create the same copyright problem while adding another: the unauthorized commercial use of a recognizable person’s identity. One file can therefore produce two entirely different claims.

Copyright protects original expression, including scripts, music, and sound recordings. It generally does not give anyone a copyright in the sound of a natural voice. That does not make a distinctive voice free for advertisers to imitate.

Tom Waits established the distinction decades before generative AI. After Waits declined to participate in a Frito-Lay campaign, the company used a singer who imitated him in a radio commercial. Waits successfully pursued claims for voice misappropriation and false endorsement. AI now makes that imitation faster, cheaper, and potentially more convincing. Waits v. Frito-Lay

The rights do not travel together 

Clearing the script or music does not clear the voice. Permission from the person whose voice was cloned does not clear protected material that the system may have reproduced. The station needs to ask two questions: Who owns everything in this commercial, and whose identity is doing the selling?

There is another wrinkle. The AI company may possess defenses that do not travel with the finished audio. In Walters v. OpenAI, ChatGPT falsely accused radio host Mark Walters of embezzlement. OpenAI defeated the defamation claim because the recipient encountered warnings that the system could be inaccurate, did not believe the accusation, verified that it was false, and did not republish it. Walters also failed to prove the necessary fault or damages. Walters v. OpenAI case summary

That ruling did not grant AI companies blanket immunity. It does suggest an uncomfortable result for broadcasters. A provider’s warning that its output requires verification may help protect the provider while making it harder for a station to argue that airing the output without checking was reasonable. The company that generated the problem may have a better defense than the broadcaster that delivered it to the public.

California’s AI Transparency Act, operative August 2, 2026, now requires certain large AI providers to offer detection tools and place provenance disclosures in generated audio, images, and video. Those tools may help identify origin. They do not establish copyright clearance, consent, accuracy, or authority to imitate someone. California AI Transparency Act

Stations should require advertisers to warrant both ownership and permission for identifiable voices or likenesses, backed by indemnification. AI has not replaced the old clearance problem. It can place a second problem beside it, then leave the broadcaster holding both.

Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonMediaLaw.com or read more at TALKERS.com.

Industry News

TALKERS News Notes

NYPR Announces Collaboration with URL Media. New York Public Radio is collaborating with URL Media, a network of more than 50 independent publishers and content creators serving diverse communities across the United States. NYPR president and CEO Christy Tanner says, “New coalitions, bold approaches, and radical collaborations such as our work with URL are essential as we lead a new era of democracy where journalism and creativity thrive, facts unite us, and power answers to the people. Our collaboration with URL Media is a call to action and an invitation to reimagine how creators and media organizations can collectively amplify impact and build community.”

WUSF Plans Expanded Election Coverage. Listener-supported radio station WUSF, Tampa announces a project to produce dramatically expanded news coverage and resources for voters in advance of elections across Florida this year. The station says it is enlisting more reporters into this effort, including journalists from the WUSF newsroom, plus student journalists from the University of South Florida, and partner public media stations across the state. WUSF general manager Leslie Laney states, “The result is the residents of this state will have access to some of our strongest-ever election coverage. And as part of our public service mission, all of this coverage will be free – not behind a paywall.”

Industry Views

When AI Speaks, Who’s Accountable?

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By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

 

imgNew laws may hold AI companies responsible, but regulating machine-generated speech presents risks of its own.

Florida recently sued OpenAI and CEO Sam Altman, alleging that they marketed ChatGPT while concealing known safety risks. California has taken a different approach: a company accused of causing harm cannot defend itself simply by saying the AI acted autonomously. Neither development guarantees liability, but both signal that “the AI did it” may no longer work as a legal escape hatch.  

That sounds sensible. An AI model cannot pay damages, carry insurance, exercise professional judgment, or go to jail. If a company releases a system, profits from it, and markets it as useful or reliable, the law should at least ask what the company knew, promised, and reasonably could have prevented.

Mark Walters – host of Armed America Radio – learned how difficult that can be. ChatGPT falsely reported that he had been accused of embezzling money from a gun-rights organization. Walters sued OpenAI for defamation, but a Georgia court granted the company summary judgment in 2025, finding insufficient evidence that OpenAI knew the output was probably false. The machine was wrong; the legal remedy failed.

The harder question involves speech. Colorado adopted requirements intended to prevent discriminatory automated decisions, prompting AI to sue on First Amendment and equal-protection grounds. The Federal Trade Commission has now suggested that secretly steering a model away from the accurate or objective answers users expect could itself constitute consumer deception.

This presents a genuine slippery slope. Government should protect people from fraud, defamation, discrimination, dangerous products, and nonconsensual deepfakes. It should not acquire a broad power to decide what an AI system must identify as “truth,” particularly in areas involving politics, history, public policy, or contested scientific opinion.

For broadcasters and content creators, the immediate lesson remains familiar. AI may assist with research, writing, editing, and production, but it does not inherit responsibility for the finished product. The person or company that publishes the words still needs to verify them, while the companies building the machines should not escape scrutiny merely because no human typed the final sentence.

Accountability should follow control, knowledge, and profit. The challenge will be imposing that accountability without turning AI regulation into government supervision of lawful speech.

Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonLegalGroup.com or read more at TALKERS.com.

