Industry News

KSAC Drops Grant Napear Show

Lotus Communications’ sports talk KSAC, Sacramento “FOX Sports 104.7/890 AM” drops “The Grant Napear Show” after eight months animgd replaces it with FOX Sports Radio’s “The Odd Couple” with Rob Parker and Kelvin Washington. Napear broke the news himself tweeting out, “BREAKING NEWS: I was just informed they are pulling the plug on my show. My thanks to you for your support and @RyaninSactown who did a great job.” Napear references on-air producer Ryan Bohamera. Napear was a host on KHTK, Sacramento and TV voice of the NBA’s Kings but was fired after a media exchange with DeMarcus Cousins over the Black Lives Matter movement.  

Industry Views

NAB Show: Competing on the Omnimedia Landscape

By Holland Cooke
Consultant

img“We are competing in an attention economy,” and Magid COO Jaime Spencer reckons that “the playing field is massive.”

For decades, Magid has been known as a TV news research and consulting firm. But its newest Omnimedia work widens the lens – and radio should be paying close attention. Because the consumers Magid describes aren’t “viewers” or “listeners.” They’re attention grazers, moving across platforms, devices, and dayparts without ever thinking in “TV” or “radio” terms. And that shift changes our game.

Magid’s core point lands hard: We no longer operate in a content economy. We operate in an attention economy. Radio isn’t competingimg with the station across town anymore. It’s competing with 50,000 news brands, nearly half a million podcasts, and an infinite scroll of feeds that never sleep.

And here’s the kicker: the audience doesn’t distinguish platforms – only relevance. They follow whatever captures attention in the moment. If your brand can’t travel across social, smart speakers, mobile, and on air with a consistent voice and value, you could be invisible to the modern consumer.

Spencer also flags a new disruptor: AI as a news gateway. “17% of people now discover news first on AI platforms – higher than push alerts and newsletters. Considering that platform didn’t exist two years ago, that’s a big number.” That’s also a flashing red light for radio. If AI becomes the first stop for facts, radio must become the first stop for context, clarity, and humanity – the things AI can’t localize, empathize with, or improvise.

“Consumers are overwhelmed.” They’re juggling nearly six streaming services and still feel behind. That’s an opening. Radio’s superpower has always been curation – a trusted voice cutting through the noise. In an Omnimedia world, that skill becomes a premium product.

Finally, Magid’s emotional driver research reinforces what great programmers already know: passion beats function. Utility alone (i.e., “Breaking News”) won’t hold audience. Emotional gravity will. “Consumers are looking for comfort and affirmation.” Per Magid’s Trust Index research: Public media outlets like NPR perform strongly, while polarizing figures such as Glenn Beck, Rachel Maddow, and Sean Hannity also rank in the top quartile, skewed by affirmation of audience beliefs.

The bottom line? The Omnimedia consumer is already here. Radio wins by being the most human, most local, most emotionally resonant voice in a chaotic media diet – not by being “radio,” but by being essential wherever the audience happens to be.

See Jaime Spencer’s deck here.

If you missed yesterday’s NAB Show update, click here. And if you are here in ‘Vegas this week, look for me. Maybe we can grab a cuppa cawfee. If you aren’t here, look for my NAB Show update here tomorrow.

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry News

Grant Napear Returning to Sacramento Sports Talk

Former KHTK, Sacramento sports talk host and former Sacramento Kings TV broadcaster Grant Napear is returning to Sacramento sports radio to host the 3:00 pm to 6:00 pm show on Lotus Communications’img sports talk KSAC-AM/K284CM, effective September 2. This comes five years after he was fired by Bonneville’s KHTK, Sacramento and the Kings after a social media exchange with former Kings player DeMarcus Cousins about the Black Lives Matter movement and used the phrase, “all lives matter.” Napear sued Bonneville and lost but is currently appealing that ruling. Napear tells the Bee, “It’s going to be the Grant Napear show that people have listened to for decades. I’m competitive. I’m not only coming back to Sacramento. I’m coming back to win.” Read the Sacramento Bee story here.

Industry News

New York Radio Team Finds a Home in Cape Town

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Salem Media New York chief engineer Andrew Gladding writes in an exclusive piece for TALKERS about the collaboration between Hofstra University’s 88.7FM WRHU Radio Hofstra and 89.5FM Bush Radio in Cape Town, South Africa. He says, “The power of broadcast radio stems from its genesis, which is the use of audio technology and storytelling to transmit messages to large audiences. As industry professionals, we are all acquainted with the power and reach that our trade provides. However, all stories must begin with the spark of an idea. In the case of the curious collaboration between a college radio station in New York and a community radio station in South Africa, this idea started with a simple conversation.” Read the full story here.

Features

New York Radio Team Finds a Home in Cape Town

By Dr. Andrew Gladding, EdD
Chief Engineer
WMCA / WNYM, New York

 

The power of broadcast radio stems from its genesis, which is the use of audio technology and storytelling to transmit messages to large audiences. As industry professionals, we are all acquainted with the power and reach that our trade provides. However, all stories must begin with the spark of an idea. In the case of the curious collaboration between a college radio station in New York and a community radio station in South Africa, this idea started with a simple conversation.

The relationship between 88.7FM WRHU Radio Hofstra University and 89.5FM Bush Radio in Cape Town South Africa began purely as a matter of proximity. In the winter of 2018, I happened upon Bush Radio while in South Africa while on a family vacation. Meeting the passionate broadcasters at Bush Radio has resulted in a fruitful broadcast collaboration spanning six years and many exchanges of audio, information and support between our two broadcast organizations. Students at WRHU in New York, WRCT in Pittsburg and members of Bush Radio  co-produce a weekly show called “The 1World Community Radio Show,” which features interviews and music from around the world. WRHU’s Ricky Hubert, WRCT’s Cody Hmelar and Bush Radio host Lydia Marwanqana connect weekly to create a truly unique program that provides a world stage for young, aspiring talent. The show has become a centerpiece of programming for both stations and an example of how stations across the globe can work together to create engaging, community focused audio content. It has also allowed staff members from both stations to develop insight into each other’s cultures and communities.

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Pictured above (from l-r) are: Sturgeon Records President David Chapman, Salem NY Chief Engineer Andy Gladding, Bush Radio engineer Renato Van Schalkwyk, WRHU general manager John Mullen, Bush Radio managing director Brenda Leonard, Bush Radio host Jasnine Roberts, WCWP general manager Dan Cox and WKZE “Night Shade” host Paul Higgins at the Bush Radio Studios in Salt River, Cape Town.

In the fall of 2024, members of Bush Radio came to New York City and Washington DC  to cover the presidential elections. The purpose of the trip was to find new ways to combat journalistic misinformation. The visit exposed Bush Radio staff members to American journalistic values, broadcast operational practices provided the international broadcasters with an up-front look at the US democratic process in action.

In February of this year, In the spirit of maintaining and strengthening our broadcast partnership, five members of New York radio and audio media , including myself, traveled to Cape Town to see how the Bush Radio folks used their FM reach and power to serve their community. The goals of this part of the exchange were to deepen our understanding of South African media, operations, practices and workplace culture. We went into this journey with our minds and hearts wide open, ready to see how the craft that we know and love was practiced on the other side the world.

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Pictured above is Andy Gladding working with Bush Radio engineer Renato Van Schalkwyk to install Comrex hardware in the Bush Radio Air Studio.

The results of this visit were eye opening. During our visit to Cape Town, we observed several similarities between our stations in New York and our South African counterparts. The Bush Radio staff was extremely dedicated to their station and took great pride in serving their community. They used their centrally located studies as both a broadcast center and training facility, with a thriving mentorship and intern program. We also noticed that they followed almost identical practices and standards as we do in the USA, ranging from technical specifications for broadcast engineering to maintaining programmatical integrity. Even the energy and excitement among the staff in the studios and reporting from the field was comparable to any well-run US broadcast entity. This is mainly due to the fact that the folks who run Bush Radio, specifically Managing Director Brenda Leonard and Program Director Adrian Louw, execute a comprehensive and extensive training and operational workflow at the station. Bush Radio holds the proud distinction of being the first licensed community radio station in South Africa, which was achieved with great effort and sacrifice during a time when the practice of community radio was non-existent in the country. Therefore, the management is very observant and powerful of the weight that they carry and this respect is passed along to the station members.

We also noticed some stark differences. Due to the relatively young nature of the South African democracy, there appeared to be a deeper connection between station and community. Bush Radio is involved in many different aspects of Cape Town governance, culture and outreach and this is reflected in their on-air product and station ethos. We also observed that many members of the general public were familiar with the station and proudly considered themselves to be regular listeners and supporters. The station was closely intertwined within the fabric of the community, which is both wide and diverse.

We also noticed that there was an intrinsic willingness between Bush and other community stations to work together. During our visit, we had the opportunity to visit a number of stations in communities around the Western Cape region, including Zibonele FM and The Voice of the Cape. We heard the term “partnership” and “sister station” during our visit many times, which demonstrated a visible willingness between teams at different organizations to work together and collaborate. I personally believe that this positive attitude for partnership and outreach has been a driving force in the successful collaboration WRHU has enjoyed with Bush Radio.

During our visit, the New York contingent felt this energy and openness, which in turn motivated us to jump into the spirit of the occasion. I personally worked with the Bush station engineering team on some facility maintenance and technical improvements, while other members of the crew lent their wisdom and knowledge to the venture. Laura Schaffer, the General Manager of Salem Media of New York had sent us down with a “broadcasters care package,” comprised of surplus equipment and spare parts from New York. The staff at Bush Radio was happy to receive the gear and began using it almost immediately.

The exchange of knowledge was not limited to technical engineering. WRHU’s John Mullen and Dan Cox ran a workshop on sales, marketing and workflow, while Sturgeon Records owner and engineer Dave Chapman taught the station members multi-track production. WKZE’s Paul Higgins, a world music producer, worked with the station’s air staff on interviewing techniques and even conducted an interview with famed producer Steve Lillywhite on 89.5FM, which was re-broadcast to the USA live. The experience of giving and sharing knowledge was both exciting and rewarding.

However, what we received in return was even more fulfilling. Even though we were strangers from another part of the world, we felt strangely at home at 89.5FM. The folks at Bush Radio were excited to show us their station, city and culture and made sure that we enjoyed a completely immersive experience. We saw all sides of the area, from the sparkling beaches and stunning views of the harbor from the top of Table Mountain to areas that were struggling and people that were fighting to survive. Throughout all of our travels, we noticed one constant: Radio was an integral part of all of the communities that we visited. Part of this can be attributed to a lack of broadband access across the region, but I personally believe a larger factor was based around the spirit of the South African people trusting in and embracing their local radio stations.

Considering this current period of uncertainty and transition in the US, it was refreshing to experience radio being used as a force for community connectivity, outreach and positivity in a far-away part of the world. Our team returned from the trip, refreshed with new ideas on how we could use our experience to grow and improve our own stations. One of these action items has gone into effect almost immediately. Since our return, the 1World Community Show has grown into an open-source network, which includes new domestic and international partners. Stations on the network now include WRCT-Pittsburgh, WCWP-LIU Post, WKZE-Red Hook, KCSS-UC Stanislaus, WVCR-Siena College and Kinvara Community Radio in Ireland, in addition to WRHU and Bush, all eager to share audio content and ideas. I personally hope to see the connection between all of our stations, along with this beautiful collaborative relationship, grow larger and endure way into the future. As one Bush Radio station member told me, “the color of our skin may be different, we may pray to other gods and we are from separate countries and cultures. However, our love for radio is above all that, which makes us all the same.”  Considering the diversity of storytelling that we each do with the power of broadcasting, it’s nice to know that our passion for the craft and industry can unite us and break down barriers. I look forward to our next adventure with the Bush Radio staff. If anyone reading this would like to get involved in radio outreach and establish a similar program or help expand technical support for our new “sister stations,” please feel free to reach out. Your contributions will not be unappreciated. You can find out more about the 1World Community Radio Network at www.1worldcommunityradio.com

Dr. Andrew Gladding his chief engineer at Salem Media Group’s WMCA and WNYM in New York. He can be emailed at andrew.gladding@salemcommunications.com

Industry News

Cumulus Media’s 2025 Audioscape Dives into Podcast Advertising

This week’s Cumulus Media | Westwood One AudioActive Group blog presents data from Cumulus Media’s 2025 Audioscape report that examines the latest podcast consumer trends from Edison Research’s Podcastimg Metrics and “Share of Ear” Report, MRI-Simmons, Screen Engine/ASI, Podscribe, and Magellan AI. Four of the key findings from this are: 1) Podcast ad campaigns are too light: No brand is coming close to “saturating” podcast audiences; Brands should allocate 5% of digital budgets to podcasting; 2) After five years with a median age of 33 to 34, podcast audiences finally age to 36, reflecting broader appeal with older audiences; 3) Screen Engine/ASI: Podcast audiences offer CTV advertisers significant incremental reach; and 4) Podcasts tighten their grip on audio audiences: Among podcast listeners, 35% of all audio time spent now goes to podcasts. Read the full blog post here.

Industry News

WTOP Honored with Chesapeake AP Broadcasters Awards

Hubbard Broadcasting all-news WTOP, Washington, DC took home seven first place Chesapeake Associated Press Broadcasters Association Awards last weekend, including Outstanding Website forim WTOP.com, Outstanding Newscast and the Best in Show Award for all radio for Outstanding News Operation. WTOP director of news and programming Julia Ziegler comments, “In addition to the breaking news, traffic and weather WTOP offers, we have also made a concerted effort to offer a balanced news diet to our consumers across platforms. There are great ‘good news’ stories happening across the DC region every day. It is a great honor to see some of them honored in this way.”

Industry News

NAB Show: Navigating the Podcast Advertising Landscape

By Holland Cooke
Consultant

imYesterday’s column outlined techniques that will make podcast interviews click. And here are my notes from another NAB Show session, about podcast advertising. Panelists included agency people who spend LOT$ advertising in podcasts.

Glenn Rubenstein, CEO, Adopter Media: “Don’t over-stuff your ad breaks.”

Sean King, SVP/GM Media & Entertainment, Veritone: Ads from radio DON’T work. “Podcast listeners really connect to their hosts. So, these ads are viewed more like recommendations from a friend.”

Saying “ads are content too,” Krystina Rubino, GM Right Side Up spoke of “an inherent, very close relationship between the host and the audience. Don’t over-script the ads. The vast majority of podcast ads that are working are host endorsements.”

In Q+A, I asked “What can podcasters learn from broadcasters?” Krystina noted a podcast faux pas: “reading an ad like they’ve never seen the copy before.” 

MORE on podcasting at HollandCooke.com 

Holland Cooke (HollandCooke.com) is a consultant working at the intersection of broadcasting and the Internet. He is the author of “Close Like Crazy: Local Direct Leads, Pitches & Specs That Earned the Benjamins,” and  The Local Radio Advantage: Your 4-Week Tune-In Tune-Up,” and “Confidential: Negotiation Checklist for Weekend Talk Radio.” Follow HC on Twitter @HollandCooke and connect on LinkedIn.

Industry News

“Paper Boys” at Dinner

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Legendary New England radio talk show host/newspaper reporter-columnist/prolific author Howie Carr (right) and TALKERS publisher Michael Harrison (left) shared dinner and conversation last night (1/14) at the renowned hotspot Trevini in Palm Beach, Florida where they discussed Carr’s forthcoming guest appearance on the award-winning podcast, “The Michael Harrison Interview” and Carr’s latest bestseller, Paper Boy: Read All About It (2023 Frandel, LLC). The book is a fascinating memoir following Carr’s life in the media “from the early days at Boston City Hall to hanging out at Mar-a-Lago with President Donald Trump.” Carr is heard daily across New England on his HCRN syndicated four-hour radio show, an hour of which is carried on the Newsmax streaming service. He is also a long-running columnist for the Boston Herald.

Industry News

KBLA, Los Angeles to Present Specials Addressing “The Tape”

SmileyAudioMedia’s talk KBLA, Los Angeles is presenting two drive time special programs a year after “‘The Tape’ that rocked L.A. City Hall became public.” The station says the leaked recording of three Latino members of the Los Angeles City Council – then-council president Nury Martinez,im councilmember Kevin DeLeon and councilmember Gil Cedillo along with former labor leader Ron Herrera – reveals them uttering racist remarks, derogatory comments toward council colleagues, and disruptive, racially charged rhetoric about how the City Council could “skew” redistricting. The station says, “Now that a full year has passed, KBLA Talk 1580 will host two important conversations unpacking what transpired in the community since these divisive, hurtful comments were made and what the future holds for the City of Los Angeles.” Tavis Smiley will host a show featuring community voices on October 9 from 5:00 pm to 7:00 pm. Then on October 12 (from 5:00 pm to 7:00 pm), the Institute for Nonviolence in Los Angeles will host “Days of Dialog: The Anatomy of Anti-Black Racism and Bigotry.”

Industry News

Former KHTK, Sacramento Host Grant Napear’s Suit Against Bonneville Can Proceed

Former KHTK-AM, Sacramento sports talk personality Grant Napear lost a couple of requests in his legal fight against former employer Bonneville International, but U.S. District Court Judge Dale A. Drozd did rule in Napear’s favor in allowing his wrongful termination suit to go forward on the grounds of retaliation. Drozd ruled against Napear in his religious discrimination and breach of contract. As you may recall, in May of 2020 Napearim responded to former Sacramento Kings player DeMarcus Cousins’ social media post asking him what he thought of Black Lives Matter and Napear responded, “ALL LIVES MATTER… EVERY SINGLE ONE.” Bonneville fired him citing a clause in his contract that holds him responsible for anything that “might discredit the goodwill, good name or reputation” of the company. In allowing the wrongful termination suit to go forward, Judge Drozd wrote that Napear “has stated a plausible cause for retaliation” under California Labor Code sections 1101 and 1102, stating further that “the court finds that plaintiff has sufficiently alleged a ‘rule, regulation, or policy’ under (section) 1101 by alleging … defendant used his termination ‘as an example to all other employees of the Company as an implicit warning that anyone that dared to speak out publicly and criticize the politics of the Black Lives Matter movement would be summarily terminated.’” Read the full Sacramento Bee story here.

Industry News

Former Sacramento Sports Host Grant Napear Amends Wrongful Termination Suit

Yahoo! News reports that former Sacramento Kings TV play-by-play personality and KHTK, Sacramento sports talk host Grant Napear is amending his wrongful termination suit against Bonneville International and is citing religious beliefs for the statement he made that cost him his positions. A California federal judgeim dismissed Napear’s suit last month but gave him 21 days to file an amended suit. Napear was let go after former Kings center DeMarcus Cousins asked him his opinion of Black Lives Matter and he replied, “ALL LIVES MATTER … EVERY SINGLE ONE.” In the amended filing, Napear says that his response was “an expression of his sincerely held religious beliefs as a member of the Unitarian Church and his opinion with regards to the sanctity of all lives.” Napear adds that “he is a lifelong and devout member of the Unitarian Universalist Church and embraces the seven principles espoused by the church, including the ‘inherent worth and dignity of every person.’” Read the Yahoo! story here.

Industry News

Nashville Post: How Outkick Reshaped Nashville Sports Talk

Michael Gallagher of the Nashville Post writes about the sports talk trio of Jonathan Hutton, Chad Withrow and Paul Kuharsky – known as “Midday 180” while working at Cumulus Media’s sports talk WGFX-FM – their ultimate decision to join Clay TravisOutkick and the effect that had on the Nashville sports talk scene. Hutton says of their decision in 2021 to go with Outkick, “The timing was perfect, but we also had a chance to grow what we were already doing. We didn’t have to leave Nashville. We own our intellectual property; you don’t have that with radio companies. We’re able to form our own show company, so to speak, and we’re part of the much larger grand scheme of Clay’s vision.” Gallagher’s piece looks at the digital frontier the trio began exploring with Outkick and chronicles their return to the Nashville airwaves. Read his complete story here.

Industry News

Axios: Talk Radio Landscape Two Years After Limbaugh’s Passing

A piece by Sara Fischer in Axios looks at the state of conservative talk radio two years after the genre’s putative founding father Rush Limbaugh passed away, leaving a literal and figurative void in the industry. Talk media practitioners are aware that the occasion of Limbaugh’s passing gave rise to a number of conservative talk personalities as they battled to fill the midday radio time slot occupied for so many years on more than 600 stations. In the bigger picture, Fischer writes, “Today, no one radio host commands the same level of power and influence that Limbaugh did, but a number of new voices are emerging — blending the reach of traditional and digital platforms — and collectively proving to be more powerful in shaping conservative opinion for younger audiences.” TALKERS magazine publisher Michael Harrison is quoted in the piece saying, “The world is changing and there are questions as to how Limbaugh, had he lived and remained healthy — based upon his mindset and his approach to the business — would have remained as pertinent as he was. He was not as flexible when it came to social media and some of the other forms that it takes right now to be a media presence as opposed to just a radio presence.” Read the entire article here.

Industry Views

Monday Memo: Sell the Outcome, Not the Product

By Holland Cooke
Consultant

imgAll this month, I am outlining revenue-producing strategies and tactics, proven by advertisers’ results (which pay us all). If you missed our first two installments, here are “So what?” and “Stop Sounding Like Commercials.”

Listen to a stopset of local radio commercials and you’ll hear lots of stuff for sale.

Cars. Mattresses. Furnaces. Checking accounts. Replacement windows. Legal services. Appliances. But consumers don’t really want any of those things. They want what happens next.

  • Nobody wakes up yearning for a new HVAC system. They want the house warm when it’s 12 degrees outside.
  • Nobody dreams about replacement windows. They want lower heating bills, less street noise, and a living room that isn’t drafty.
  • Nobody wants a mattress. They want to wake up without a backache.

Great salespeople sell outcomes. Great commercials should too.

But too often, advertising gets bogged down explaining what something is. Instead, demonstrate what it does for me.

  • Don’t tell me your auto shop provides complimentary loaner cars. Assure me that I’ll get to work even when my car can’t.
  • Don’t tell me your landscaper offers weekly maintenance. Let me spend Saturday enjoying my yard instead of working in it.
  • Don’t tell me your restaurant makes everything from scratch. Make me hungry.

Consumers need clues

Help them picture themselves after doing business with the advertiser. That’s especially powerful on radio because our medium doesn’t provide the picture… the listener does. And the picture in someone’s imagination can be more persuasive than anything you could put on a screen.

Holland Cooke (HollandCooke.com) is a consultant working the intersection of broadcasting and the Internet. Follow HC on Twitter @HollandCooke and connect on LinkedIn

Industry Views

The Audience Has an Audience

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By Matthew B. Harrison
TALKERS, VP/Associate Publisher
Harrison Media Law, Senior Partner
Goodphone Communications, Executive Producer

“Everybody’s a dreamer / And everybody’s a star.”
Ray Davies, “Celluloid Heroes,” 1972

imgMy father recently called my attention to something hiding in plain sight. He was watching YouTube and noticed ads for StreamYard, Riverside, Sprizzy and other companies selling tools and services to people who want to produce, distribute, or promote their own media. They are advertising on consumer venues!” he told me. That was the part that caught his attention.

It sounds obvious until you think about what it means. These companies are not merely advertising to viewers, listeners, and readers. They are advertising to viewers, listeners, and readers who also make things: podcasts, videos, livestreams, newsletters, books, music, and shows. The consumer audience now contains an enormous population of producers.

My father, TALKERS founder Michael Harrison, has a phrase for this: The audience has an audience.” In a July interview about the modern media landscape, he put it even more plainly: “Everybody has a show.” That does not mean everybody has a large show, a profitable show, or even a particularly good show. It means that access to the means of publishing and broadcasting, once scarce and expensive, has become ordinary.

That change created an entire business layer around the aspiring and semi-professional media producer. StreamYard and Riverside sell production capability. Podbean sells hosting, distribution, and monetization tools. Sprizzy sells YouTube promotion. Beyond them are editing platforms, newsletter companies, self-publishing services, PR firms, audience-development businesses and companies willing to help almost anyone build, package and promote a media product.

The money moving around this ecosystem is no longer trivial. The Interactive Advertising Bureau reported that U.S. creator-economy advertising grew from $29.5 billion in 2024 and projected it to reach about $43.9 billion in 2026. In its September 2026 advertising outlook update, IAB reported that 54% of buyers said they were increasing their focus on creator and influencer advertising and partnerships.

For traditional broadcasters, that should change how we think about the people on the other side of the microphone. The butcher, the baker and the candlestick maker may still be members of the audience, but now the butcher has a cooking channel, the baker has a podcast, and the candlestick maker has an Etsy store, a newsletter and 14,000 followers. They may be competitors for attention, but they can also be customers, advertisers, guests, sources, affiliates, and future talent.

This does not erase the distinction between professional media and someone experimenting in a spare bedroom. Scale still matters. Skill matters. Editorial judgment matters. Broadcasters also operate under legal and regulatory obligations that do not simply transfer to someone uploading a video from a phone. But the old wall separating “the media” from “the audience” has become remarkably porous.

That may be the bigger lesson behind all those advertisements. Companies that once would have bought trade advertising to reach broadcasters, publishers or recording professionals can now advertise on consumer platforms and find millions of people with, as Michael puts it, “a toe in showbiz.” The consumer venue has become a trade venue because a meaningful portion of the consumers are also in the trade.

So where exactly is the line between our audience, our competition and our customers? Increasingly, there isn’t a very clean one. When the audience has an audience, the media business is no longer just about reaching consumers. It is about reaching people who are themselves trying to reach somebody else.

Matthew B. Harrison is a media and intellectual property attorney who advises radio hosts, content creators, and creative entrepreneurs. He has written extensively on fair use, AI law, and the future of digital rights. Reach him at Matthew@HarrisonMediaLaw.com or read more at TALKERS.com.

Industry News

FCC’s Gomez Comments on Kimmel’s Spiked Talarico Interview

FCC Commissioner Anna M. Gomez issued a statement on ABC’s news that late night host Jimmy Kimmel’s interview with Texas U.S. Senate candidate James Talarico would not air after being pressured by the FCC. She wrote: “Jimmy Kimmel’s decision to imgkeep his interview with a Senate candidate off the air shows just how far this Administration’s campaign of censorship and control has gone. This is now the second time in a matter of months that a late-night host has disclosed they had to bury an interview because of FCC intimidation, and there is no way to know how many other editorial decisions across the country have quietly been shaped by this same pressure. No host, local affiliate, or network should have to weigh federal retaliation before booking a guest for a newsworthy interview. Any attempt to pressure broadcasters into self-censorship undermines both press freedom and the public’s right to hear from candidates in their communities seeking public office.

“The FCC has no lawful authority to threaten broadcast licenses over guest bookings or editorial decisions. Unlike other broadcasters who have quietly capitulated, Disney’s ABC has continued to fight this unlawful coercion in court, and episodes like this one only strengthen that case. Ultimately, this decision reflects the real challenges placed on affiliates who have no part in this fight. The burden should never fall on local stations to defend themselves from a federal agency that is being weaponized against speech it doesn’t like. I urge broadcasters everywhere to keep resisting this pressure, and I hope courts will soon make clear that the FCC has no place dictating editorial choices or what viewers are allowed to see.”

Industry News

Tommy Castor to Lead iHeartMedia Salt Lake City

iHeartMedia appoints Tommy Castor has been named market president for the Salt Lake City operations that includes KNRS-AM/FM. Castor was most recently with Audacy as SVP and market manager in Wichita. Area president Glynn Alan states, “We are imgthrilled to have Tommy join the Salt Lake City team. His winning track record, industry expertise, and commitment to excellence make him a tremendous addition to iHeartMedia. Tommy’s leadership will inspire those around him and help position our team for even greater success in the years ahead.” Castor comments, “I’m honored to join the iHeartMedia team in Salt Lake City and lead such a talented group of professionals. This market has an incredible media landscape and strong community connections. I look forward to building on the SLC team’s success and positioning iHeartMedia as the premier media partner in the marketplace.”

Industry News

Salem Media Announces Executive Promotions

Salem Media promotes longtime executives Autumn Marcus and Monica Montijo within the company’s finance and accounting imgdepartment. Marcus is now serving as SVP, finance and strategic planning, and Montijo rises to SVP, controller and accounting. Salem CEO David Santrella says, “Salem is entering an important new chapter, and Autumn and Monica will be key members of the leadership team helping us shape it. They know Salem and our businesses extremely well, and I have tremendous confidence in both of them and the teams they lead.”

TALKERS Heavy Hundred Archive: 2012–2026

The TALKERS Heavy Hundred documents the most important talk-media personalities in America. It stands as a continuous historical record of the people who have shaped talk radio, podcasting and spoken-word media. This archive brings the rankings together in one place, year by year, exactly as each edition was published.

Current editionThe 2026 TALKERS Heavy Hundred – Ranks 1–25

Regular Heavy Hundred

Published annually by TALKERS magazine. Every edition from 2012 through 2026. Page breaks follow the ranking ranges as each edition was originally presented.

2012 Heavy Hundred

The 2012 edition was published across eight pages. The final page also carries the Talkers 250 listing, which continues the roster beyond rank 100 with hosts 101 to 250 arranged in alphabetical order.

Sports Heavy Hundred: Selected Years

The Heavy Hundred of Sports Talk ranks the most important sports talk hosts in America. It is available for selected years.

2020 Heavy Hundred of Sports Talk

2019 Heavy Hundred of Sports Talk

2018 Heavy Hundred of Sports Talk

2017 Heavy Hundred of Sports Talk

2015 Heavy Hundred of Sports Talk

2014 Heavy Hundred of Sports Talk

2013 Heavy Hundred of Sports Talk

2012 Heavy Hundred of Sports Talk

This archive preserves the rankings as originally published. Where errors have been documented, corrections are recorded; where original materials survived, they have been restored to their published form. Rankings are not revised after publication.

Industry News

Sabo Sez: Mitch Reed’s Deserved Award

imgBy Walter Sabo
A.K.A. Walter Sterling
Host, The Other Side of Midnight
WABC, New York / Red Apple Audio Networks

The Radio Hall of Fame has just announced their “Legends” inductees, and it includes B. Mitchell Reed. YES!

One of the minor injustices of radio is the curious legacies of Tom Donahue and B. Mitchell Reed relative to the creation of free-form progressive rock radio. They were best friends with parallel careers. Both were top-of-their-game “screaming” Top 40 DJs. Tom in San Francisco, Mitch in LA and NYC. Top earnings, ratings, and both around 40 when they went to the Monterey Pop Festival. There they learned that their teens were changing fast. Harder rock, anger about Vietnam, and drugs. They knew their style of radio was out of synch with the moment.

Every day on his way to work in LA, Mitch drove past the Pasadena Presbyterian church and noticed a radio antenna on the grounds.

The tower was pumping out an FM signal that covered Los Angeles, broadcasting from the basement of the church. Underground. Mitch talked to the preacher he met along the way. And he bought time on the station at night and experimented with playing hard rock and a new form of presentation. His friend Donohue sent tapes from San Francisco, and the two of them created “free form” radio (also referred to as “underground” radio) from the basement of the church. The frequency became KPPC-FM.

Note: both of them created free-form radio at risk to their careers and income while over the age of 40. Tom continued as a progressive rock jock in San Francisco, and Mitch became an icon in Los Angeles as an album rock jock on KLOS and KMET. Oddly, Tom gets more of the image and credit, but they were very much partners.

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B. Mitchell Reed (l), his wife Carol (c), and Michael Harrison (r) at KMET, Los Angeles in the late seventies.

Walter Sabo has been a C-Suite action partner for companies such as SiriusXM, Hearst, Press Broadcasting, Gannett, RKO General, and many other leading media outlets. His company, HITVIEWS, in 2007, was the first to identify and monetize video influencers. His nightly show “The Other Side of Midnight” is heard on WABC, New York and the Red Apple Audio Network 1:00 am – 5:00 am. His syndicated show, “Sterling On Sunday,” from Talk Media Network, airs 10:00 pm – 1:00 am ET, and is now in its 10th year of success. He can be reached by email at sabowalter@gmail.com. He can be phoned at 646-678-1110.

Industry News

Dickey Broadcasting Announces Expanded Lineup on Sports Radio 680 The Fan

680 the fan logo vertical1200x1200 300x300Dickey Broadcasting Company announces, “an exciting new chapter” for Sports Radio 680 The Fan in Atlanta as veteran broadcaster John Kincade joins Matt Chernoff weekdays from 2:00 pm to 6:00 pm for the all-new “Kincade & Chernoff Show.” The pairing brings together two of Atlanta’s most respected and recognizable sports radio personalities. The new show will feature the latest sports news, interviews, and debate.

As part of this programming change, station personality Chuck Oliver will continue to play an “impactful” role on The Fan while expanding his focus on “The Chuck Oliver Show,” heard across the Southern Sports Today Network. According to station management, Oliver remains an integral part of 680 The Fan’s programming and will continue to provide the station’s signature college football coverage and analysis through exclusive segments, special features, and fan-favorite promotions including “Win Chuck’s Dinner.”  With his nationally recognized expertise, Oliver will also devote additional attention to growing “The Chuck Oliver Show,” further expanding coverage of SEC and ACC football, the College Football Playoff, recruiting, and the biggest stories from across the college football landscape throughout the Southeast.

“This is an exciting opportunity for all of our brands,” said David Dickey, president of Dickey Broadcasting Company. “John and Matt are an outstanding combination for afternoon drive, and our listeners should know that Chuck Oliver isn’t going anywhere. Chuck remains a huge part of The Fan and will continue to be our premier voice for college football through regular appearances, features, and promotions, while also expanding the reach of ‘The Chuck Oliver Show’ across the Southern Sports Today Network. These moves strengthen our commitment to delivering best-in-class sports programming both locally and throughout the Southeast.”

Industry News

New England Talk Radio Icon Howie Carr to Give Public Talk on Corruption, Crime, and Politics at Hyannis Arts Hall

03211822259Long known as the kind of radio talk show host who can “draw a crowd,” legendary New England personality, best-selling author, newspaper columnist, and broadcasting entrepreneur Howie Carr will bring his passion, wit, and personal experiences in journalism to the Hyannis Arts Hall stage on Sunday, August 16, where he will speak from 4:00 to 5:30 pm.  Carr, host of the largest regionally syndicated talk radio show in New England, will bring his unmistakable blend of outspoken passion and confrontational conservative politics to what is expected to be a sellout live audience. Tickets are available on Eventbrite.com. In 2015, Howie Carr launched The Howie Carr Radio Network, the first major host-owned radio network in New England. Carr quickly grew his network from a few stations in Massachusetts to more than 20 terrestrial radio stations across New England. The Howie Carr Radio Network is the only radio network reaching a majority of the 14 million people living in New England. Carr has authored numerous books, including the bestselling The Brothers Bulger, Hitman, and other works focused on Boston’s underworld and political corruption. Copies of some titles will be available for sale at his appearance.