Industry News

Kings County Conservative Party Honors Dominic Carter with American Heritage Award

By Robert Pearl

imgVeteran journalist, author, political commentator, and 77WABC Radio personality Dominic Carter was honored with the American Heritage Award at the Kings County Conservative Party’s Annual American Heritage Reception on July 23 at the Knights of Baron DeKalb in Sheepshead Bay, Brooklyn. The event celebrated Carter’s more than four decades in broadcast journalism, recognizing his distinguished career as a radio host, television commentator, author, and one of New York’s most respected media voices.

Hosted by Kings County Conservative Party and Chairwomanimg Frances Vella Marrone, the reception brought together elected officials, candidates, community leaders, and supporters to recognize Carter’s professional achievements while celebrating the values of perseverance, public service, and the American Dream.

Presenting the award, Vella Marrone praised Carter’s remarkable journey from a difficult childhood in a Bronx housing project to becoming a nationally recognized broadcaster.

“Where you begin in life does not determine where you can go,” she said, describing Carter as someone whose life story reflects the opportunities made possible through determination, personal responsibility, and hard work. She also commended his willingness to openly share his experiences through his journalism and bestselling memoir, “No Momma’s Boy”, inspiring listeners and readers far beyond New York City.

Accepting the honor, Carter explained that he had undergone surgery less than 24 hours earlier but was determined to attend.

“I was not going to miss this event,” he told the audience. “The Conservative Party has saved my life.” Carter reflected on his upbringing in public housing and his political evolution, saying he came to embrace the values of work, family, accountability, and opportunity. “I was a lifelong Democrat… but the Democrat Party left me. I didn’t leave them,” he said, noting he proudly shares those beliefs on the air and during speaking engagements nationwide.

One of the evening’s heartfelt moments came when Carter invited his son, Dominic Jr., and wife, Marilyn, to the stage. Sharing that doctors once believed his son would never graduate from high school because of epilepsy and a learning disability, Carter proudly announced that Dominic Jr. earned two college degrees.

“Never let anybody define who you are,” Carter said, drawing sustained applause.

Vella Marrone thanked supporters and volunteers for strengthening the Kings County Conservative Party and encouraged continued grassroots involvement.

“We’re going to keep fighting and fighting,” she said, urging attendees to remain engaged in preserving liberty and opportunity through civic participation.

Additional remarks were delivered by Conservative Party State Chairman Gerard Kassar, Assembly Minority Leader Edward Ra, Assemblyman Alec Brook-Krasny, and other elected officials, all of whom praised Carter’s broadcasting career and contributions to journalism. The evening concluded with a standing ovation, featuring book signings, and photographs as guests celebrated Carter’s enduring impact on New York media and public discourse.

Robert Pearl is a Brooklyn-based journalist who writes about New York City media, politics, and culture.  He can be emailed at pearlknows@yahoo.com.

Industry News

TALKERS News Notes

The Divorce Hour Hits Five-Year Mark. “The Divorce Hour,” hosted by acclaimed divorce journalist and advocate Ilyssa Panitz, proudly celebrates its fifth anniversary on CRN Digital Talk Radio. CRN says, “‘The Divorce Hour’ has become a staple and respected voice in the divorce and relationship space, featuring carefully vetted attorneys, financial planners, therapists, mediators, coaches, authors, wellness experts, celebrities, and other notable guests. Every episode is carefully designed to educate, inform, inspire, and empower listeners with the knowledge and confidence they need to navigate one of life’s most difficult transitions.”

NHPR Promotes Content Leaders. New Hampshire Public Radio names 16-year NHPR staffer Rebecca Lavoie the organization’s first chief content officer. Lavoi, who previously ran NHPR’s podcast studio, will ensure that NHPR’s journalism and programming meet its business objectives and strategic goals. Additionally, NHPR promotes news director Dan Barrick to vice president of news.

Industry Views

Monday Memo: AI Can’t Fake Real

By Holland Cooke
Consultant

imgIn Full Stack Human: The Mindset Upgrade You Need to Stay Human in a World Ruled by Technology (2026, Wiley Books) Dara Simkin and Tane Hunter describe a 2026 media landscape where people face information overload, shrinking attention spans, negativity fatigue, algorithmic manipulation, and constant distraction.

The irony is that radio may win the future not by becoming more like technology, but by becoming more human. In an age of artificial everything, that’s the sustainable competitive advantage local radio has. And the more crowded the media landscape becomes, the more valuable radio’s unique strengths become.

Consider what today’s digital platforms do best. They personalize content as algorithms learn what users like and deliver more of it. Streaming services can build custom playlists. Social media feeds are tailored to individual interests. AI can generate content instantly.

What those platforms cannot do is belong to a community. Spotify doesn’t know why I-95 is jammed. TikTok doesn’t care that the town council just approved a controversial zoning change. An AI-generated playlist can’t tell listeners where to find shelter during a storm or why Friday night’s high school football game matters. Local radio can. And as media becomes increasingly global, local content becomes increasingly scarce. And scarcity creates value.

Citing research, the book points to another opportunity: Digital platforms are optimized to trigger emotion, especially outrage and conflict – the 1990s talk radio caricature on steroids. The result is a public that often feels overwhelmed, exhausted, and anxious.

Listeners want information, and are looking for context, usefulness, connection, and (dare we?) a reason to smile. Stations willing to do more than simply amplify the argument du jour become indispensable. Winners deliver local information, from trusted voices, a genuine connection that answers the listener’s constant question: “What’s in this for me?”

Click here to read a free sample chapter of “Full Stack Human: The Mindset Upgrade You Need to Stay Human in a World Ruled by Technology.”

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn